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Varcharz
''Varcharz'' is a studio album by German electronica duo Mouse on Mars. It was released by Ipecac Recordings in 2006. Contrasting with their previous album, '' Radical Connector'', which had a poppier sound, ''Varcharz'' has a much more abrasive sound. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Varcharz'' received an average score of 71% based on 10 reviews, indicating "generally favorable reviews". Heather Phares of AllMusic gave the album 4 stars out of 5, saying, "''Varcharz'' shows that the duo is just as adamant about -- and adept at -- exploring the wilder fringes of their sound as they are honing it into forward-thinking pop." Track listing Personnel Credits adapted from liner notes. * Jan St. Werner – music, production * Andi Toma Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mouse On Mars
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar. History St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo. Their first album, ''Vulvaland'', was released in 1994 on the British record label Too Pure. Sean Cooper of ''AllMusic'' stated that it is "a wibbly, barely digital match of ambient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonig
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar. History St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo. Their first album, ''Vulvaland'', was released in 1994 on the British record label Too Pure. Sean Cooper of ''AllMusic'' stated that it is "a wibbly, barely digital match of ambient t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parastrophics
''Parastrophics'' is a studio album by German electronica duo Mouse on Mars. It was released by Monkeytown Records in 2012. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Parastrophics'' received an average score of 74% based on 22 reviews, indicating "generally favorable reviews". Heather Phares of AllMusic gave the album 4 stars out of 5, calling it "an album that's a rebirth and a welcome return for one of electronic music's most restlessly creative acts." Matthew Perpetua of ''Rolling Stone'' gave the album 3.5 stars out of 5, describing it as "a surreal pop record that gleefully warps the tones and inflections of modern radio tunes into funhouse mirror abstractions." ''PopMatters ''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andi Toma
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar. History St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo. Their first album, ''Vulvaland'', was released in 1994 on the British record label Too Pure. Sean Cooper of ''AllMusic'' stated that it is "a wibbly, barely digital match of ambient te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live 04
''Live 04'' is a live album by German electronica duo Mouse on Mars. It was released on Sonig in 2005. Critical reception Heather Phares of AllMusic gave the album 4 stars out of 5, saying, "while it's still not quite the same as seeing Mouse on Mars in concert, that it manages to capture even a fraction of the atmosphere and sweat of their shows makes it potent stuff indeed." Mark Richardson of ''Pitchfork A pitchfork (also a hay fork) is an agricultural tool with a long handle and two to five tines used to lift and pitch or throw loose material, such as hay, straw, manure, or leaves. The term is also applied colloquially, but inaccurately, to th ...'' gave the album an 8.0 out of 10, describing it as "a soundtrack to a raucous little party." Track listing Personnel Credits adapted from liner notes. * Jan St. Werner – keyboards, electronics * Andi Toma – bass guitar, electronics * Dodo Nkishi – drums, vocals References External links * * {{Mouse on Mars, sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ipecac Recordings
Ipecac Recordings is an independent record label based in California. It was founded on April 1, 1999 by Greg Werckman (ex-label manager of Alternative Tentacles, ex-lead singer of DUH, ex-employee of Mercury Records) and Mike Patton (Faith No More, Mr. Bungle, Fantômas, Tomahawk, Peeping Tom and Mondo Cane) in Alameda, California. Originally the label was created for the sole purpose of releasing the first Fantômas album. Since then, they have gone on to distribute other artists like Melvins, Isis, as well as several of Patton's other projects and collaborations. The label is named after syrup of ipecac, an emetic, or vomit-inducing, medicine. Its slogan is "Ipecac Recordings—Making People Sick Since 1999." Business practices Ipecac is distinguished from most labels (independent labels included) by their policy of signing bands to only one album contracts. Werckman claims that "when starting our label we decided that it did not feel right to “own” the artists on our ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drill 'n' Bass
Drill 'n' bass is a subgenre of drum and bass which developed in the mid-1990s as IDM artists began experimenting with elements of breakbeat, jungle, and drum and bass music. Artists utilized powerful audio software programs and deployed frenzied, irregular beats that often discouraged dancing. The style was often interpreted as having a lightly parodic relationship with the dance styles that inspired it.Simon Reynolds. ''Energy Flash: A Journey Through Rave Music and Dance Culture''. Soft Skull Press, 2012. p. 382-383 Characteristics ''AllMusic'' referred to the genre as "a spastic form of breakbeat jungle that relied on powerful audio software and patient programming to warp old midtempo beats and breaks into a frenzied, experimental potpourri of low-attention-span electronic music." Critic Simon Reynolds described it as "jungle by non-junglists for non-junglists," stating that producers are "free to take the idiomatic features of jungle — fucked-up breakbeats, mutant bass, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan St
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a mini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch (music)
Glitch is a genre of electronic music that emerged in the 1990s. It is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors. Sometimes devices that were already broken are used, and sometimes devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, and ambient) that has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state and the seventh-largest city in Germany, with a population of 617,280. Düsseldorf is located at the confluence of two rivers: the Rhine and the Düssel, a small tributary. The ''-dorf'' suffix means "village" in German (English cognate: ''thorp''); its use is unusual for a settlement as large as Düsseldorf. Most of the city lies on the right bank of the Rhine. Düsseldorf lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Region. It neighbours the Cologne Bonn Region to the south and the Ruhr to the north. It is the largest city in the German Low Franconian dialect area (closely related to Dutch). Mercer's 2012 Quality of Living survey ranked Düsseldorf the sixth most livable city in the world. Düsse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It is regarded as the foremost online review aggregation site for the video game industry. Metacritic's scoring converts each review into a percentage, either mathematically from the mark given, or what the site decides subjectively from a qualitative review. Before being averaged, the scores are weighted according to a critic's popularity, stature, and volume of reviews. The website won two Webby Awards for excellence as an aggregation website. Criticism of the site has focused on the assessment system, the ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
