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Villa Poppaea
The Villa Poppaea is an ancient luxurious Roman seaside villa (''villa maritima'') located in Torre Annunziata between Naples and Sorrento, in Southern Italy. It is also called the Villa Oplontis or Oplontis Villa A. as it was situated in the ancient Roman town of Oplontis. It was buried and preserved in the eruption of Vesuvius in 79 AD, like the nearby cities of Herculaneum and Pompeii, about below modern ground level. The quality of the decorations and construction suggests that it was owned by the Emperor Nero, and a pottery shard bearing the name of a freedman of Poppaea Sabina, the second wife of the emperor Nero was found at the site, which suggests the villa may have been her residence when she was away from Rome and which gives it its popular name. It was sumptuously decorated with fine works of art. Its marble columns and capitals mark it out as being especially luxurious compared with others in this region that usually had stuccoed brick columns. Many artifact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torre Annunziata
Torre Annunziata (; nap, Torr'Annunziata) is a city and commune in the Metropolitan City of Naples, region of Campania in Italy. It is located on the Gulf of Naples at the foot of Mount Vesuvius. History The city was destroyed in the Vesuvius eruption of 79 AD and in 1631. It is known locally in the Neapolitan dialect as Torre Nunziata. The city was once the seat of important ironwork (Deriver, Dalmine) food processing and pasta industries. Today industries still active include naval, armament and pharmaceutical ones. The archaeological site of Oplonti is a UNESCO World Heritage Site since 1997. Geography Torre Annunziata borders with the municipalities of Boscoreale, Boscotrecase, Castellammare di Stabia, Pompei, Torre del Greco and Trecase. Trains from Torre Annunziata Centrale rail station operate to Naples and Pompei.The TrainlineTrains to Torre Annunziata Centrale accessed 13 October 2022 Main sights On the ''Tabula Peutingeriana'', Torre Annunziata is called '' Oplonti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triclinium
A ''triclinium'' (plural: ''triclinia'') is a formal dining room in a Roman building. The word is adopted from the Greek ()—from (), "three", and (), a sort of couch or rather chaise longue. Each couch was sized to accommodate a diner who reclined on their left side on cushions while some household slaves served multiple courses brought from the ''culina'', or kitchen, and others entertained guests with music, song, or dance. The ''triclinium'' was characterized by three '' lecti'' (singular ''lectus'': bed or couch), called ''triclinares'' ("of the ''triclinium''"), on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees. Diners would recline on these surfaces in a semi-recumbent position. The fourth side of the table was left free, presumably to allow service to the table. Usually the open side faced the entrance of the room. In Roman-era dwellings, particularly wealthy ones, ''triclinia'' were common and the hosts and guest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesperides
In Greek mythology, the Hesperides (; , ) are the nymphs of evening and golden light of sunsets, who were the "Daughters of the Evening" or "Nymphs of the West". They were also called the Atlantides () from their reputed father, the Titan Atlas.Diodorus Siculus. ''Library4.27.2' Etymology The name means ''originating from Hesperos'' (evening). ''Hesperos'', or ''Vesper'' in Latin, is the origin of the name Hesperus, the evening star (i.e. the planet Venus) as well as having a shared root with the English word "west". Mythology The nymphs of the evening Ordinarily, the Hesperides number three, like the other Greek triads (the Three Graces and the Three Fates). "Since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality", classicist Evelyn Byrd Harrison has observed. They are sometimes portrayed as the evening daughters of Night ( Nyx) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caldarium
230px, Caldarium from the Roman Baths at Bath, England. The floor has been removed to reveal the empty space where the hot air flowed through to heat the floor. A caldarium (also called a calidarium, cella caldaria or cella coctilium) was a room with a hot plunge bath, used in a Roman bath complex. This was a very hot and steamy room heated by a hypocaust, an underfloor heating system using tunnels with hot air, heated by a furnace tended by slaves. This was the hottest room in the regular sequence of bathing rooms; after the caldarium, bathers would progress back through the warm bathroom to the cold water room. In the caldarium, there would be a bath (alveus, piscina calida or solium) of hot water sunk into the floor and there was sometimes even a laconicum—a hot, dry area for inducing sweating. The bath's patrons would use olive oil to cleanse themselves by applying it to their bodies and using a strigil to remove the excess. This was sometimes left on the floor for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Mau
August Mau (15 October 1840 – 6 March 1909) was a prominent German art historian and archaeologist who worked with the Deutsches Archäologisches Institut while studying and classifying the Roman paintings at Pompeii, which was destroyed with the town of Herculaneum by volcanic eruption in 79 AD. The paintings were in remarkably good condition due to the preservation by the volcanic ash that covered the city. Mau first divided these paintings into the four Pompeian Styles still used as a classification. Mau was born in Kiel, where he read Classical Philology at the University of Kiel, and then at the University of Bonn. He moved to Rome, for reasons of ill-health, in 1872, where he became Secretary to the German Archaeological Institute and catalogued the holdings of its extensive library. His interests lay above all in Pompeii, with inscriptions and Roman wall paintings, where he built upon the earlier work published by Wolfgang Helbig and Giuseppe Fiorelli Giuseppe Fiorelli ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Vesuvius
Mount Vesuvius ( ; it, Vesuvio ; nap, 'O Vesuvio , also or ; la, Vesuvius , also , or ) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure. The eruption of Mount Vesuvius in AD 79 destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of , erupting molten rock and pulverized pumice at the rate of per second. More than 1,000 people are thought to have died in the eruption, though the exact toll is unknown. The only surviving eyewitness account of the event consists of two letters by Pliny the Younger to the historian Tacitus. Vesuvius has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oplontis Oecus 15 Détail 1
Oplontis is an ancient Roman archaeological site located in the town of Torre Annunziata, south of Naples in the Campania region of southern Italy. The excavated site comprises two Roman villas, the best-known of which is Villa A, the so-called Villa Poppaea. Like the nearby towns of Pompeii and Herculaneum, Oplontis was buried in ash during the volcanic eruption of Mount Vesuvius in 79 AD. However, the force of the eruption was even stronger than at these cities as not only roofs collapsed, but walls and columns were broken and pieces thrown sideways. History and excavations The town of Oplontis probably developed under where Torre Annunziata stands today. Excavations have revealed buildings particularly on the east and west sides of the town, the eastern one in the immediate vicinity of Villa A and the other almost at its boundary with Torre del Greco. It is thought that in antiquity, as elsewhere (e.g. at Herculaneum and Stabiae), luxury residential villas like Villa A lined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oplontis Caldarium Room8
Oplontis is an ancient Roman archaeological site located in the town of Torre Annunziata, south of Naples in the Campania region of southern Italy. The excavated site comprises two Roman villas, the best-known of which is Villa A, the so-called Villa Poppaea. Like the nearby towns of Pompeii and Herculaneum, Oplontis was buried in ash during the volcanic eruption of Mount Vesuvius in 79 AD. However, the force of the eruption was even stronger than at these cities as not only roofs collapsed, but walls and columns were broken and pieces thrown sideways. History and excavations The town of Oplontis probably developed under where Torre Annunziata stands today. Excavations have revealed buildings particularly on the east and west sides of the town, the eastern one in the immediate vicinity of Villa A and the other almost at its boundary with Torre del Greco. It is thought that in antiquity, as elsewhere (e.g. at Herculaneum and Stabiae), luxury residential villas like Villa A lined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeian Styles
The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest group of surviving examples of Roman frescoes. The wall painting styles have allowed art historians to delineate the various phases of interior decoration in the centuries leading up to the eruption of Mount Vesuvius in 79 AD, which both destroyed the city and preserved the paintings, and between stylistic shifts in Roman art during late Republican and Augustan periods. In the succession of styles, there is a reiteration of stylistic themes. The paintings also tell a great deal about the prosperity of the area and specific tastes during the times. The main purpose of these frescoes was to reduce the claustrophobic interiors of Roman rooms, which were windowless and dark. The paintings, full of color and life, br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
