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Varusham Padhinaaru
''Varusham 16'' (read as "Varusham Padhinaaru"; ) is a 1989 Indian Tamil-language film, directed by Fazil. The film stars Karthik and Khushbu, with Sukumari, V. K. Ramasamy, Janagaraj, Charle and Vadivukkarasi in supporting roles. It is a remake of Fazil's own Malayalam film '' Ennennum Kannettante''. Karthik won the Filmfare Award for Best Actor – Tamil for his performance in the film. It was dubbed into Telugu as ''Premanjali'' and released on 21 April 1989. Plot Kannan, a convict, is released from prison after sixteen years. Rajamani, his grandfather's servant is there to receive him. Kannan enquires Rajamani about the past sixteen years. After entering into the house, he recollects his memories. Kannan is the eldest grandson of the family. Kannan arrives at the village for his family temple festival. Kannan is loved by all the family members. Kannan's maternal uncle's daughter also arrived for the festival after sixteen years. In the beginning, both of them te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fazil (director)
Abdul Hameed Muhammed Fazil (born 4 February 1949 in Alappuzha, Kerala), known mononymously as Fazil, is an Indian film director, producer, screenwriter and actor who works in Malayalam cinema, in addition to directing a handful of Tamil films and a Telugu film. He made his directional debut with the 1980 film ''Manjil Virinja Pookkal''. His popular films include ''Ente Mamattikkuttiyammakku'' (1983), ''Nokkethadhoorathu Kannum Nattu'' (1984), ''Poovinu Puthiya Poonthennal'' (1986), ''Manivathoorile Aayiram Sivarathrikal'' (1987), ''Ente Sooryaputhrikku'' (1991), ''Pappayude Swantham Appoos'' (1992), '' Manichitrathazhu'' (1993), '' Harikrishnans'' (1998). His 1993 film ''Manichitrathazhu'' won the National Film Award for Best Popular Film Providing Wholesome Entertainment. He won the Best Director award at the 13th Kerala State Film Awards for his 1984 film ''Ente Mamattukkuttiyammakku''. Early life His father wanted him to be a doctor, but in school and college, extra c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tinku
Tinku, a Bolivian Aymara tradition, began as a form of ritualistic combat. In the Quechua language, it means “meeting-encounter". During this ritual, men and women from different communities will meet and begin the festivities by dancing. The women will then form circles and begin chanting while the men proceed to fight each other; eventually the women will join in the fighting as well. Large tinkus are held in Potosí during the first few weeks of May. The story behind this cultural dance is that long ago, the colonial hacendados set fights between indigenous campesinos for their amusement. Pututu trumpets were used by the Indians in order to call for a Tinku encounter, as well as to assemble the peons when the hacendado required of their presence. Tinku dance costumes are colorful and decorative. Women wear a dress, abarcas, and a hat and men wear an undershirt, pants, jacket, sandals (abarcas), and hard helmet like hats. Even though the people were slaves, they loved to d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasri (writer)
Indukuri Ramakrishnam Raju (31 August 1934 – 14 August 1994), populary known by his pen name Rajasri, was an Indian lyricist, screenwriter, film director, and music composer in Telugu cinema. He has worked on nearly 1000 films, a majority of them are dubbed films. He was popularly referred to as ''Anuvaada Brahma'' (). He used to pen Telugu lyrics for most of the films dubbed from Tamil in the 1980s and early 1990s. Early life Rajasri was born as 'Indukuri Ramakrishnam Raju' to Indukuri Appalaraju and Narayanamma on 31 August 1934 in Vizianagaram. Right from early childhood he started writing stories and metrical poetry. He completed his B.Sc (Physics) from Maharajah's College in Vizianagaram. He learned typewriting. He worked as a typist-cum-personal-assistant in Srikakulam District Board. Career Rajasri resigned his job and moved to Madras. He started assisting writer Pinisetty Sriramamurthy. The first film he worked for as a lyricist was ''Aada Pettanam'' (1954), produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keeravani
Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st ''melakarta'' rāgam as per Muthuswami Dikshitar school of music is . This rāgam is a popular scale in western music as well. The Western equivalent is the Harmonic minor scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Go''. The mnemonic phrase is ''sa ri gi ma pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music'' for details on below notation and terms): * : * : The notes used in this scale are ''chathusruthi rishabha, sadharana gandhara, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harikambhoji
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. One of the first scales employed by the ancient Tamils(3BCE) was the ''Mullaipann'', a pentatonic scale composed of the notes ''sa ri ga pa da'', equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga Mohanam in the Carnatic music style. ''Mullaipann'' further evolved into ''Sempaalai'', a scale based on seven notes by the addition of two more notes, ''ma'' and ''ni'' to the pentatonic scale. ''Sempaalai pann'' corresponds to the Carnatic raga Harikambhoji. ''Khamaj thaat'' of Hindustani Music is the equivalent to this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is known as Harikedāragowla in the Muthus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Raga
Carnatic raga refers to '' ragas'' used in Carnatic music. A Carnatic raga has several components - primordial sound (''nāda''), tonal system ('' swara''), pitch ('' śruti''), scale, ornaments ('' gamaka'') and important tones. Origins and history Carnatic raga classification Janaka ragas (Melakarta ragas) and Janya ragas(Upanga ragas) Janaka ragas or Sampoorna ragas are parent ragas from which more ragas are derived. Sampoorna ragas as the name suggest are those in which all 7 swaras are present. They are also called Melakarta ragas. These ragas have all 7 swaras or otesin their scales (only one of each swara, Sa, Re, Ga, Ma, Pa, Dha, Ni), following strict ascending and descending scales and are sung in all octaves. Example of melakartha ragas are : Shankarabharanam, Kalyani, Natabhairavi, Chala Nattai, Harikambhoji, Kharaharapriya, Mayamalavagowla, Chakravakam etc. Janya ragas are ragas that are derived from Janaka ragas (Melakarta ragas). They may have less than 7 notes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmavati
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (the notes in this scale are ''chathusruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''sampo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todi (raga)
Miyan ki Todi, often simply referred to as Todi or Darbari Todi (), is a Hindustani classical raga which gave its name to the Todi thaat, one of the ten types of classical music according to the musicologist Bhatkhande. Ragas from the Todi raganga (class of ragas) include Todi (a.k.a. Miyan ki Todi) itself, Bilaskhani Todi, Gujari Todi (also called Gurjari Todi), Desi Todi, Hussaini Todi, Asavari Todi (more commonly known as Komal Rishabh Asavari), and Bahaduri Todi. The equivalent raga in Carnatic music is Shubhapantuvarali. But in Todi, the pancham is omitted in the Arohana, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta Hanumatodi is the equivalent of Bhairavi thaat, but the Hindustani Bhairavi raga is the equivalent of Carnatic Sindhu Bhairavi. Carnatic Todi does not have any similarity with Hindustani Todi (Miyan ki Todi) raga. Though the Swarasthana orders of Carnatic Thodi are similar to Hindustani Bhair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raaga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaali (poet)
Tiruchirapalli Srinivasan Rangarajan, professionally credited by his pseudonym Vaali (born 29 October 1931 – 18 July 2013) was an Indian poet who is the highest songs wrote lyricist in cinema and whose works were in Tamil, had a five-decade long association with the Tamil film industry, wrote over 15,000 songs. He acted in a number of films, including '' Sathya'', ''Hey Ram'', '' Paarthale Paravasam'' and '' Poikkal Kudhirai''. He was honoured by the Government of India with the Padma Shri, India's fourth highest civilian honour in 2007. Biography Vaali was born in a Iyengar brahmin family as T. S. Rangarajan on 29 October 1931 to Srinivasan Iyengar and Ponnammal Iyengar. His native place is Thirupparaithurai, Tiruchirappalli district. Growing up, he studied at Higher Secondary School for Boys, Srirangam, Srirangam till he finished his SSLC. He went to Madras in the 1950 seeking an opportunity in Tamil film industry. In the 1960s and 1970s, he received patronage from actor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananda Vikatan
''Ananda Vikatan'' is a Tamil-language weekly magazine published from Chennai, India. History and profile ''Ananda Vikatan'' was started by Late Pudhoor Vaidyanadhaiyar in February 1926 as a monthly publication. The issue for December 1927 was not published due to financial difficulties. In January 1928 Subramaniam Srinivasan bought the rights from Vaidyanadhaiyer and relaunched the publication from February 1928 in a new format He paid at the rate of ₹25 per alphabet in the Tamil language name (ஆனந்த விகடன்) of the publication to buy the rights. He built it up into a weekly and sales soon rose. Veteran journalist and media personality and son of Subramaniam Srinivasan, S. Balasubramanian served as editor, managing director and publisher of the magazine for nearly 50 years till 2006. He also started the "Manavar Thittam" or student journalism scheme that is active for the last 30 years and counting. He also launched Junior Vikatan, a biweekly Tamil inv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
