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Viewpoints Method
Viewpoints is a technique of dance composition that acts as a medium for thinking about and acting upon movement, gesture and creative space. Originally developed in the 1970s by master theater artist and educator Mary Overlie, the Six Viewpoints has been studied and practiced for decades in theatre and dance. Overlie's practice and theory profoundly enables access to the source of inspiration and creativity. The Six Viewpoints, if practiced in the purest form, is found to be indescribably powerful and effective in all areas of investigation of, and for making art. In the simplest form, it is a practice for improvisation. The Six Viewpoints theory was adapted by directors Anne Bogart and Tina Landau over the course of 10 years, ultimately resulting in the delineation of nine "physical" Viewpoints and 5 "vocal" ones. Bogart and Overlie were on the faculty of ETW at NYU in the late 1970s and early 1980s, during which time Bogart was influenced by Overlie's innovations. Overlie's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography (dance)
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of human ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition
Repetition may refer to: * Repetition (rhetorical device), repeating a word within a short space of words *Repetition (bodybuilding), a single cycle of lifting and lowering a weight in strength training *Working title for the 1985 slasher film '' Friday the 13th: A New Beginning'' Books * ''Repetition'' (Kierkegaard book), a book by the Danish philosopher Søren Kierkegaard published in 1843 * ''Repetition'' (Handke novel), a 1986 novel by the Austrian writer Peter Handke * ''Repetition'' (Robbe-Grillet novel), translation of ''La reprise'', a 2001 novel by Alain Robbe-Grillet Music *Repetition (band), an English post-punk band formed in 1979 * Repetition (music), the use of repetition in musical compositions Albums * ''Repetition'' (Unwound album), a 1996 album by Unwound * ''Repetition'' (Clifford Jordan album), a 1984 album by Clifford Jordan Songs * "Repetition" (David Bowie song), a song by David Bowie on his 1979 album ''Lodger'' * "Repetition" (Information Society song), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steppenwolf Theater Company
Steppenwolf Theatre Company is a Chicago theatre company founded in 1974 by Terry Kinney, Jeff Perry, and Gary Sinise in the Unitarian church on Half Day Road in Deerfield, Illinois and is now located in Chicago's Lincoln Park neighborhood on Halsted Street. The theatre's name comes from Hermann Hesse's novel '' Steppenwolf'', which original member Rick Argosh was reading during the company's inaugural production of Paul Zindel's play, '' And Miss Reardon Drinks a Little'', in 1974. After occupying several theatres in Chicago, in 1991, it moved into its own purpose-built complex with three performing spaces, the largest seating 550. A recipient of the Regional Tony Award, several of its productions have transferred to Broadway. History The name Steppenwolf Theatre Company was first used in 1974 at a Unitarian church on Half Day Road in Deerfield. The company presented '' And Miss Reardon Drinks a Little'' by Paul Zindel, ''Rosencrantz and Guildenstern Are Dead'' by Tom Stop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SITI
Siti or SITI may refer to: People * Siti (given name), a common Malay female given name * Siti Kassim (born 1961), Comorian politician * Siti Mwinyi (born 1932), Tanzanian first lady * Beáta Siti (born 1973), Hungarian handball player and coach * Eszter Siti (born 1977), Hungarian handball player * Walid Siti (born 1952), Kurdish artist *Siti Badriah (born 1991), musical artist Dancedhut at the Productions Nagaswara * Places * Siti Hydroelectric Power Station (other) Other * Siti, character in Opera Jawa * Saratoga International Theater Institute, theater company in New York, United States * SITI: An Iconic Exhibition of Dato' Siti Nurhaliza * Siti (film), 2014 Indonesian film * Siti Networks * Siti language Sιtι (Sitigo) is a Gurunsi ( Gur) language of Ghana. It has been mistaken for a dialect of Vagla.Hammarström (2015) Ethnologue 16/17/18th editions: a comprehensive review: online appendices References Languages of Ghana Gurunsi langua ... * Steven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stimulus (physiology)
In physiology, a stimulus is a detectable change in the physical or chemical structure of an organism's internal or external environment. The ability of an organism or organ to detect external stimuli, so that an appropriate reaction can be made, is called sensitivity (excitability). Sensory receptors can receive information from outside the body, as in touch receptors found in the skin or light receptors in the eye, as well as from inside the body, as in chemoreceptors and mechanoreceptors. When a stimulus is detected by a sensory receptor, it can elicit a reflex via stimulus transduction. An internal stimulus is often the first component of a homeostatic control system. External stimuli are capable of producing systemic responses throughout the body, as in the fight-or-flight response. In order for a stimulus to be detected with high probability, its level of strength must exceed the absolute threshold; if a signal does reach threshold, the information is transmitted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion (physics)
In physics, motion is the phenomenon in which an object changes its position with respect to time. Motion is mathematically described in terms of displacement, distance, velocity, acceleration, speed and frame of reference to an observer and measuring the change in position of the body relative to that frame with change in time. The branch of physics describing the motion of objects without reference to its cause is called kinematics, while the branch studying forces and their effect on motion is called dynamics. If an object is not changing relative to a given frame of reference, the object is said to be ''at rest'', ''motionless'', ''immobile'', '' stationary'', or to have a constant or time-invariant position with reference to its surroundings. Modern physics holds that, as there is no absolute frame of reference, Newton's concept of '' absolute motion'' cannot be determined. As such, everything in the universe can be considered to be in motion. Motion applies to various p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, to compare the duration of events or the intervals between them, and to quantify rates of change of quantities in material reality or in the conscious experience. Time is often referred to as a fourth dimension, along with three spatial dimensions. Time has long been an important subject of study in religion, philosophy, and science, but defining it in a manner applicable to all fields without circularity has consistently eluded scholars. Nevertheless, diverse fields such as business, industry, sports, the sciences, and the performing arts all incorporate some notion of time into their respective measuring systems. 108 pages. Time in physics is operationally defined as "what a clock reads". The physical nature of time is addre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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