Viola Sonata No. 1 (Vieuxtemps)
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Viola Sonata No. 1 (Vieuxtemps)
Henri Vieuxtemps's Viola Sonata in B-flat major, Op. 36 is a composition for viola (or cello) and piano composed in 1860, and published in 1862. Background Vieuxtemps began composing the Viola Sonata in 1860 at around the same time as he began work on his fifth violin concerto; it was some twelve years after his last composition for this combination of instruments, the ''Élégie'', Op. 30 of 1848. The Viola Sonata was completed in late 1860 with the first performance, featuring the composer and pianist Arabella Goddard, taking place on 21 January 1861, at St James's Hall in London. Two further performances occurred in London: on 15 February 1861, with the same performers as at the premiere; and on 15 April 1861, with the composer and Charles Hallé. The first continental European performance of the sonata was on 2 June 1861, when the composer and his wife, Josephine Eder, performed it in Brussels. It was published by J. Schuberth & Co. in late 1862, with a dedication to K ...
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Henri Vieuxtemps
Henri François Joseph Vieuxtemps ( 17 February 18206 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship. Biography Vieuxtemps was born in Verviers, Belgium (then part of the United Kingdom of the Netherlands), son of a weaver and amateur violinist and violin-maker. He received his first violin instruction from his father and a local teacher and gave his first public performance at the age of six, playing a concerto by Pierre Rode. Soon he was giving concerts in various surrounding cities, including Liège and Brussels where he met the violinist Charles Auguste de Bériot, with whom he began studies. In 1829, Bériot took him to Paris where he made a successful concert debut, again with a concerto by Rode, but he ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Viola Sonatas
; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family (violin, cello, double bass) *List of violists , articles= , sound sample = The viola ( , also , ) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word ...
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1860 Compositions
Year 186 ( CLXXXVI) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Glabrio (or, less frequently, year 939 ''Ab urbe condita''). The denomination 186 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Peasants in Gaul stage an anti-tax uprising under Maternus. * Roman governor Pertinax escapes an assassination attempt, by British usurpers. New Zealand * The Hatepe volcanic eruption extends Lake Taupō and makes skies red across the world. However, recent radiocarbon dating by R. Sparks has put the date at 233 AD ± 13 (95% confidence). Births * Ma Liang, Chinese official of the Shu Han state (d. 222) Deaths * April 21 – Apollonius the Apologist, Christian martyr * Bian Zhang, Chinese official and gener ...
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Chamber Music By Henri Vieuxtemps
Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests * Legislative chamber, in politics *Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment * Chamber (comics), a Marvel Comics superhero associated with the X-Men *Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other * Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is i ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willibald Gluck was an early proponent of extended finales, with multiple characters, to support the "increasingly natural and realistic" stories in his operas that "improved continuity and theatrical validity" beyond the earlier works.Koopman, John"Expressivity ...
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Barcarolle
A barcarolle (; from French, also barcarole; originally, Italian barcarola or barcaruola, from ''barca'' 'boat') is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the most famous barcarolles are Jacques Offenbach's "Belle nuit, ô nuit d'amour", from his opera ''The Tales of Hoffmann''; and Frédéric Chopin's Barcarolle in F-sharp major for solo piano. Description A barcarolle is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably in 6/8 meter at a moderate tempo. While the most-famous barcarolles are from the Romantic period, the genre was known well enough in the 18th century for Burney to mention, in ''The Present State of Music in France and Italy'' (1771), that it was a celebrated form cherished by "collectors of good taste". Notable examples The barcarolle was a popular form in opera, where the apparently artless sentimental style of the folklike song could b ...
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Hanover
Hanover (; german: Hannover ; nds, Hannober) is the capital and largest city of the German state of Lower Saxony. Its 535,932 (2021) inhabitants make it the 13th-largest city in Germany as well as the fourth-largest city in Northern Germany after Berlin, Hamburg and Bremen. Hanover's urban area comprises the towns of Garbsen, Langenhagen and Laatzen and has a population of about 791,000 (2018). The Hanover Region has approximately 1.16 million inhabitants (2019). The city lies at the confluence of the River Leine and its tributary the Ihme, in the south of the North German Plain, and is the largest city in the Hannover–Braunschweig–Göttingen–Wolfsburg Metropolitan Region. It is the fifth-largest city in the Low German dialect area after Hamburg, Dortmund, Essen and Bremen. Before it became the capital of Lower Saxony in 1946, Hannover was the capital of the Principality of Calenberg (1636–1692), the Electorate of Hanover (1692–1814), the Kingdom of Hannover ...
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Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ...
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George V Of Hanover
en, George Frederick Alexander Charles Ernest Augustus , house = Hanover , religion = Protestant , father = Ernest Augustus, King of Hanover , mother = Frederica of Mecklenburg-Strelitz , birth_date = 27 May 1819 , birth_place = Berlin, Prussia , death_date = , death_place = Paris, France , burial_date = 24 June 1878 , burial_place = St George's Chapel, Windsor , signature = Signature- Georg V of Hannover.jpg George V (Georg Friedrich Alexander Karl Ernst August; 27 May 1819 – 12 June 1878) was the last King of Hanover, the only child and successor of King Ernest Augustus. George V's reign was ended by the Austro-Prussian War, after which Prussia annexed Hanover. Early life Prince George of Cumberland was born on 27 May 1819 in Berlin, the only son of Prince Ernest Augustus, Duke of Cumberland and Teviotdale. Ernest Augustus was the fifth son of George III of the United Kingdom and his wife, Charlotte of Mecklenburg-Strelitz. ...
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Charles Hallé
Sir Charles Hallé (born Karl Halle; 11 April 181925 October 1895) was an Anglo-German pianist and conductor, and founder of The Hallé orchestra in 1858. Life Hallé was born Karl Halle on 11 April 1819 in Hagen, Westphalia. After settling in England, he changed his name to Charles Hallé. His first lessons were from his father, an organist. As a child he showed remarkable gifts for pianoforte playing. He performed a sonatina in public at the age of four, and played percussion in the orchestra in his early years. In August 1828 he took part in a concert at Cassel, where he attracted the notice of Spohr. He then studied under Christian Heinrich Rinck at Darmstadt, Germany in 1835, and as early as 1836 went to Paris, where for twelve years he often associated with Luigi Cherubini, Frédéric Chopin, Franz Liszt and other musicians, and enjoyed the friendship of such great literary figures as Alfred de Musset and George Sand. He had started a set of chamber concerts with Jean ...
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