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Wake (opera)
''Wake'' is an opera with music by Giorgio Battistelli to a libretto by Sarah Woods. It was premiered on 14 March 2018 by Birmingham Opera Company, in a production by Graham Vick. The opera, which lasts about 80 minutes, is based on the story of the raising of Lazarus. The production involved participation by non-professionals and audience, who were asked on entry to don veils in mourning for the deceased Lazarus.George Hall"Wake review at B12 Warehouse, Birmingham" 15 March 2018, ''The Stage'' website, accessed 16 March 2018. Reviews of the opera were mixed. ''The Stage'' described the work as an "ambitious immersive opera that lacks clarity" in which the audience is steered around four trailer platforms to be confronted with a variety of scenes including police violence and gay exclusion. ''The Times'' found Batistelli's score "diffuse, ithdated and forgettable avante-garde effects that Penderecki and Berio were doing better half a century ago", and concluded that "unlike La ...
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Giorgio Battistelli
Giorgio Battistelli (born 25 April 1953) is an Italian composer of contemporary classical music. A native of Albano Laziale (province of Rome), he studied at the conservatory in L'Aquila and is a former student of Stockhausen and Kagel. Battistelli has written nearly 20 operas on subjects ranging from Diderot and d'Alembert's Encyclopaedia to Mary Shelley's Frankenstein. His opera '' CO2'', based on Al Gore's ''An Inconvenient Truth'', premiered at La Scala in 2015. His opera ''Wake'' was premiered by the Birmingham Opera Company in March 2018 and is inspired by the story of Lazarus being brought back from the dead. In 1994 he founded with some friends the improvisation group entitled ''Edgard Varèse'' and an instrumental ensemble named ''Beat '72''. From 1985 to 1986 he was host of the Deutscher Akademischer Austauschdienst in Berlin. In 1990 he won the SIAE for an opera and in 1993 the Cervo Prize for contemporary music. He was also artistic director of the Cantiere Interna ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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2018 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Joshua Stewart
Joshua () or Yehoshua ( ''Yəhōšuaʿ'', Tiberian: ''Yŏhōšuaʿ,'' lit. 'Yahweh is salvation') ''Yēšūaʿ''; syr, ܝܫܘܥ ܒܪ ܢܘܢ ''Yəšūʿ bar Nōn''; el, Ἰησοῦς, ar , يُوشَعُ ٱبْنُ نُونٍ '' Yūšaʿ ibn Nūn''; la, Iosue functioned as Moses' assistant in the books of Exodus and Numbers, and later succeeded Moses as leader of the Israelite tribes in the Hebrew Bible's Book of Joshua. His name was Hoshea ( ''Hōšēaʿ'', lit. 'Save') the son of Nun, of the tribe of Ephraim, but Moses called him "Yehoshua" (translated as "Joshua" in English),''Bible'' the name by which he is commonly known in English. According to the Bible, he was born in Egypt prior to the Exodus. The Hebrew Bible identifies Joshua as one of the twelve spies of Israel sent by Moses to explore the land of Canaan. In Numbers 13:1, and after the death of Moses, he led the Israelite tribes in the conquest of Canaan, and allocated lands to the tribes. According to b ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Jonathon Heyward
Jonathon Heyward is an American conductor. From 2016, he was assistant conductor of The Hallé, and music director of The Hallé Youth Orchestra. He has been chief conductor of the Nordwestdeutsche Philharmonie from 2021. On July 21, 2022, the Baltimore Symphony Orchestra announced that it had chosen Jonathon Heyward as its next music director. He is the first person of color to direct the Baltimore Symphony Orchestra. Biography Heyward grew up in South Carolina, U.S., in a family with no exposure to classical music; his father lived in Haarlem, and his mother had parents from Russia and Yugoslavia. He was first trained as a cellist, studying with Timothy O'Malley, and chamber musician. His first public conducting opportunity took place in 2009 as part of Chamber Music Charleston's Mozart In The South Festival Youth Orchestra. Heyward studied conducting at the Boston Conservatory with Andrew Altenbach, and then was assistant conductor for both the conservatory's opera depa ...
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The Arts Desk
''The Arts Desk'' (theartsdesk.com) is a British arts journalism website containing reviews, interviews, news, and other content related to music, theatre, television, films, and other art forms written by journalists from a variety of traditional and web-based publications. It launched in September 2009 as a shareholder collective. From 2010 to 2013, its honorary chairman was Sir John Tusa, former managing director of the BBC World Service and of the Barbican Centre. In 2012, it won an Online Media Award as the best specialist journalism site, jointly with the website for ''The Economist''. Notable contributors to the website include; Aleks Sierz Aleks Sierz is a British theatre critic. He is known for coining the term " In-yer-face theatre", which was the title of a book he published in 2001. Sierz was educated at Manchester University and holds a PhD from Westminster University. He wo ..., Jasper Rees, Matt Wolf, Ismene Brown, Joe Muggs, Tom Birchenough, David Nice, Kie ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Birmingham Post
The ''Birmingham Post'' is a weekly printed newspaper based in Birmingham, England, with a circulation of 2,545 and distribution throughout the West Midlands. First published under the name the ''Birmingham Daily Post'' in 1857, it has had a succession of distinguished editors and has played an influential role in the life and politics of the city. It is currently owned by Reach plc. In June 2013, it launched a daily tablet edition called ''Birmingham Post Business Daily.'' History The '' Birmingham Journal'' was a weekly newspaper published between 1825 and 1869. A nationally influential voice in the Chartist movement in the 1830s, it was sold to John Frederick Feeney in 1844 and was a direct ancestor of today's ''Birmingham Post''. The 1855 Stamp Act removed the tax on newspapers and transformed the news trade. The price of the ''Journal'' was reduced from seven pence to four pence and circulation boomed. Untaxed, it became possible to sell a newspaper for a penny, and the ...
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