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Watts Cemetery Chapel
The Watts Cemetery Chapel or Watts Mortuary Chapel is a chapel in an Modern Style (British Art Nouveau style) version of Celtic Revival in the village cemetery of Compton in Surrey. While the overall architectural structure is loosely Romanesque Revival, in the absence of any appropriate Celtic models, the lavish decoration in terracotta relief carving and paintings is Celtic Revival, here seen on an unusually large scale. According to the local council, it is "a unique concoction of art nouveau, Celtic, Romanesque and Egyptian influence with Mary's own original style". Other responses have been less positive. Ian Nairn, in the 1971 '' Surrey'' volume of the ''Buildings of England'' series, described the interior as "one of the most soporific rooms in England" and regretted "the intolerable torpor and weariness of the motifs". It is a Grade I listed building. History When Compton Parish Council created a new cemetery, local resident artist Mary Fraser-Tytler, the wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Style (British Art Nouveau Style)
The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom of Great Britain and Ireland, United Kingdom in the mid-1880s. It is the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. Britain not only provided the base and intellectual background for the Art Nouveau movement, which was adapted by other countries to give birth to local variants; they also played an over-sized role in its dissemination and cultivation through the ''Liberty (department store), Liberty'' department store and ''The Studio (magazine), The Studio'' magazine. The most important person in the field of design in general and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the 'Mackintosh rose' or 'Glasgow rose'. The Glasgow School was also of tremendous importance, particularly due to a group closely associated wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compton, Guildford
Compton is a village and civil parish in the Guildford district of Surrey, England. It is between Godalming and Guildford. It has a medieval church and a close connection to fine art and pottery, being the later life home of artist George Frederic Watts. The parish has considerable woodland and agricultural land, and the undeveloped portions are in the Metropolitan Green Belt. The village is traversed by the North Downs Way and has a large western conservation area. Central to the village are the Watts Gallery, the cemetery chapel commissioned by his wife for him, two inns and the parish church. Geography The village is just off the Compton junction of the A3 road and is crossed parallel to its linear street by the North Downs Way. Compton contains the Watts Mortuary Chapel, built to the memory of Symbolist painter George Frederic Watts, a resident of the village. Development can be classed as ribbon development around the through road. The 2001 census gives a population of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The All-Pervading
''The All-Pervading'' is an allegorical painting produced between 1887 and 1890 by the English artist George Frederic Watts. Influenced by the Sibyls of the Sistine Chapel ceiling, it symbolises the spirit Watts saw as governing "the immeasurable expanse". He presented it to the Tate Gallery in 1899 and it is now on loan from Tate Britain to the Watts Gallery in Compton, Guildford. He also produced a variant on it as the altarpiece for the Watts Mortuary Chapel The Watts Cemetery Chapel or Watts Mortuary Chapel is a chapel in an Modern Style (British Art Nouveau style) version of Celtic Revival in the village cemetery of Compton in Surrey. While the overall architectural structure is loosely Romanesque .... External linksTate Britain catalogue page for ''The All-Pervading'' 1890 paintings Collection of the Tate galleries 19th-century allegorical paintings Allegorical paintings by English artists Paintings by George Frederic Watts {{19C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Deuchars
Louis Reid Deuchars (1870–1927) was a Scottish artist and sculptor. Life He was born on 12 April 1870 in Comrie, Perthshire, Scotland. He attended Glasgow School of Art from 1887 to 1888. During his time in the city he was working as a stained-glass painter, possibly for a firm of decorators, such as J & W Guthrie. His series of lithographs, 'Picturesque Glasgow' was published in 'The Bailie' (1893–95). After sending a selection of his drawings to George Frederic Watts, 'England's Michelangelo', Deuchars secured work as an assistant to Watts at Compton, Surrey, England, where he worked on Watts' sculptures ''Physical Energy'' and ''Lord Tennyson''. However, his main employment there was as one of the four main workers assisting Mrs Watts, Mary Fraser Tytler, with her Watts Mortuary Chapel from 1895 to 1900. He helped her to run the classes attended by the local villagers, who modelled the decorative terra cotta tiles for the chapel. Then he went on in 1900 to do the sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evening Class
''Evening Class'' is a 1996 novel by the Irish author Maeve Binchy. It was adapted as the award-winning film ''Italian for Beginners'' (2000) by writer-director Lone Scherfig, who failed to formally acknowledge the source, although at the very end of the closing credits is the line 'with thanks to Maeve Binchy'. Plot introduction A story of many Irish men and women from various backgrounds and how a teacher, Nora O'Donoghue (known as "Signora"), and an Italian evening class changes their lives over the course of a year. Each chapter deals with the life story of one or more students in the class. In a Dickensian way, they bump into each other and are affected by the decisions of those around them. Major themes It is a story of love and deceit, family drama, wealth and poverty, of friendship and courage, and lots of laughter. Related Nora O'Donoghue and Aidan Dunne also appear in '' Quentins'', another novel by Maeve Binchy, and play a more significant role in '' Heart and Soul' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italianate
The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style drew its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture, synthesising these with picturesque aesthetics. The style of architecture that was thus created, though also characterised as "Neo-Renaissance", was essentially of its own time. "The backward look transforms its object," Siegfried Giedion wrote of historicist architectural styles; "every spectator at every period—at every moment, indeed—inevitably transforms the past according to his own nature." The Italianate style was first developed in Britain in about 1802 by John Nash, with the construction of Cronkhill in Shropshire. This small country house is generally accepted to be the first Italianate villa in England, from which is derived the Italianate architecture of the late Regency and early Victorian eras. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compton Potters' Arts Guild
The Compton Potters' Arts Guild was an art pottery, founded by and based at the Surrey home of Scottish artist, Mary Fraser Tytler. Background A follower of the Home Arts and Industries Association, set up by Earl Brownlow in 1885 to encourage handicrafts among the lower classes, Fraser-Tytler, the wife of Victorian era painter and sculptor George Frederic Watts, had offered to design and build a new mortuary chapel when the council in Compton, Surrey were developing a new cemetery. Setting up a local evening class, led by Louis Deuchars, Mary got them designing and modelling designs guided by her and influenced by friends and crafts people: Edward Burne-Jones, Walter Crane, Alexander Fisher, William De Morgan and Phoebe Traquair. The resultant Romanesque/Celtic revival exterior of the Watts Mortuary Chapel aroused such interest, that before work on the polychrome interior had started, Watts had set up permanent Arts and Crafts communities in both Compton and her home-tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Brownlow
Baron Brownlow, of Belton in the County of Lincoln, is a title in the Peerage of Great Britain. It was created in 1776 for Sir Brownlow Cust, 4th Baronet. The Cust family descends from Richard Cust (1622-1700) of The Black Friars, Stamford, who represented Lincolnshire and Stamford in Parliament. In 1677 he was created a baronet, "of Stamford in the County of Lincoln". He was succeeded by his grandson Richard Cust, 2nd Baronet, who married Anne Brownlow, daughter of Sir William Brownlow, 4th Baronet, "of Humby", Lincolnshire, and sister and sole heiress of John Brownlow, 1st Viscount Tyrconnel, 5th Baronet of Belton House, Lincolnshire. The 2nd Baronet's son Sir John Cust, 3rd Baronet, sat as a Member of Parliament for Grantham and served as Speaker of the House of Commons from 1761 to 1770 and in 1754 inherited the Brownlow estates, including Belton, on the death of his childless maternal uncle Viscount Tyrconnel. His son Brownlow Cust, 4th Baronet represented Ilchester, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Home Arts And Industries Association
The Home Arts and Industries Association was part of the Arts and Crafts Movement in Britain. It was founded in 1884 by Eglantyne Louisa Jebb, mother of Save the Children founders, Dorothy and Eglantyne Jebb and Louisa Wilkins who helped start the Women's Land Army. The initial name, changed in 1885, was the "Cottage Arts Association". Jebb was inspired by an initiative of Charles Godfrey Leland in Philadelphia. Another leading member was the designer Mary Fraser Tytler. The organisation sought to revive traditional rural crafts which were threatened by the mechanisation of production and by increasing urbanization. In conformity with the thinking of John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and pol ... and with Arts and Crafts philosophy, supporters believed that flouri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
