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Villa Pisani, Montagnana
The Villa Pisani is a patrician villa outside the city walls of Montagnana, Veneto, northern Italy. Architecture It was designed by Italian Renaissance architect Andrea Palladio about 1552, for Cardinal Francesco Pisani. Pisani was also a patron of the painters Paolo Veronese and Giambattista Maganza and the sculptor Alessandro Vittoria, who provided sculptures of the ''Four Seasons'' for the villa, which is in fact provided with fireplaces to dispel winter chill. Unlike more typical Palladian villas – and their imitations in Britain, Germany and the United States – the Villa Pisani at Montagnana combines an urban front, facing a piazza of the ''comune'', and, on the other side, a rural frontage extending into gardens, with an agricultural setting beyond. Unlike many of Palladio's villas in purely rural settings, it has an upper storey, set apart from more public reception rooms on the main floor; twin suites of apartments are accessed by twin oval staircases that flank th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montagnana
Montagnana is a town and ''comune'' in the province of Padova, in Veneto (northern Italy). Neighbouring communes are Borgo Veneto, Casale di Scodosia, Urbana, Bevilacqua, Pojana Maggiore, Pressana, Minerbe and Roveredo di Guà. , the population of Montagnana is 9120. The town was awarded with the Bandiera arancione and is part of the I Borghi più belli d'Italia association. Main sights * City walls: one of the best preserved examples of medieval walls in Europe. *Castle of San Zeno: built by Ezzelino III da Romano. Another castle is the ''Rocca degli Alberi'', built by the Carraresi family in 1360–62. *Santa Maria Assunta: Gothic Cathedral (1431–1502), with late-Renaissance additions. The interior includes a ''Transfiguration'' by Paolo Veronese and fresco of ''Judith and David'', recently attributed to Giorgione. *''Palazzo Magnavin-Foratti'', in Gothic-Venetian style. *Town Hall (1532). Outside the city is the ''Villa Pisani'', one of Andrea Palladio's master ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comune
The (; plural: ) is a local administrative division of Italy, roughly equivalent to a township or municipality. It is the third-level administrative division of Italy, after regions ('' regioni'') and provinces (''province''). The can also have the title of ('city'). Formed ''praeter legem'' according to the principles consolidated in medieval municipalities, the is provided for by art. 114 of the Constitution of Italy. It can be divided into ''frazioni'', which in turn may have limited power due to special elective assemblies. In the autonomous region of the Aosta Valley, a ''comune'' is officially called a ''commune'' in French. Overview The provides essential public services: registry of births and deaths, registry of deeds, and maintenance of local roads and public works. Many have a '' Polizia Comunale'' (communal police), which is responsible for public order duties. The also deal with the definition and compliance with the (general regulator plan), a document ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Logis
In architecture, a ''corps de logis'' () is the principal block of a large, (usually Classical architecture, classical), mansion or palace. It contains the principal rooms, state apartments and an entry.Curl, James Stevens (2006). ''Oxford Dictionary of Architecture and Landscape Architecture'', 2nd edition. Oxford and New York: Oxford University Press, p. 204. . The grandest and finest rooms are often on the first floor above the ground level: this floor is the ''piano nobile''. The ''corps de logis'' is usually flanked by lower secondary wings, such as the ''barchesse'' of Venetian villas. When the secondary wings form a three sided courtyard, the courtyard is known as the ''cour d'honneur''. Examples of a ''corps de logis'' can be found in many of the most notable Classical architecture, Classical Era buildings of Europe including the Palace of Versailles, Blenheim Palace, and the Palazzo Pitti. In France, the principal block of medieval castles and manor houses is often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Quattro Libri Dell'architettura
''I quattro libri dell'architettura'' (''The Four Books of Architecture'') is a treatise on architecture by the architect Andrea Palladio (1508–1580), written in Italian. It was first published in four volumes in 1570 in Venice, illustrated with woodcuts after the author's own drawings. It has been reprinted and translated many times, often in single-volume format. Book I was first published in English in 1663 in a London edition by Godfrey Richards. The first complete English language edition was published in London by the Italian-born architect Giacomo Leoni in 1715–1720.The Center for Palladian Studies in America, Inc., "Palladio and his Books." http://www.palladiancenter.org/palladiobooks.html Organization The treatise is divided into four books: The first book discusses building materials and techniques. It documents five classical orders (Doric, Ionic, Corinthian, Tuscan, Composite) in all their parts (bases, columns, architraves, arches, capitals, trabeations), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope (architecture)
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric order, Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in heigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patera
In the material culture of classical antiquity, a ''phiale'' ( ) or ''patera'' () is a shallow ceramic or metal libation bowl. It often has a bulbous indentation ('' omphalos'', "bellybutton") in the center underside to facilitate holding it, in which case it is sometimes called a ''mesomphalic phiale''. It typically has no handles, and no feet. Although the two terms may be used interchangeably, particularly in the context of Etruscan culture, ''phiale'' is more common in reference to Greek forms, and ''patera'' in Roman settings, not to be confused with the Greek () or Father. Use Libation was a central and vital aspect of ancient Greek religion, and one of the simplest and most common forms of religious practice. It is one of the basic religious acts that define piety in ancient Greece, dating back to the Bronze Age and even prehistoric Greece. Libations were a part of daily life, and the pious might perform them every day in the morning and evening, as well as to begin m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucrania
Bucranium (plural ''bucrania''; Latin, from Greek ''βουκράνιον'', referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture. The name is generally considered to originate with the practice of displaying garlanded, sacrificial oxen, whose heads were displayed on the walls of temples, a practice dating back to the sophisticated Neolithic site of Çatalhöyük in eastern Anatolia, where cattle skulls were overlaid with white plaster. Etymology and sphere of application The word "bucranium" (latin ''bucranium'') comes from Ancient Greek: βουκράνιον - being composed of βοῦς (''ox'') and κρανίον (''skull'') - and literally means "ox skull". Analogic, the Greek word αἰγικράνιον (''latin'' aegicranium) means a "goat skull", also used as a decorative element in architecture. The technical term "bucranium" was originally used in the description of classical architecture. Its application to the fie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia" Lexic.us. Retrieved on 2014-10-24. An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
