Vasudhara At Crocker Art Museum
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Vasudhara At Crocker Art Museum
Vasudhārā whose name means "stream of gems" in Sanskrit, is the Buddhist goddess of wealth, prosperity, and abundance. She is one of the most popular goddesses worshipped in many Buddhist countries and is a subject of Buddhist legends and art. Her popularity peaks in Nepal where she has a strong following among the Buddhist Newars of the Kathmandu Valley and is thus a central figure in Newar Buddhism. She is named Shiskar Apa in Lahul and Spiti. She is comparable to the Earth goddesses Phra Mae Thorani in Theravada and Tai folk religion and Bhūmidevī or Lakshmi in Hinduism. Her scriptures and practices are also found in Tibetan Buddhism. Her short mantra is ''Oṃ Vasudhārāyai Svāhā''. Parallels with Bhūmidevī Vasudhara is often compared to the Hindu goddess Bhūmidevī. As goddesses of wealth, both deities have a similar iconography and are worshipped for their role in an abundant harvest.Shaw, Miranda. (2006) Buddhist Goddesses of India. p. 259 Both assum ...
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Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese form, to learners already familiar with the Latin alphabet. The system includes four diacritics denoting tones, but pinyin without tone marks is used to spell Chinese names and words in languages written in the Latin script, and is also used in certain computer input methods to enter Chinese characters. The word ' () literally means "Han language" (i.e. Chinese language), while ' () means "spelled sounds". The pinyin system was developed in the 1950s by a group of Chinese linguists including Zhou Youguang and was based on earlier forms of romanizations of Chinese. It was published by the Chinese Government in 1958 and revised several times. The International Organization for Standardization (ISO) adopted pinyin as an international standard ...
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Prithvi
Prithvi or Prithvi Mata (Sanskrit: पृथ्वी, ', also पृथिवी, ', "the Vast One") is the Sanskrit name for the earth, as well as the name of a devi (goddess) in Hinduism and some branches of Buddhism. In the Vedas, her consort is Dyaus Pita, the sky god. Her counterpart later in Puranas, is known as Bhumi, Varaha's wife. As ''Pṛthvī Mātā'' ('Mother Earth') she is complementary to Dyaus Pita ('Father Sky'). In the ''Rigveda'', Earth and Sky are primarily addressed in the dual as Dyavapṛthivi. She is associated with the cow. Prithu, an incarnation of Viṣṇu, milked her in cow's form. Despite strong historical Hindu influence, the name is also used for national personifications of country Indonesia, where in certain points have been internally referred to as "Ibu Pertiwi" (in Indonesian). It has 28 names in Sanskrit Buddhism In Buddhist texts and visual representations, Pṛthvī is described as both protecting Gautama Buddha and as being his witne ...
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Hindu Iconography
Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers. Over time some of the symbols, for instance the Swastika has come to have wider association while others like Om are recognized as unique representations of Hinduism. Other aspects of Hindu iconography are covered by the terms murti, for icons and mudra for gestures and positions of the hands and body. Hindu sacraments Hindu sacraments are physical pieces of that help objects or markings that are considered sacred and used as a sign of devotion by the followers of Sanathana Dharma (Hinduism). These are often objects associated with a puja (prayer) or religious ceremony. Murti Murtis are statues and idols of Hindu Gods. They are a huge part of Hind ...
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Lalitasana
Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or "royal ease" in English, and is a relaxed pose typical in royal portraits and those of religious figures whose "kingly" attributes are being emphasized. The figure sits on a throne with one leg tucked inwards on the seat and the other hanging down ("pendent") to touch the ground or rest on a support (often a stylized lotus throne). Usually it is the proper right leg that dangles, but the reversed image can be found. Bare feet are normal. ''Asana'' is a general term for a seated pose, from sa, आसन ''āsana'' "sitting down" (from आस ''ās'' "to sit down"), a sitting posture, a seat. Some sources distinguish between the ''lalitasana'' posture, as described above, and the "royal ease" (''maharajalilasana'' or ''rajalilasana''), where the right leg (usually) is bent, and the foot rests on the same level as the sitting body, and the ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ...
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Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave tem ...
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Vasudhara At Crocker Art Museum
Vasudhārā whose name means "stream of gems" in Sanskrit, is the Buddhist goddess of wealth, prosperity, and abundance. She is one of the most popular goddesses worshipped in many Buddhist countries and is a subject of Buddhist legends and art. Her popularity peaks in Nepal where she has a strong following among the Buddhist Newars of the Kathmandu Valley and is thus a central figure in Newar Buddhism. She is named Shiskar Apa in Lahul and Spiti. She is comparable to the Earth goddesses Phra Mae Thorani in Theravada and Tai folk religion and Bhūmidevī or Lakshmi in Hinduism. Her scriptures and practices are also found in Tibetan Buddhism. Her short mantra is ''Oṃ Vasudhārāyai Svāhā''. Parallels with Bhūmidevī Vasudhara is often compared to the Hindu goddess Bhūmidevī. As goddesses of wealth, both deities have a similar iconography and are worshipped for their role in an abundant harvest.Shaw, Miranda. (2006) Buddhist Goddesses of India. p. 259 Both assum ...
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Tibet
Tibet (; ''Böd''; ) is a region in East Asia, covering much of the Tibetan Plateau and spanning about . It is the traditional homeland of the Tibetan people. Also resident on the plateau are some other ethnic groups such as Monpa people, Monpa, Tamang people, Tamang, Qiang people, Qiang, Sherpa people, Sherpa and Lhoba peoples and now also considerable numbers of Han Chinese and Hui people, Hui settlers. Since Annexation of Tibet by the People's Republic of China, 1951, the entire plateau has been under the administration of the People's Republic of China, a major portion in the Tibet Autonomous Region, and other portions in the Qinghai and Sichuan provinces. Tibet is the highest region on Earth, with an average elevation of . Located in the Himalayas, the highest elevation in Tibet is Mount Everest, Earth's highest mountain, rising 8,848.86 m (29,032 ft) above sea level. The Tibetan Empire emerged in the 7th century. At its height in the 9th century, the Tibet ...
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Taranatha
Tāranātha (1575–1634) was a Lama of the Jonang school of Tibetan Buddhism. He is widely considered its most remarkable scholar and exponent. Taranatha was born in Tibet, supposedly on the birthday of Padmasambhava. His original name was Kun-dga'-snying-po, the Sanskrit equivalent of which is Anandagarbha. However, he adopted Taranatha, the Sanskrit name by which he was generally known, as an indication of the value he placed on his Sanskrit scholarship in an era when mastery of the language had become much less common in Tibet than it had once been. He was also paying homage to his Indian teacher, Buddhaguptanatha. His exceptional qualities are said to have been recognized by others at a young age, as is often the case with great masters. He studied under such masters as Je Draktopa, Yeshe Wangpo, Kunga Tashi and Jampa Lhundrup, although his primary teacher was Buddhaguptanatha. Taranatha was recognized by Khenchen Lungrik Gyatso as the rebirth of Krishnacarya and the Khenc ...
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Legend Of Vasudhara (Ashvaghosha Avadana) LACMA M
A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived, both by teller and listeners, to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants may include miracles. Legends may be transformed over time to keep them fresh and vital. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted. Legends are sometimes distinguished from myths in that they concern human beings as the main characters rather than gods, and sometimes in that they have some sort of historical basis whereas myths generally do not. The Brothers Grimm defined ''legend'' as "folktale historically grounded". A by-product of the "concern with human beings" is the long list of legendary creatures, leaving no "resolute doubt" th ...
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Jambhala
Jambhala (also known as Dzambhala, Dzambala, Zambala or Jambala) is the God of Fortune and Wealth and appropriately a member of the Jewel Family (see Ratnasambhava). He is sometimes equated with the Hindu deity Kubera. Jambhala is also believed to be an emanation of Avalokitesvara or Chenrezig, the Bodhisattva of Compassion. There are five different wealth Jambhalas; each has his own practice and mantra to help eliminate poverty and create financial stability.Nepalese and Tibetan Arts Blog. Access date= June 3rd, 2013Five Jambala (Dzambhala) and Mantra Gyalten Sogdzin Rinpoche said that Jambhala is the protector of all Lineages and of all sentient beings from all sickness and difficulties. Jambhala is a Bodhisattva of material and spiritual wealth as well as many other things, especially of granting financial stability. Etymology ''Dzam'' means "deity or gathering." ''Bhah'' means "gold or wealth." ''La'' means "to honor". ''Dzambhala'' means “Precious golden deity who ga ...
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Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ...
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