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Vincenzo La Scola
Vincenzo La Scola (26 January 1958 – 15 April 2011) was an Italian tenor who had a successful international opera career for more than 25 years. He was particularly admired for his portrayals in operas by Giuseppe Verdi, Giacomo Puccini, Gaetano Donizetti, and Vincenzo Bellini. He also achieved success as a Crossover (music), crossover artist, particularly in his many collaborations with singer-songwriter Cliff Richard and for his solo crossover album for EMI, ''Vita Mia'' (1999). In 2000 he was made a UNICEF Goodwill Ambassador, and from 2004 until his sudden death in 2011 he served as principal teacher and artistic director of the Accademia Verdi Toscanini in Parma. Career La Scola was born in Palermo, Italy, and studied singing with Arrigo Pola, Carlo Bergonzi (tenor), Carlo Bergonzi, and Rodolfo Celletti. In 1982 he won the Alessandro Ziliano Award at the Vico Verdiane Competition. He made his professional opera debut in 1983 at the Teatro Regio (Parma), Teatro Regio in P ...
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Vincenzo La Scola
Vincenzo La Scola (26 January 1958 – 15 April 2011) was an Italian tenor who had a successful international opera career for more than 25 years. He was particularly admired for his portrayals in operas by Giuseppe Verdi, Giacomo Puccini, Gaetano Donizetti, and Vincenzo Bellini. He also achieved success as a Crossover (music), crossover artist, particularly in his many collaborations with singer-songwriter Cliff Richard and for his solo crossover album for EMI, ''Vita Mia'' (1999). In 2000 he was made a UNICEF Goodwill Ambassador, and from 2004 until his sudden death in 2011 he served as principal teacher and artistic director of the Accademia Verdi Toscanini in Parma. Career La Scola was born in Palermo, Italy, and studied singing with Arrigo Pola, Carlo Bergonzi (tenor), Carlo Bergonzi, and Rodolfo Celletti. In 1982 he won the Alessandro Ziliano Award at the Vico Verdiane Competition. He made his professional opera debut in 1983 at the Teatro Regio (Parma), Teatro Regio in P ...
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Teatro Regio (Parma)
Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre),Martini, "Before the Teatro Regio", pp. 56 is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born near Busseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, born there in 1867. As has been noted by Lee Marshall, "while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery." The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's '' Za ...
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Ravenna Festival
The Ravenna Festival is a summer festival of opera and classical music (as well as dance, jazz, ethnic, musical theater, ballett, sacred music, electronic music, drama, film, plus conventions and exhibitions) held in the city of Ravenna, Italy and the surrounding area each June and July. It was founded in 1990 by Maria Cristina Mazzavillani, the wife of conductor Riccardo Muti, who makes regular appearances there. Other well-known conductors who have appeared at the Festival include Pierre Boulez, Claudio Abbado, Chung, Gavazzeni, Lorin Maazel, Valery Gergiev, Zubin Mehta, Georg Solti, Giuseppe Sinopoli, Carlos Kleiber, and Georges Prêtre. The Festival also offers operatic productions in the Teatro Comunale Alighieri, as well as performances of jazz and popular music. See also * Opera festivals This is an inclusive list of opera festivals and summer opera seasons, and music festivals which have opera productions. This list may have some overlap with list of early music ...
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Opéra Royal De Wallonie
The Opéra royal de Wallonie is a Belgian Opera house located on the Place de l'Opéra, in Liège, Belgium. Together with La Monnaie and the Vlaamse Opera, the ''Opéra royal'', as it is colloquially known, is one of the three major opera houses in Belgium. From the beginning, the institution occupied the Théâtre royal in Liège, a building loaned by the city (inaugurated on 4 November 1820). History In 1816, King William I of the Netherlands transferred the land and materials of the former Dominican convent to the city of Liège, on condition that a theatre be built there. The first stone was laid on July 1, 1818 by Mademoiselle Mars. Built according to the plan of the architect Auguste Dukers, the theatre in the neoclassical style has a massive parallelepipedic shape. Its main façade is decorated with a marble colonnadeThis colonnade comes from the former ''Chartreuse de Liège''. limited by a balustrade and overlooking the arcades on the ground floor. The Theatre Royal ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Opernhaus Kiel
Opernhaus Kiel (Kiel Opera House) is the major venue for opera, ballet, and orchestral performances in Kiel, and home to Theater Kiel. It is a Grade II listed building. History After an architectural competition, the Kiel City Council commissioned the architect Heinrich Seeling in 1902 to build the theatre, for both theatre performances and music. The construction of the brick building with a richly arranged sandstone and richly modeled roof zone took place from 1905 to 1907.Hartwig Beseler, Niels Gutschow: ''Kriegsschicksale Deutscher Architektur. Band I: Nord.'' Wachholtz, Neumünster o.J., S. 7f. On October 1, 1907, the theater was inaugurated with a performance of Fidelio. During the Second World War, Allied air raids on 13 December 1943, 22 May 1944 and 24 July 1944 damaged the city theatres heavily. In the course of the destruction, the art nouveau interior decoration was lost. The reconstruction was carried out from 1950 to 1953, under the direction of Heinrich Ha ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ...
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La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ...
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Festival Puccini
The ''Festival Puccini'' (Puccini Festival) is an annual summer opera festival held in July and August to present the operas of the famous Italian composer Giacomo Puccini. The Festival is located in Torre del Lago, Italy, a town located between Lago di Massaciuccoli and the Tyrrhenian Sea, from the beaches of Viareggio on the Tuscan Riviera and from Pisa and Lucca, Puccini's birthplace. In presenting four or five performances of up to four operatic productions each season, the Festival attracts about forty thousand spectators to its open-air theatre, the ''Teatro dei Quattromila'' (so named for its seating capacity, although 3,200 seats were actually installed), located very close to the "Villa Puccini," the house which the composer had built in 1900 and in which he lived and worked on his major operas until pollution from the lake forced him to settle in Viareggio in 1921. Along with other members of his family who died later, Puccini is buried in a small chapel inside the Vill ...
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