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Visio Tnugdali
The ''Visio Tnugdali'' ("Vision of Tnugdalus") is a 12th-century religious text reporting the otherworldly vision of the Irish knight Tnugdalus (later also called "Tundalus", "Tondolus" or in English translations, "Tundale", all deriving from the original Middle Irish ''Tnúdgal'' meaning 'desire-valour' or 'fierce valour'). It was "one of the most popular and elaborate texts in the medieval genre of visionary infernal literature" and had been translated from the original Latin forty-three times into fifteen languages by the 15th century, including Icelandic and Belarusian. The work remained most popular in Germany, with ten different translations into German, and four into Dutch. With a recent resurgence of scholarly interest in Purgatory following works by Jacques Le Goff, Stephen Greenblatt and others, the vision has attracted increased academic attention. The work The Latin text was written down shortly after 1149 by Brother Marcus, an Irish itinerant monk, in the Scots Monas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tractatus De Purgatorio Sancti Patricii
''Tractatus de Purgatorio Sancti Patricii'' (Treatise on Saint Patrick's Purgatory) is a Latin text written about 1180–1184 by a monk who identified himself as H. of Saltrey. The author is traditionally known as Henry, though this was an insertion and invention of Matthew of Paris and has been contested in the influential work of historian Jacques le Goff. H de Saltrey was a Cistercian in Huntingdonshire. Date and provenance The ''Tractatus'' tells of the journey of an Irish knight, Owein (a version of the Irish name Eógan), to St Patrick's Purgatory in Lough Derg, County Donegal, now in the Republic of Ireland, where he journeys through Purgatory and the Earthly Paradise. Owein's journey is dated by Henry of Saltrey to the reign of King Stephen of England between 1135 and 1154. Henry states that his source was Gilbert, a monk in Lincoln who visited Ireland in 1148 to found a monastery at Baltinglass in County Wicklow. Since Gilbert spoke no Irish, he was introduced to the knigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacomijne Costers
Jacomijne Costers (c. 1462 – 1503) was a nun and author whose vision of the afterlife, shown during a near-death experience, was written down in ''Visioen en exempel'' ("Vision and Exemplum"). Biography Costers lived in the Facons Monastery in Antwerp. Facons, originally called ''Valkenbroek'', was a convent belonging to the Augustinian Congregation of Windesheim, and at the end of the 15th century there were concerns about the apparent lax discipline in the convent. In 1489 the plague struck the convent, and Jacomijne Costers was one of its victims. She survived, but was shown a vision in which devils took her to face Christ. These devils asserted a right to her sinful soul, and initially Christ seemed to agree with them; the intervention of Mary (besides her patron saint John the Evangelist and Augustine, patron saint of her order) saved her. She was sent through hell and purgatory, and given the assignment to recount her vision to help restore spiritual order to her house. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congregation Of Windesheim
The Congregation of Windesheim ( la, Congregatio Vindesemensis) is a congregation of Augustinian canons regular (i.e., ecclesiastics living in community and bound by vows). It takes its name from its most important monastery, which was located at Windesheim, about four miles south of Zwolle on the IJssel, in the Netherlands. This congregation of canons regular, of which this was the chief house, was an offshoot of the Brethren of the Common Life and played a considerable part in the reform movement within the Dutch and German Catholic Church in the century before the Protestant Reformation. History The Brethren of the Common Life, which did not strictly conform as an order or congregation, had become obnoxious to the mendicant friars and the object of their attacks. To remedy this, their founder, Gerard Groote, advised on his deathbed in 1384 that some of the brethren should adopt the rule of an approved Order. His successor, Florence Radewyns, carried this advice into effec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Aubert
David Aubert (before 1413 – working 1449-79) was a French calligrapher who transcribed and adapted courtly romances and chronicles for the court of the Duke of Burgundy. In addition to finely presented works, illuminated at Bruges and other centres, for the Dukes Philip the Good and Charles the Bold and the Duchess Margaret of York, he completed manuscripts for Antoine de Bourgogne and Philippe de Croy. He was the son of the ducal accountant and calligrapher Jean Aubert, and his elder brother worked as an administrator, members of a family with a tradition of public service in the Burgundian court, though his first mention as a scribe in the ducal service dates to 1463, after which he was salaried as a ducal secretary until Philip's death, and seems to have followed, at least some of the time, the very mobile court around the Duchy. In 1469, following the death of Philip the Good, he was an inventory-taker of the late Duke's library. He then produced at least eight manuscr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles The Bold
Charles I (Charles Martin; german: Karl Martin; nl, Karel Maarten; 10 November 1433 – 5 January 1477), nicknamed the Bold (German: ''der Kühne''; Dutch: ''de Stoute''; french: le Téméraire), was Duke of Burgundy from 1467 to 1477. Charles's main objective was to be crowned king by turning the growing Burgundian State into a territorially continuous kingdom. He declared himself and his lands independent, bought Upper Alsace and conquered Zutphen, Guelders and Lorraine, uniting at last Burgundian northern and southern possessions. This caused the enmity of several European powers and triggered the Burgundian Wars. Charles's early death at the Battle of Nancy at the hands of Swiss mercenaries fighting for René II, Duke of Lorraine, was of great consequence in European history. The Burgundian domains, long wedged between the Kingdom of France and the Habsburg Empire, were divided, but the precise disposition of the vast and disparate territorial possessions involved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Burgundy
The Duchy of Burgundy (; la, Ducatus Burgundiae; french: Duché de Bourgogne, ) emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032. Other portions had passed to the Imperial Kingdom of Burgundy-Arles, including the County of Burgundy (Franche-Comté). Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of York
Margaret of York (3 May 1446 – 23 November 1503)—also by marriage known as Margaret of Burgundy—was Duchess of Burgundy as the third wife of Charles the Bold and acted as a protector of the Burgundian State after his death. She was a daughter of Richard, 3rd Duke of York, and Cecily Neville, and the sister of two kings of England, Edward IV and Richard III. She was born at Fotheringhay Castle, Northamptonshire, in the Kingdom of England, and she died at Mechelen in the Low Countries. Early life Duchess Isabella of Burgundy, the mother of Charles the Bold, was, through her blood ties and her perception of Burgundian interests, pro-English. As a granddaughter of John of Gaunt, she was consequently sympathetic to the House of Lancaster. She believed that Burgundian trade, from which the Burgundian State drew its vast wealth, depended upon friendly relations with England. For this reason she was prepared to favour any English faction which was willing to favour Burgundy. By 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Marmion
Simon Marmion (c. 1425 – 24 or 25 December 1489) was a French and Burgundian Early Netherlandish painter of panels and illuminated manuscripts. Marmion lived and worked in what is now France but for most of his lifetime was part of the Duchy of Burgundy in the Southern Netherlands. Life Like many painters of his era, Marmion came from a family of artists, and both his father, Jean, and his brother Mille were painters. Marmion is recorded as working at Amiens between 1449 and 1454, and then at Valenciennes from 1458 until his death. He was patronized by Philip the Good, the Duke of Burgundy from 1454 when he was one of several artists called to Lille to work on the decorations for the Feast of the Pheasant. He was employed by several members of the ducal family, including Charles the Bold and Margaret of York. He was called "the prince of illuminators" by a near contemporary. Three years after his death his widow, Jeanne de Quaroube, married his pupil, the painter Jan Provoost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Visions Du Chevalier Tondal
The Getty Tondal, also known as ''Les visions du chevalier Tondal'' is an illuminated manuscript from 1475, now in the Getty Museum. It is a French version and is the only surviving fully illuminated manuscript of the ''Visio Tnugdali.'' It has 20 miniatures by Simon Marmion and elaborate borders with "CM" for the initials of Margaret of York, Duchess of Burgundy and her husband Charles the Bold. The text was scribed by David Aubert in Ghent, while the miniatures were done in Valenciennes, where Marmion was based. Only the fifteen pages with two-column miniatures and five pages with single column miniatures have borders. There are only 45 folios, meaning that most have miniatures. The manuscript is fully available online. History Origin The Getty Tondal was commissioned by Margaret of York, Duchess of Burgundy during the 1470s. During this time she had other works she requested or collected for her own personal reading quarters. She was one of the most powerful women of her t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle English
Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the ''Oxford English Dictionary'' specifies the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly followed the High to the Late Middle Ages. Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography. Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English language became fragmented, localized, and was, for the most part, being improvised. By the end of the period (about 1470) and aided by the invention of the printing press by Johannes Gutenberg in 14 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
