|
Villa Delle Peschiere
Villa Pallavicino delle Peschiere is a 16th-century villa in Genoa, Northwestern Italy, built in 1560 for the nobleman Tobia Pallavicino. It is situated in via San Bartolomeo degli Armeni 25, in the quarter of Castelletto, in an area that, at the time when the villa was built, was still outside of the city walls. After the urban expansion of the 19th century, it is now located in the center of the city. The villa still belongs to the Pallavicino family. History The villa was built in 1560 as a summer house for the Genoese nobleman Tobia Pallavicino, a wealthy merchant in alum, in an elevated area over the city which, in the 16th century, was still outside of the city walls. While the villa was being constructed, Tobia Pallavicino also commissioned his city palace in the Strada Nuova (Italian for "New Street", now via Garibaldi), known today as Palazzo Carrega-Cataldi. Raffaele Soprani attributed the design of the villa to Galeazzo Alessi in 1674, although he still doubted wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galeazzo Alessi
Galeazzo Alessi (1512 – 30 December 1572) was an Italian architect from Perugia, known throughout Europe for his distinctive style based on his enthusiasm for ancient architecture. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali. For a number of years he lived in Genoa. He was involved in the lay-out of the streets and the restoration of the city walls, as well as being responsible for many of its impressive palazzo, palazzi, now a part of the World Heritage List. His work can be found in many other Italian cities, including in Ferrara, Bologna, Naples and Milan, where he designed the facade of Santa Maria presso San Celso. With Giacomo Barozzi da Vignola, Vignola, he designed the Basilica of Santa Maria degli Angeli in Assisi, the seventh largest Christian church at the time. Elsewhere in Europe, he designed churches and palaces in France, Germany and Flanders. He produced designs for El Escorial in Spain, but age and heal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Genoa
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Giacomo Vansoldo
Gian is a masculine Italian given name. It is a variant of Gianni and is likewise used as a diminutive of Giovanni, the Italian form of John. In Italian, any name including Giovanni can be contracted to Gian, particularly in combination with other given names, such as Gianfranco or Gianluca. Gian is also an unrelated masculine Punjabi Sikh name meaning 'knowledge' and is a variant of the Sanskrit name Gyan. Notable people Notable people whose name is now typically expressed as Gian include: * Gian Paolo Lomazzo, Italian painter * Gian Lorenzo Bernini, Italian sculptor * Gian Rinaldo Carli, Italian count, economist, and antiquarian * Gian Gastone de' Medici, Grand Duke of Tuscany * Gian Francesco Albani, Italian Catholic cardinal * Gian Francesco Malipiero, Italian composer * Gian Galeazzo Visconti, First Lord of Milan * Gian Galeazzo Sforza, Sixth Lord of Milan * Gian Marco Centinaio, Italian politician * Gian Pyres, British musician * Gian Maria Volonté, former actor * Gian Sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin-Pierre Gauthier
Martin-Pierre Gauthier (1790–1855) was a French architect. 1790 births 1855 deaths People from Troyes 19th-century French architects Recipients of the Legion of Honour Members of the Académie des beaux-arts Prix de Rome for architecture Academic staff of École Polytechnique {{France-architect-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Cambiaso
Luca Cambiaso (also known as Luca Cambiasi and Luca Cangiagio (being ''Cangiaxo'' the surname in Ligurian); 18 November 1527 – 6 September 1585) was an Italian painter and draughtsman and the leading artist in Genoa in the 16th century. He is considered the founder of the Genoese school who established the local tradition of historical fresco painting through his many decorations of Genoese churches and palaces. He produced a number of poetic night scenes. He was a prolific draughtsman who sometimes reduced figures to geometric (even cubic) forms.Lauro Magnani. "Cambiaso, Luca." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 Mar. 2016 He was familiarly known as Lucchetto da Genova. Life Cambiaso was born in Moneglia, then part of the Republic of Genoa, the son of a painter named Giovanni Cambiaso. Cambiaso was precocious, and at the age of fifteen he painted, along with his father, some subjects from Ovid's ''Metamorphoses'' on the facade of a house i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Semini
Antonio Semini (c. 1485 – after 1547) was an Italian painter of the late-Renaissance, active in his native Genoa. He was born and trained in Genoa and died in Milan. He was the pupil of Ludovico Brea, and painted in collaboration with Teramo Piaggio. Antonio painted a ''Nativity'' for S. Domenico, Savona. Among his pupils were his sons Andrea and Ottavio Semini Ottavio Semini (c. 1530–1604) was an Italian painter of the late-Renaissance. He was born and trained in Genoa and died in Milan. He was the son and pupil of Antonio Semini, and was influenced by Perino del Vaga. Aided his brother Andrea in .... Notes References * 1485 births 1540s deaths 15th-century Italian painters Italian male painters 16th-century Italian painters Painters from Genoa Italian Mannerist painters {{Italy-painter-15thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcello Sparzo
Marcello Sparzo (—1616) was an Italian sculptor of the 17th century, renowned particularly as a master plasterer. Considered by his contemporaries as one of the foremost plastic artists and sculptors of the period, he was among the early users of marble plaster in monumental colossal works, displaying an original stylistic language and refined execution skills. He worked notably in Genoa, Urbino, Turin, Siena, and Pavia, and was also an innovator in chromatic experiments, for instance, in the presbytery of the Church of San Pietro in Banchi, the nave of the Church of San Rocco, and the Villa of the Prince in Genoa. Biography Early life Marcello Sparzo was born in Urbino, Italy to Francesco di Giulio Sparzo and Donna Giulia. described him as "the natural son of Gio. Antonio Spazza." In the contract of 1573 for works in Siena, he is referred to as "Master Marcello di Giulio Sparti from Urbino." He spent his early years specializing in plastic arts at the school of Federico Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lesene
A lesene, also called a pilaster strip, is an architectural term for a narrow, low-relief vertical pillar on a wall. It resembles a pilaster, but does not have a base or capital. It is typical in Lombardic and Rijnlandish architectural building styles. Function Lesenes are used in architecture to vertically divide a façade or other wall surface optically. However, unlike pilasters, lesenes are simpler, having no bases or capitals. Their function is ornamental, not just to decorate the plain surface of a wall but, in the case of corner lesenes (at the edges of a façade), to emphasise the edges of a building. Gallery File:Lisene2.jpg, Lesenes and Lombard band (arches) on a chapel File:Lisene-Ravenna.jpg, Lesenes forming blind arcades, Mausoleum of Galla Placidia, Ravenna (); dentils under the eaves. File:Gernrode-Lisene.jpg, Lesene on the staircase tower, Gernrode collegiate church (pre-1000) File:Maria Laach.jpg, Lesenes on the Maria Laach Abbey (1156) File:Saxon tower - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Corinthian Order")