Valie Export
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Valie Export
Valie Export (often stylized as 'VALIE EXPORT'; born 17 May 1940) is an avant-garde Austrian artist. She is best known for provocative public performances and expanded cinema work. Her artistic work also includes video installations, computer animations, photography, sculpture and publications covering contemporary art. Early life Valie Export was born Waltraud Lehner in Linz, Austria and was raised in Linz by a single mother of three.Kennedy, Randy. “Who is Valie Export? Just Look, and Please Touch.” ''New York Times'' June 29, 2016. https://www.nytimes.com/2016/06/30/arts/design/who-is-valie-export-just-look-and-please-touch.html. Export studied painting, drawing, and design at the National School for Textile Industry in Vienna. Career 1960s and 1970s In the late 1960s and early 1970s, Austrian feminism was forced to address the fact that by the 1970s there was still a generation of Austrians whose attitudes towards women were based on Nazi ideology. They also had t ...
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Linz
Linz ( , ; cs, Linec) is the capital of Upper Austria and third-largest city in Austria. In the north of the country, it is on the Danube south of the Czech border. In 2018, the population was 204,846. In 2009, it was a European Capital of Culture. Geography Linz is in the centre of Europe, lying on the Paris–Budapest west–east axis and the Malmö–Trieste north–south axis. The Danube is the main tourism and transport connection that runs through the city. Approximately 29.27% of the city's wide area is grassland. A further 17.95% are covered with forest. All the rest areas fall on water (6.39%), traffic areas and land. Districts Since January 2014 the city has been divided into 16 statistical districts: Before 2014 Linz was divided into nine districts and 36 statistical quarters. They were: #Ebelsberg #Innenstadt: Altstadtviertel, Rathausviertel, Kaplanhofviertel, Neustadtviertel, Volksgartenviertel, Römerberg-Margarethen #Kleinmünchen: Kleinmünchen, Neue ...
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Günter Brus
Günter Brus (born 27 September 1938, Ardning, Styria, Austria) is an Austrian painter, performance artist, graphic artist, experimental filmmaker and writer. Brus grew up in Mureck, attended the Kunstgewerbeschule Graz and went to Vienna in 1956, where he studied painting and met his lifelong friend Alfons Schilling. Influenced by German expressionism, Edvard Munch, Vincent van Gogh, abstract expressionism and artists such as Emilio Vedova, he began in the fall of 1960 to create artwork that was not confined to visual media. His companion Otto Muehl, who met him at the time, said of his work: “The color sometimes exploded like a bomb when it hit the picture. That was total creative excess. ..The entire room was covered with paint splatters, and the dried paint sludge lay inches high on the floor. ” Shortly before his first major exhibition together with Schilling, he was conscripted into the military in May 1961. After completing his military service, he fell into a psyc ...
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The Practice Of Love
''The Practice of Love'' (german: Die Praxis der Liebe) is a 1985 West German-Austrian drama film written by and directed by Valie Export. It was entered into the 35th Berlin International Film Festival. Cast * Adelheid Arndt as Judith Wiener * Rüdiger Vogler Rüdiger Vogler (born 14 May 1942 in Warthausen, near Biberach an der Riß) is a German film and stage actor. Biography Rüdiger Vogler attended acting school in Heidelberg from 1963 to 1965. Later he played for six years at "''Theater am Turm' ... as Dr. Alfons Schlögel * Hagnot Elischka as Dr. Josef Frischkoff * Franz Kantner as Reinhard Flegel * Paul Müller as French Industrialist * Kurt Radlecker as Police officer * Adolf Lukan as Head of the Police * Guenther Nenning as Chief TV Editor * Wolfgang Böck as First Arms Smuggler * Jürgen Lier as Businessman * Traute Furthner as Flegel's Mother * Paul Muehlhauser as Concierge in Vienna * Marion Bockmann as Peepshow-Girl * Liane Wagner as Frau Schlöge ...
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Interview (magazine)
''Interview'' is an American magazine founded in late 1969 by artist Andy Warhol and British journalist John Wilcock. The magazine, nicknamed "The Crystal Ball of Pop", features interviews with celebrities, artists, musicians, and creative thinkers. Interviews were usually unedited or edited in the eccentric fashion of Warhol's books and ''The Philosophy of Andy Warhol: From A to B and Back Again''. History Andy Warhol period Bob Colacello was a film student at Columbia University in 1970 when he got a call from someone at ''Interview'' while he was having dinner at his parents’ house in suburban Long Island. Warhol had read a film review Colacello had written for ''The Village Voice'' and wanted to meet him. Colacello subsequently began writing film reviews and essays for ''Interview''. After about six months, Colacello was promoted to editor of the magazine, at a salary of $50 a week. (He also received course credits, as he was still working on his master’s degree at Colum ...
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Bourgeois
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ...
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Electronic Arts Intermix
Electronic Arts Intermix (EAI) is a nonprofit arts organization that is a resource for video and media art. An advocate of media art and artists since 1971, EAI's core program is the distribution and preservation of a collection of over 3,500 new and historical video works by artists. EAI has supported the creation, exhibition, distribution and preservation of video art, and more recently, digital art projects. EAI supports artists through the distribution, preservation, exhibition and representation of their media artworks, and works closely with educators, curators, programmers and collectors to facilitate exhibitions, acquisitions and educational uses of media artworks. EAI provides access to video art within an educational and cultural framework. History EAI was founded in 1971 as one of the first nonprofit organizations in the United States dedicated to the support of video as an art form. As one of the earliest organizations in the emergent video art movement, EAI was cre ...
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Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define t ...
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Broadcasting
Broadcasting is the distribution (business), distribution of sound, audio or video content to a dispersed audience via any electronic medium (communication), mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a :wikt:one-to-many, one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and radio receiver, receivers. Before this, all forms of electronic communication (early radio, telephone, and telegraph) were wikt:one-to-one, one-to-one, with the message intended for a single recipient. The term ''broadcasting'' evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as ...
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Television
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival st ...
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Invisible Adversaries
''Invisible Adversaries'' (german: link=no, Unsichtbare Gegner) is a 1977 Austrian experimental drama film directed by Valie Export, her debut feature film. Plot Set in contemporary Vienna, the film involves a photographer, Anna, who discovers that extraterrestrial beings are colonizing the minds of her fellow citizens by raising the human aggression quotient. The outer world immediately becomes disjointed, yet the inner world does too, as Anna and her lover, Peter, try to hang onto their deteriorating relationship. Cast *Susanne Widl as Anna *Peter Weibel as Peter *Josef Plavec *Monica Helfer-Friedrich *Dominick Dusek *Herbert Schmid *Edward Neversal *Helke Sander Release The film was released on DVD by Facets Multi-Media in 2011 in a limited edition of 500 copies. Reception Critical opinion regarding the film has been overwhelmingly positive. ''The Village Voice'' critic J. Hoberman, who in 1981 included the film in his list of the ten best films commercially released in the U ...
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Public Sphere
The public sphere (german: Öffentlichkeit) is an area in social life where individuals can come together to freely discuss and identify societal problems, and through that discussion influence political action. A "Public" is "of or concerning the people as a whole." Public Sphere is a place common to all, where ideas and information can be exchanged. Such a discussion is called public debate and is defined as the expression of views on matters that are of concern to the public—often, but not always, with opposing or diverging views being expressed by participants in the discussion. Public debate takes place mostly through the mass media, but also at meetings or through social media, academic publications and government policy documents. The term was originally coined by German philosopher Jürgen Habermas who defined the public sphere as "''made up of private people gathered together as a public and articulating the needs of society with the state''". Communication scholar Ger ...
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Peter Weibel
Peter Weibel (; born 5 March 1944 in Odessa, USSR) is an internationally known Austrian post-conceptual artist, curator and new media theoretician. He started out in 1964 as a visual poet but soon jumped from the page to the screen within the sense of post-structuralist methodology. Thanks to this linguistic input into his visual media works, Weibel developed a critical impulse that turned against society and the media, while investigating virtual reality and other digital art forms. Since 1999 he has been director of the ZKM Center for Art and Media Karlsruhe. Biography Raised in Upper Austria he started to study French and cinematography in Paris. In 1964 he began to study medicine in Vienna, but changed soon to mathematics, with an emphasis on logic. Peter Weibel’s oeuvre belong in the following categories: conceptual art, performance, experimental film, video art and computer art. Starting in 1965 from semiotic and linguistic reflections (Austin, Jakobson, Peirce, Wittg ...
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