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Viola (opera)
''Viola'' is an unfinished romantic opera by Bedřich Smetana. The libretto was written by Eliška Krásnohorská, and is based on Shakespeare's play ''Twelfth Night''. The composer did some work on it in 1874 and then came back to it in 1883, when he only managed to orchestrate a few scenes; the opera was left incomplete upon Smetana's death in 1884. Performance history A concert performance (of the unfinished work) was given on 15 March 1900 and it was staged at the Prague National Theatre on 11 May 1924. Roles Recordings * 1982, Zdeněk Košler Zdeněk Košler (March 25, 1928 – July 2, 1995) was a Czechoslovak conductor, who played an important role in Czechoslovak musical life of the second half of 20th century, notably during the 1960s and 1980s.Sleeve note of the Supraphon CD (SU 007 ... (conductor), Prague National Theatre Orchestra and Chorus; Jiří Pokorný (Piano), Marie Veselá, Drahomíra Drobková, Dalibor Jedlička, Jaroslav Horáček, Miroslav Švejda, Karel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedřich Smetana
Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded in his homeland as the father of Czech music. Internationally he is best known for his 1866 opera ''The Bartered Bride'' and for the symphonic cycle ''Má vlast'' ("My Fatherland"), which portrays the history, legends and landscape of the composer's native Bohemia. It contains the famous symphonic poem "Vltava", also popularly known by its German name "Die Moldau" (in English, "The Moldau"). Smetana was naturally gifted as a composer, and gave his first public performance at the age of 6. After conventional schooling, he studied music under Josef Proksch in Prague. His first nationalistic music was written during the 1848 Prague uprising, in which he briefly participated. After failing to establish his career in Prague, he left for Sweden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unfinished Operas
Unfinished may refer to: *Unfinished creative work, a work which a creator either chose not to finish or was prevented from finishing. Music * Symphony No. 8 (Schubert) "Unfinished" * ''Unfinished'' (album), 2011 album by American singer Jordan Knight * "Unfinished" (Kotoko song), stylized "→unfinished→", 2012 * "Unfinished" (Mandisa song), 2017 * "Unfinished", song by Stone Sour from the 2010 album ''Audio Secrecy'' * "Unfinished", song by Mineral from the 1998 album ''EndSerenading'' Television and film * "Unfinished" (''How I Met Your Mother''), 2010 television show episode * ''Unfinished'' (film), 2018 South Korean film Literature * ''Unfinished'' (book), a 2021 memoir by Priyanka Chopra See also * * Unfinished symphony * Unfinished building An unfinished building is a building (or other architectural structure, as a bridge, a road or a tower) where construction work was abandoned or on-hold at some stage or only exists as a design. It may also refer to bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Bedřich Smetana
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zdeněk Košler
Zdeněk Košler (March 25, 1928 – July 2, 1995) was a Czechoslovak conductor, who played an important role in Czechoslovak musical life of the second half of 20th century, notably during the 1960s and 1980s.Sleeve note of the Supraphon CD (SU 0077-2 632), p. 31 He was particularly well known as an opera conductor. Life and work Born in Prague, Košler came from a musical family. His father was a member of the Prague National Theatre Orchestra, and his younger brother Miroslav was a choirmaster. After finishing his studies at the gymnasium, he enrolled at the Academy of Performing Arts in Prague where he was a pupil of Karel Ančerl. In 1948, while still a student, he began to work as a répétiteur at the Prague's National Theatre. In that time he began also to gain some experience with the baton. In 1949 Košler joined the Olomouc Opera, where he conducted works by Leoš Janáček (''The Makropulos Affair'') and by W. A. Mozart (''Così fan tutte'', ''The Marriage of Figaro' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Eliška Krásnohorská
Eliška Krásnohorská (18 November 1847, in Prague – 26 November 1926, in Prague) was a Czech people, Czech feminist author. She was introduced to literature and feminism by Karolína Světlá. She wrote works of lyric poetry and literary criticism, however, she is usually associated with children's literature and translations, including works by Pushkin, Adam Mickiewicz, Mickiewicz and Byron. Krásnohorská wrote the libretti for four operas by Bedřich Smetana: ''The Kiss (opera), The Kiss'', ''The Secret (opera), The Secret'', ''The Devil's Wall'' and Viola (opera), ''Viola''. She also wrote the libretto for Zdeněk Fibich's opera ''Blaník (Fibich), Blaník''. In 1873, she founded the women's magazine , which she headed until handing it over to Jindřiška Flajšhansová in 1912. In 1890 Krásnohorská founded the Minerva School in Prague, the first ''Gymnasium (school), gymnasium'' for girls in the Austro-Hungarian Empire. Its language of instruction was Czech language, Cze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
