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Warm Breeze
''Warm Breeze'' is a 1980 studio album by Count Basie and his orchestra. At the 25th Grammy Awards, Count Basie won the Grammy Award for Best Jazz Instrumental Performance, Big Band for ''Warm Breeze''. Track listing #"C.B. Express" – 6:05 #"After the Rain" – 7:15 #"Warm Breeze" – 6:45 #"Cookie" – 4:01 #"Flight to Nassau" – 4:27 #"How Sweet It Is" – 7:58 #"Satin Doll" – 5:56 All music composed by Sammy Nestico, except "After the Rain" by Nestico and Michel Legrand, and "Satin Doll" by Duke Ellington, Johnny Mercer and Billy Strayhorn. Personnel * Count Basie – piano * Sonny Cohn - trumpet * Harry "Sweets" Edison * Willie Cook * Dale Carley * Frank Szabo * Bob Summers * Bill Hughes - trombone * Grover Mitchell * Dennis Wilson * Mitchell "Booty" Wood * Danny Turner - alto saxophone * Bobby Plater * Eric Dixon - tenor saxophone * Kenny Hing * Johnny Williams - baritone saxophone * Freddie Green - guitar * Cleveland Eaton - double bass * Gregg Field - drums ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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Eric Dixon
Eric "Big Daddy" Dixon (March 28, 1930 – October 19, 1989) was an American jazz tenor saxophonist, flautist, composer, and arranger. Dixon's professional career extended from 1950 until his death in 1989, during which time he was credited on as many as 200 recordings. Career Having played bugle as a child, Dixon took up the tenor saxophone at the age of 12. Following a stint experience a musician in the US Army (1951–3) he played in groups that sometimes included Mal Waldron, with whom he would later record. In 1954, he played with Cootie Williams and the following year with Johnny Hodges. In 1956, he performed and recorded with Bennie Green and also took up the flute. In the late 1950s he spent four years in the house band led by Reuben Phillips at the Apollo Theatre in New York. In 1959, he toured Europe and recorded with the Cooper Brothers.Lambert, Eddie; Barry Kernfel"Dixon, Eric".''Grove Music Online''. Oxford University Press. Retrieved 10 December 2022. He ...
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Bobby Plater
Robert C. Plater (May 13, 1914, Newark, New Jersey - November 20, 1982, Lake Tahoe) was an American jazz alto saxophonist. Plater began playing alto sax at age 12, and played locally in Newark with Donald Lambert and the Savoy Dictators in the 1930s. He played with Tiny Bradshaw from 1940-42 before spending 1942-45 serving in the U.S. military during World War II. After his discharge he worked briefly with Cootie Williams, then played intermittently with Lionel Hampton between 1946 and 1964. He also did arrangements with Hampton, and did some freelance work besides. In 1964 he took Frank Wess's place in the Count Basie Orchestra, where he played until his death in 1982. His only recordings as a leader were four songs for Bullet Records in 1950. Plater was the co-composer of "Jersey Bounce", a popular dance number in the 1940s, recorded by various musicians including Glenn Miller and Ella Fitzgerald. Discography As sideman With Count Basie * ''Pop Goes the Basie'' (Reprise, 1965 ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Booty Wood
Mitchell W. Wood, better known as Booty Wood (December 27, 1919 – June 10, 1987) was an American jazz trombonist. Career Wood played professionally on trombone from the late 1930s. He worked with Tiny Bradshaw and Lionel Hampton in the 1940s before joining the Navy during World War II. While there he played in a band with Clark Terry, Willie Smith, and Gerald Wilson. After his service ended he returned to play with Hampton, then worked with Arnett Cobb (1947–48), Erskine Hawkins (1948-50), and Count Basie (1951). He spent a few years outside music, then played with Duke Ellington in 1959-60 and again in 1963; he returned once more early in the 1970s. He again played with the Count Basie Orchestra from 1979 into the middle of the following decade. Discography As leader * ''Chelsea Bridge'' (Black and Blue, 1998) As sideman With Count Basie * ''Digital III at Montreux'' with Ella Fitzgerald, Joe Pass (Pablo, 1979) – first two tracks only * '' Kansas City Shout'' (Pablo, 1 ...
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Grover Mitchell
Grover Mitchell, born Grover Curry Mitchell (March 17, 1930 – August 6, 2003) was an American jazz trombonist who led the Count Basie Orchestra. Biography Mitchell was born in Whately, Alabama, but he moved with his parents to Pittsburgh, Pennsylvania, when he was eight. He played the bugle in school and wanted to play trumpet. However, the school band needed a trombonist and reportedly Mitchell's long arms fit the task. He was a member of the school's orchestra with Ahmad Jamal and Dakota Staton. At sixteen, he played with King Kolax's territory band in Indiana. In 1951 he joined the U.S. Marines and played in a military band. After being discharged in 1953, he moved to San Francisco, where he worked with Earl Hines, Lionel Hampton, and Duke Ellington. From 1962–1970, he was a member of the Count Basie Orchestra. Mitchell had been a fan of Tommy Dorsey, as Count Basie told him he sounded like him. He spent the next decade working in television and movies, then returned ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Bill Hughes (musician)
William Henry Hughes (March 28, 1930 – January 14, 2018) was an American jazz trombonist and bandleader. He spent most of his career with the Count Basie Orchestra and was the director of that ensemble until September 2010. Biography Early life and career Bill Hughes was born in Dallas, Texas, and his family moved to Washington, D.C., when he was nine years old. His father worked at the Bureau of Engraving and played trombone in the Elks Club marching band. Hughes began playing the trombone at age twelve or thirteen and was performing at Washington jazz venues by the age of sixteen. One of these venues was the 7T Club, where he performed with saxophonist and flautist Frank Wess. While students at Howard University, Hughes and Wess played in the Howard Swingmasters, along with bassist Eddie Jones. The Swingmasters were one of several early groups that helped promote the study and performance of jazz at Historically Black Colleges and Universities. Although interested in p ...
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Willie Cook
Willie Cook (November 11, 1923 – September 22, 2000) was an American jazz trumpeter. Cook was born in Tangipahoa, Louisiana, on November 11, 1923.Hogan, E"Willie Cook" AllMusic. Retrieved July 13, 2017. He grew up in Chicago and learned to play violin before settling on trumpet as a teenager. He joined King Perry's band in the late 1930s, then joined Jay McShann's band early in the 1940s. His later credits include performing and recording with Johnny Hartman, Earl Hines, Jimmie Lunceford, Ella Fitzgerald, Dizzy Gillespie, Duke Ellington, B.B. King, and Count Basie. He joined Ellington's band in October 1951 as lead trumpeter and stayed for a decade. He moved to Sweden in 1982 after spending time in the country touring. He died of heart failure in Maria Regina Hospice in Stockholm on September 22, 2000.Ratliff, Ben (October 21, 2000"Willie Cook, 76, Lead Trumpeter with Gillespie and Ellington" ''The New York Times''. Discography With The Young Swedes *''Christl Mood'' ( Phont ...
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Harry "Sweets" Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison explai ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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