|
Villa Muti
{{Coord, 41.8017194, 12.6725833, type:landmark_region:IT, format=dms, display=title Villa Muti is a villa in Frascati, Italy, now in the communal territory of Grottaferrata. History Initial construction on the site was started in 1579 by Ludovico Cerasoli. The locale was then acquired in 1595 by the soon to be Cardinal, Pompeo Arrigoni and then divided into two parts and given to relatives including his nephew Cardinal Ciriaco Rocci. Later the villa was modified by different owners including Cesarini and the Amadei. The Muti family, who had obtained the property in the 1900s sold it at the end of World War II to the "Comune di Grottaferrata". Features Inside there are frescoes by two major High Baroque artists: Giovanni Lanfranco (''Meeting of Judah and Tamar'', ''Joseph and his Brothers'' and ''Susanna Surprised While Bathing'') and Pietro da Cortona (''Daniel in the Lion's Den'' and ''Story of Habbakuk''). Frescoes of ''History of Agar'' are by the artist Ludovico Cigoli and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frascati
Frascati () is a city and ''comune'' in the Metropolitan City of Rome Capital in the Lazio region of central Italy. It is located south-east of Rome, on the Alban Hills close to the ancient city of Tusculum. Frascati is closely associated with science, being the location of several international scientific laboratories. Frascati produces the white wine Frascati (wine), with the same name. It is also a historical and artistic centre. History The most important archeological finding in the area, dating back to Ancient Rome, Ancient Roman times, during the late Republican Age, is a patrician Roman villa probably belonging to Lucullus. In the first century AD its owner was Gaius Sallustius Crispus Passienus, who married Agrippina the Younger, mother of Nero. His properties were later confiscated by the Flavian imperial dynasty (69–96 AD). Consul Flavius Clemens lived in the villa with his wife Domitilla during the rule of Domitian. According to the ''Liber Pontificalis'', in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grottaferrata
Grottaferrata () is a small town and ''comune'' in the Metropolitan City of Rome, situated on the lower slopes of the Alban Hills, south east of Rome. It has grown up around the Abbey of Santa Maria di Grottaferrata, founded in 1004. Nearby communes include Frascati, Rocca di Papa, Marino and Rome. History The history of Grottaferrata identifies largely with that of the Basilian Monastery of Santa Maria, founded here in 1004 by Saint Nilus the Younger. The founding legend narrates that, at the spot where the abbey now stands, the Virgin Mary appeared and bade him found a church in her honour. From Gregory, the powerful Count of Tusculum, father of Popes Benedict VIII and John XIX, Nilus obtained the site, which had been a Roman villa, where among the ruins there remained a low edifice of ''opus quadratum'' that had been a tomb but had been converted to a Christian oratory in the fourth century. Its iron window grates gave the site the name, first of ''Cryptaferrata'' ("ironb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Muti Seventeenth Century Print Of Matteo Greuter 1620 Img054
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeo Arrigoni
Pompeio Arrigoni or Pompeo Arrigoni (1552–1616) was a Roman Catholic cardinal. Biography On 24 Feb 1607, he was consecrated bishop Pope Paul V, with Ludovico de Torres, Archbishop of Monreale, with Marcello Lante della Rovere, Bishop of Todi, serving as co-consecrators. While bishop, he was the principal consecrator of Bartolomeo Giorgi, Bishop of Pesaro The Archdiocese of Pesaro ( la, Archidioecesis Pisaurensis) is a Roman Catholic ecclesiastical territory in central Italy. Its see at Pesaro was elevated in status to archiepiscopal see in 2000. Its suffragans are the Diocese of Fano-Fossombro ... (1609); and Pietro Federici, Bishop of Vulturara e Montecorvino (1609). References 1552 births 1616 deaths 17th-century Italian cardinals 17th-century Italian Roman Catholic archbishops {{Italy-RC-cardinal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciriaco Rocci
Ciriaco Rocci (August 8, 1582 – September 25, 1651) was an Italian Catholic Cardinal and papal Apostolic Nuncio to Switzerland and Holy Roman Empire. Life Rocci was born on 8 August 1582 in Rome and studied law before entering the service of the church. In 1628 he was appointed Latin Archbishop of Patras, consecrated bishop on 2 July 1628 by Cardinal Giulio Cesare Sacchetti and sent to Switzerland by Pope Urban VIII as an Apostolic Nuncio. In 1629 he returned to Rome and was elevated to cardinal '' in pectore''. That same year, Rocci came into possession of one part of the Villa Muti which had been divided upon the death of his uncle (on his mother's side) Cardinal Pompeo Arrigoni. His elevation to cardinal was not revealed until 1633, prior to which he was appointed as nuncio to Holy Roman Empire. After revelation of his cardinalate, he returned to Rome and was appointed Cardinal-Priest of San Salvatore in Lauro. He served as Cardinal Legate (the governor of the provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Cigoli
Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Passignano
Domenico Passignano (1559 – 17 May 1638), born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-''Maniera'' (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century. Biography Cresti was born in Passignano in Val di Pesa, Passignano, currently a ''frazione'' of Barberino Tavarnelle about 30 km south of Florence, and was educated by the local Vallombrosan monks. He started his works in the stylized Tuscan manner, working with Giovanni Battista Naldini and Girolamo Macchietti. After travelling from Rome to Venice (1581–1589), he came under the influence of Tintoretto's style. He had traveled to Venice as an assistant to Federico Zuccari, who had employed him previously in the completion of Giorgio Vasari's ''The Last Judgement (Vasari and Zuccari), The Last Judgment'' on the ceiling of the dome of Florence Cathedral. He was known to paint with great speed; however, as he used less paint in order to work q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
