Visperad
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Visperad
Visperad or Visprad is either a particular Zoroastrianism, Zoroastrian religious ceremony or the name given to a passage collection within the greater Avesta compendium of texts. Overview The Visperad ceremony "consists of the rituals of the Yasna, virtually unchanged, but with a liturgy extended by twenty-three supplementary sections.". These supplementary sections (''kardag'') are then – from a philological perspective – the passages that make up the Visperad collection. The standard abbreviation for ''Visperad'' chapter-verse pointers is ''Vr.'', though ''Vsp.'' may also appear in older sources. The name ''Visperad'' is a contraction of Avestan ''vispe ratavo'', with an ambiguous meaning. Subject to how ''ratu'' is translated, ''vispe ratavo'' may be translated as "(prayer to) all patrons". or "all masters" or the older and today less common "all chiefs.". or "all lords." The Visperad ceremony – in medieval Zoroastrian texts referred to as the ''Jesht-i Visperad'',. that ...
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Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the ''Vendidad'' and the ''Visperad''. The ''Visperad'' extensions consist mainly of addit ...
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Zoroastrianism
Zoroastrianism is an Iranian religions, Iranian religion and one of the world's History of religion, oldest organized faiths, based on the teachings of the Iranian peoples, Iranian-speaking prophet Zoroaster. It has a Dualism in cosmology, dualistic cosmology of good and evil within the framework of a Monotheism, monotheistic ontology and an eschatology which predicts the ultimate conquest of evil by good. Zoroastrianism exalts an uncreated and benevolent deity of wisdom known as ''Ahura Mazda'' () as its supreme being. Historically, the unique features of Zoroastrianism, such as its monotheism, messianism, belief in Free will in theology, free will and Judgement (afterlife), judgement after death, conception of heaven, hell, Angel, angels, and Demon, demons, among other concepts, may have influenced other religious and philosophical systems, including the Abrahamic religions and Gnosticism, Southern, Eastern and Northern Buddhism, Northern Buddhism, and Ancient Greek philosoph ...
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Yasna
Yasna (;"Yasna"
''''. ae, ,) is the name of 's principal act of worship. It is also the name of the primary liturgical collection of texts, recited during that ''yasna'' ceremony.


Overview

The function of the ''yasna'' ceremony is, very roughly des ...
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Airyaman Ishya
The airyaman ishya (; ''airyaman išya'', ''airyə̄mā išyō'') is Zoroastrianism's fourth of the four Gathic Avestan invocations. Name The prayer is named after its opening words, ''ā airyə̄mā išyō''. In present-day Zoroastrian usage, the ''airyama'' of these opening words are considered to be an invocation of the divinity ''Airyaman'', the ''yazata'' of healing. The opening words may however have originally been an appeal to "the community" (or "tribe"), which would reflect the etymologically derived meaning of ''airyaman.'' In relation to the other formulas Like the other three formulas (''Ahuna Vairya'', ''Ashem vohu'', ''Yenghe hatam''), the ''airyaman ishya'' is in Gathic Avestan. While the first three formulas are located at ''Yasna'' 27.13-27.15, immediately preceding the Gathas, the ''airyaman ishya'' - at ''Yasna'' 54.1 - provides the closure. Also unlike the first three, the theological exegesis of the ''airyaman ishya'' is not embedded in the ''Yasna'' litur ...
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Sacred Books Of The East
The ''Sacred Books of the East'' is a monumental 50-volume set of English translations of Asian religious texts, edited by Max Müller and published by the Oxford University Press between 1879 and 1910. It incorporates the essential sacred texts of Hinduism, Buddhism, Taoism, Confucianism, Zoroastrianism, Jainism, and Islam. All of the books are in the public domain in the United States Works are in the public domain if they are not covered by intellectual property rights (such as copyright) at all, or if the intellectual property rights to the works have expired. All works first published or released in the United States b ..., and most or all are in the public domain in many other countries. Electronic versions of all 50 volumes are widely available online. References External links {{wikisource, Sacred Books of the East, ''Sacred Books of the East''''Sacred Books of the East'' on archive.org
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Karl Friedrich Geldner
Karl Friedrich Geldner (17 December 1852 – 5 February 1929) was a German linguist best known for his analysis and synthesis of Avestan and Vedic Sanskrit texts. Biography Geldner was born in Saalfeld, Saxe-Meiningen, where his father was a Protestantism, Protestant clergyman. Geldner studied Sanskrit and Avestan at the University of Leipzig in 1871 before moving to the University of Tübingen in 1872. He received a doctorate in Indological studies in 1875, and became a ''privatdozent'' following his ''habilitation'' in 1876. In 1887, Gelder moved back to the north-east, this time to Halle, Saxony-Anhalt, Halle, where he was appointed extraordinary professor in 1890, followed by an extraordinary faculty-chairmanship at the University of Berlin a few months later. Geldner lectured in Berlin for 17 years. In 1907, he moved to the University of Marburg where he had been appointed ordinary professor. He retired from active teaching in 1921, and remained in Marburg until his death ...
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Barsom
A barsom is a ritual implement used by Zoroastrian priests to solemnize certain sacred ceremonies. The word ''barsom'' derives from the Avestan language ''baresman'' (trisyllabic, '), which is in turn a substantive of ''barez'' "to grow high.". The later form – ''barsom'' – first appears in the 9th–12th-century texts of Zoroastrian tradition, and remains in use to the present day. The ''baresman'' is not related to the ''baresnum'', which is a purification ceremony. The ''baresman'' should also not be confused with the "mace", the ''varza'' (Avestan, MP ''gurz''). The ''varza'' is a metal rod, about one centimer in thickness, often crowned with a bull's head. It has been suggested that the ''baresman'' may have a Zagrosian origin.. Physical characteristics Material In present-day use, the ''barsom'' is a bundle of short metal wires or rods, each about 20 cm in length. and made of brass or silver. The use of metal wires or rods is a relatively recent ...
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Ritual Purification
Ritual purification is the ritual prescribed by a religion by which a person is considered to be free of ''uncleanliness'', especially prior to the worship of a deity, and ritual purity is a state of ritual cleanliness. Ritual purification may also apply to objects and places. Ritual uncleanliness is not identical with ordinary physical impurity, such as dirt stains; nevertheless, body fluids are generally considered ritually unclean. Most of these rituals existed long before the germ theory of disease, and figure prominently from the earliest known religious systems of the Ancient Near East. Some writers connect the rituals to taboos. Some have seen benefits of these practices as a point of health and preventing infections especially in areas where humans come in close contact with each other. While these practices came before the idea of the germ theory was public in areas that use daily cleaning, the destruction of infectious agents seems to be dramatic. Others have descri ...
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Yasna Haptanghaiti
The ''Yasna Haptanghaiti'' (), Avestan for "Worship in Seven Chapters," is a set of seven hymns within the greater ''Yasna'' collection, that is, within the primary liturgical texts of the Zoroastrian Avesta. Chapter and verse pointers are to ''Yasna'' 35–41. The name is from ''Yasna'' 42, a Younger Avestan text that follows the seven chapters. Age and importance While the first two verses (i.e. ''Y''. 35.1-2, ''cf.'' ) of the ''Yasna Haptanghaiti'' are in Younger Avestan, the rest of the seven hymns are in Gathic Avestan, the more archaic form of the Avestan language. That older part of the ''Yasna Haptanghaiti'' is generally considered to have been composed by the immediate disciples of Zoroaster, either during the prophet's lifetime or shortly after his death. Joanna Narten () has suggested that, like the Gathas, the hymns of the ''Yasna Haptanghaiti'' were composed by Zoroaster himself, but this hypothesis has not received a significant following from the academic community. I ...
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Ahuna Vairya
Ahuna Vairya ( Avestan: 𐬀𐬵𐬎𐬥𐬀 𐬬𐬀𐬌𐬭𐬌𐬌𐬀) is the first of Zoroastrianism's four Gathic Avestan formulas. The text, which appears in ''Yasna'' 27.13, is also known after its opening words yatha ahu vairyo. In Zoroastrian tradition, the formula is also known as the ''ahun(a)war''. Numerous translations and interpretations exist, but the overall meaning of the text remains obscure. The Ahuna Vairya and ''Ashem Vohu'' (the second most sacred formula at ''Yasna'' 27.14) are together "very cryptic formulas, of a pronounced magical character." The Ahunavaiti Gatha (chapters 28-34 of the ''Yasna''), is named after the Ahuna Vairya formula. In relation to the other formulas Like the other three formulas (''Ashem vohu'', ''Yenghe hatam'', ''Airyaman ishya''), the ''Ahuna Vairya'' is part of the Gathic canon, that is, part of the group of texts composed in the more archaic dialect of the Avestan language. Together with the other three formulas, the ''Ahuna V ...
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Gathas
The Gathas ()"Gatha"
''''. are 17 s traditionally believed to have been composed by the prophet Zarathushtra (Zoroaster). They form the core of the

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Ahura Mazda
Ahura Mazda (; ae, , translit=Ahura Mazdā; ), also known as Oromasdes, Ohrmazd, Ahuramazda, Hoormazd, Hormazd, Hormaz and Hurmuz, is the creator deity in Zoroastrianism. He is the first and most frequently invoked spirit in the ''Yasna''. The literal meaning of the word ''Ahura'' is "lord", and that of ''Mazda'' is "wisdom". The first notable invocation of Ahura Mazda occurred during the Achaemenid period () with the Behistun Inscription of Darius the Great. Until the reign of Artaxerxes II (), Ahura Mazda was worshipped and invoked alone in all extant royal inscriptions. With Artaxerxes II, Ahura Mazda was gathered in a triad with Mithra and Anahita. In the Achaemenid period, there are no known representations of Ahura Mazda at the royal court other than the custom for every emperor to have an empty chariot drawn by white horses to invite Ahura Mazda to accompany the Military history of Iran#Achaemenid Era, Persian army on battles. Images of Ahura Mazda, however, were pre ...
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