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Marcello Sparzo
Marcello Sparzo (—1616) was an Italian sculptor of the 17th century, renowned particularly as a master plasterer. Considered by his contemporaries as one of the foremost plastic artists and sculptors of the period, he was among the early users of marble plaster in monumental colossal works, displaying an original stylistic language and refined execution skills. He worked notably in Genoa, Urbino, Turin, Siena, and Pavia, and was also an innovator in chromatic experiments, for instance, in the presbytery of the Church of San Pietro in Banchi, the nave of the Church of San Rocco, and the Villa of the Prince in Genoa. Biography Early life Marcello Sparzo was born in Urbino, Italy to Francesco di Giulio Sparzo and Donna Giulia. described him as "the natural son of Gio. Antonio Spazza." In the contract of 1573 for works in Siena, he is referred to as "Master Marcello di Giulio Sparti from Urbino." He spent his early years specializing in plastic arts at the school of Federico Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urbino
Urbino ( ; ; Romagnol: ''Urbìn'') is a walled city in the Marche region of Italy, south-west of Pesaro, a World Heritage Site notable for a remarkable historical legacy of independent Renaissance culture, especially under the patronage of Federico da Montefeltro, duke of Urbino from 1444 to 1482. The town, nestled on a high sloping hillside, retains much of its picturesque medieval aspect. It hosts the University of Urbino, founded in 1506, and is the seat of the Archbishop of Urbino. Its best-known architectural piece is the Palazzo Ducale, rebuilt by Luciano Laurana. Geography The city lies in a hilly region, at the foothills of the Northern Apennines and the Tuscan-Romagnolo Apennines. It is within the southern area of Montefeltro, an area classified as medium-high seismic risk. In the database of earthquakes developed by the National Institute of Geophysics and Volcanology, nearly 65 seismic events have affected the town of Urbino between 26 March 1511 and 26 Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Castello
Bernardo Castello (or Castelli) (1557–1629) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait and historical painter.He needs to be distinguished from Giovanni Battista Castello, (called ''Il bergamasco''), who was an elder friend of and collaborator with Luca Cambiaso. Biography Bernardo Castello was born in , now a quarter of Genoa. He was apprenticed under Andrea Semino and Luca Cambiaso, then travelled throughout Italy, meeting other painters and creating his own particular style. During his career he painted many works and was appreciated by famous poets with whom he had friendships. Amongst these were Gabriello Chiabrera and Torquato Tasso, and Castello was the illustrator for ''Jerusalem Delivered'' by Tasso, published in 1590 (and also for a further edition, published in 1617). Some of these illustrations were engraved by Agostino Carracci. Beside working in Genoa, Castello was employed in Rome and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Ponzello
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Delle Peschiere
Villa Pallavicino delle Peschiere is a 16th-century villa in Genoa, Northwestern Italy, built in 1560 for the nobleman Tobia Pallavicino. It is situated in via San Bartolomeo degli Armeni 25, in the quarter of Castelletto, in an area that, at the time when the villa was built, was still outside of the city walls. After the urban expansion of the 19th century, it is now located in the center of the city. The villa still belongs to the Pallavicino family. History The villa was built in 1560 as a summer house for the Genoese nobleman Tobia Pallavicino, a wealthy merchant in alum, in an elevated area over the city which, in the 16th century, was still outside of the city walls. While the villa was being constructed, Tobia Pallavicino also commissioned his city palace in the Strada Nuova (Italian for "New Street", now via Garibaldi), known today as Palazzo Carrega-Cataldi. Raffaele Soprani attributed the design of the villa to Galeazzo Alessi in 1674, although he still doubted wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Bartolomeo Degli Armeni
San Bartolomeo degli Armeni is an Armenian Catholic church in the quarter of Castelletto in Genoa, northern Italy. The church was founded in 1308 by a group of monks who were fleeing the Turkish invasion of southern Armenia. Of the original edifice, the apse, the dome and the left chapel remain; the right chapel was destroyed in 1883. The church houses the " Holy Face of Edessa", a line relic with a tempera painting of the face of Jesus, which the Genoese doge Leonardo Montaldo received from the Byzantine emperor, and which he donated to the Basilians. The church houses artworks by Giovanni Battista Paggi, Orazio de Ferrari, Giulio Benso, Lazzaro Tavarone, Giacomo Boni, Luca Cambiasi, Anton Maria Maragliano Anton Maria Maragliano (18 September 1664 – 7 March 1739) was an Italian sculptor of the Baroque period, known primarily for his wooden statues. He was born in Genoa, where he led an important workshop. He is called also Maraggiano by some ... and others. Sources ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Battista Castello
Giovanni Battista Castello (1500 or 1509–1569 or 1579) was an Italian historical painter. Born in Gandino near Bergamo, he is ordinarily termed Il Bergamasco to distinguish him from the other painter (of miniatures) with the identical name from school of Genoa. His best-known works are the paintings on the vault of the Basilica della Santissima Annunziata del Vastato. - article He was an and as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of Austria, Queen Of Spain
Margaret of Austria (25 December 1584 – 3 October 1611) was Queen of Spain and Portugal by her marriage to King Philip III & II. Life Margaret was the daughter of Archduke Charles II of Austria and Maria Anna of Bavaria and thus the paternal granddaughter of the Holy Roman Emperor Ferdinand I. Her elder brother was the Archduke Ferdinand, who succeeded as Emperor in 1619. Two of her sisters, Anna and Constance, through their subsequent marriages to King Sigismund III Vasa, became Queens of Poland. Queen of Spain Margaret married Philip III of Spain, her first-cousin, once-removed, on 18 April 1599. She became a very influential figure at her husband's court. Philip had an "affectionate, close relationship" with Margaret, and paid her additional attention after she bore him a son in 1605.Sánchez, p. 100. Margaret was also a great patron of the arts. She was considered by contemporaries to be a very pious Catholic and "astute and very skillful" in her political deal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurel Wreath
A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel (), an aromatic broadleaf evergreen, or later from spineless butcher's broom ('' Ruscus hypoglossum'') or cherry laurel ('' Prunus laurocerasus''). It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck. The symbol of the laurel wreath traces back to Ancient Greece. In Greek mythology, the god Apollo, who is patron of lyrical poetry, musical performance and skill-based athletics, is conventionally depicted wearing a laurel wreath on his head in all three roles. Wreaths were awarded to victors in athletic competitions, including the ancient Olympics; for victors in athletics they were made of wild olive tree known as ''" kotinos"'' (), (sc. at Olympia) – and the same for winners of musical and poetic competitions. In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria (mythology)
In ancient Roman religion Victoria was the deified personification of victory. She first appears during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia. Thereafter she comes to symbolise Rome's eventual hegemony and right to rule. She is a deified abstraction, entitled to cult but unlike Nike, she has virtually no mythology of her own. History and iconography Victoria first appears during the first Punic War, as a translation or renaming of Nike, the Greek goddess of victory in peace or war. Nike would have become familiar to the Roman military as a goddess of Rome's Greek allies in the Punic wars. She was worshipped in Magna Graecia and mainland Greece, and was a subject of Greek myth. Around this time, various Roman war-deities begin to receive the epithet ''victor'' (conqueror) or ''invictus'' (unconquered). By the late republican and early imperial eras, Vic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominican Order
The Order of Preachers ( la, Ordo Praedicatorum) abbreviated OP, also known as the Dominicans, is a Catholic mendicant order of Pontifical Right for men founded in Toulouse, France, by the Spanish priest, saint and mystic Dominic of Caleruega. It was approved by Pope Honorius III via the papal bull '' Religiosam vitam'' on 22 December 1216. Members of the order, who are referred to as ''Dominicans'', generally carry the letters ''OP'' after their names, standing for ''Ordinis Praedicatorum'', meaning ''of the Order of Preachers''. Membership in the order includes friars, nuns, active sisters, and lay or secular Dominicans (formerly known as tertiaries). More recently there has been a growing number of associates of the religious sisters who are unrelated to the tertiaries. Founded to preach the Gospel and to oppose heresy, the teaching activity of the order and its scholastic organisation placed the Preachers in the forefront of the intellectual life of the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certosa Di Pavia
The Certosa di Pavia is a monastery and complex in Lombardy, Northern Italy, situated near Certosa di Pavia (comune), a small town of the same name in the Province of Pavia, north of Pavia. Built in 1396–1495, it was once located on the border of a Visconti Park, large hunting park belonging to the Visconti of Milan, Visconti family of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy. ''Certosa'' is the Italian name for a house of the cloistered monastic order of Carthusians founded by Bruno of Cologne, St. Bruno in 1044 at Grande Chartreuse. Though the Carthusians in their early centuries were known for their seclusion and asceticism and the plainness of their architecture, the Certosa is renowned for the exuberance of its architecture, in both the Gothic and Renaissance styles, and for its collection of artworks which are particularly representative of the region. History Gian Galeazzo Visconti, hereditary lord and first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
