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Violin Concerto No. 5 (Vieuxtemps)
The Violin Concerto No. 5 in A minor, Op. 37, by Henri Vieuxtemps was published in 1861 and composed 1858–1859.See The Concerto was at the request of Hubert Léonard as a competition test piece for the Brussels ConservatoryHofmeisters Monatsberichte(January 1862- implying most likely an 1861 publication date for receipt by Hofmeister's magazine in early 1862.) RISM also confirms this earlier date - they give 1858–1860 - according to a description of the autograph, held at Bibliothèque royale de Belgique, Bruxelles - seRISM Leopold Auer (1925, p. 75) writes that the concerto had been "practically forgotten" but if played as its composer intended, "will not fail to impress the majority of its auditors". The second movement borrows from "Où peut-on être mieux qu'au sein de sa famille?" in Grétry's opera '' Lucile''. It is now a well known Violin Concerto in the repertoire and is played often in competitions and concerts. Structure The work consists of three movements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Vieuxtemps
Henri François Joseph Vieuxtemps ( 17 February 18206 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship. Biography Vieuxtemps was born in Verviers, Belgium (then part of the United Kingdom of the Netherlands), son of a weaver and amateur violinist and violin-maker. He received his first violin instruction from his father and a local teacher and gave his first public performance at the age of six, playing a concerto by Pierre Rode. Soon he was giving concerts in various surrounding cities, including Liège and Brussels where he met the violinist Charles Auguste de Bériot, with whom he began studies. In 1829, Bériot took him to Paris where he made a successful concert debut, again with a concerto by Rode, but he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répertoire International Des Sources Musicales
A repertoire () is a list or set of dramas, operas, musical compositions or roles which a company or person is prepared to perform. Musicians often have a musical repertoire. The first known use of the word ''repertoire'' was in 1847. It is a loanword from the French language, as (), with a similar meaning in the arts. This word, in turn, has its origin in the Late Latin word ''repertorium''. The concept of a basic repertoire has been extended to refer to groups which focus mainly on performing standard works, as in repertory theater or repertoire ballet. See also * setlist – a list of works for a specific performance * playlist – a list of works available to play * signature song A signature (; from la, signare, "to sign") is a Handwriting, handwritten (and often Stylization, stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and ... – a musical composition most associate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Auer
Leopold von Auer ( hu, Auer Lipót; June 7, 1845July 15, 1930) was a Hungarian violinist, academic, conductor, composer, and instructor. Many of his students went on to become prominent concert performers and teachers. Early life and career Auer was born in Veszprém, Hungary, 7 June 1845,Fifield, Christopher, in Oxford Companion to Music, Alison Latham, ed., Oxford University Press, 2003 p. 70 to a poor Jewish household of painters. He first studied violin with a local concertmaster. He later wrote that the violin was a "logical instrument" for any (musically inclined) Hungarian boy to take up because it "didn't cost much." At the age of 8 Auer continued his violin studies with Dávid Ridley Kohne, who also came from Veszprém, at the Budapest Conservatory.Schwarz, p. 414 Kohne was concertmaster of the orchestra of the National Opera. A performance by Auer as soloist in the Mendelssohn violin concerto attracted the interest of some wealthy music lovers, who gave hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucile (opera)
''Lucile'' is an opéra comique, described as a ''comédie mêlée d'ariettes'', in one act by the composer André Grétry, It was first performed at the Comédie-Italienne, Paris on 5 January 1769. The French text is by Jean-François Marmontel, and the characters in the opera, though not the actual story, were derived from "L'école des pères", one of Marmontel's ''Contes moraux'' ("Moral Tales"). The melody from "Où peut-on être mieux qu'au sein de sa famille?" was later reused in Vieuxtemps' Violin Concerto No. 5, Op.37. Performance history ''Lucile'' was first performed at the Comédie-Italienne, Paris on 5 January 1769 and became Grétry's most popular opera during the following decade. By 1780 it had reached a total of 195 performances but it was less successful thereafter.Charlton, ''Grétry and the Growth of Opéra Comique'', p. 49 Roles Synopsis Lucile is enjoying a morning preparing for her wedding. She is joined by her fiancé young Dorval, her father Timante and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concertos By Henri Vieuxtemps
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectric p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1859 Compositions
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