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Victória Pitts
Ana Victória Pitts (born 1991) is a Brazilian mezzo-soprano who has performed internationally. Career Pitts was born in Belém in 1991 and was first trained there. From 2008, she studied at the . She made her stage debut in Belém in 2010 as Dido in Purcell's ''Dido and Aeneas''. She received a scholarship and continued her studies in Italy from 2011 at the Rovigo conservatoire, where she graduated in 2014. In 2011, Pitts won the Young Promise Award at the International Sacred Music Competition in Rome. In 2014, she made her European debut in the world premiere of Paolo Furlani's ''The Water Babies'' at the . Pitts was a member of the studio of the Maggio Musicale Fiorentino from 2015 to 2017, where she appeared in Ullmann's ''Der Kaiser von Atlantis'', as Hänsel in Humperdinck's ''Hansel and Gretel (opera), Hänsel und Gretel'', Flora in Verdi's ''La Traviata'', and Tisbe in Rossini's ''La Cenerentola''. She performed the alto part in Mozart's Requiem (Mozart), Requiem at ...
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Belém
Belém (; Portuguese for Bethlehem; initially called Nossa Senhora de Belém do Grão-Pará, in English Our Lady of Bethlehem of Great Pará) often called Belém of Pará, is a Brazilian city, capital and largest city of the state of Pará in the country's north. It is the gateway to the Amazon River with a busy port, airport, and bus/coach station. Belém lies approximately 100 km upriver from the Atlantic Ocean, on the Pará River, which is part of the greater Amazon River system, separated from the larger part of the Amazon delta by ''Ilha de Marajó'' ( Marajo Island). With an estimated population of 1,499,641 people — or 2,491,052, considering its metropolitan area — it is the 11th most populous city in Brazil, as well as the 16th by economic relevance. It is the second largest in the North Region, second only to Manaus, in the state of Amazonas. Founded in 1616 by the Kingdom of Portugal, Belém was the first European colony on the Amazon but did not become ...
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Theatro Da Paz
Theatro da Paz (Peace Theater), is a brazilian theater located in the Praça da República (Republic Square) on the city of Belém, capital of the state of Pará, in Brazil. Theatro da Paz was built following neoclassical architectural lines, within the golden age of rubber in Amazon Basin. It is considered the most important culture house in northern Brazil. Its name has been suggested by bishop D. Macedo Costa, who also launched the ''fundamental stone'' of its construction, on March 3, 1869. Along the years, Theatro da Paz has suffered minor alterations in its façade, namely the reduction of the number of columns over the main entrance. Its architectural lines remain unaltered, though. History Theatro da Paz was planned by engineer José Libúrcio Pereira Magalhães, with some alterations added by the Public Constructions office. Construction ended in 1874, but the theater was only opened to the public after an administrative investigation against its builders took place. ...
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Željko Lučić
Željko Lučić (born 24 February 1968), is a Serbian operatic baritone who has had an active international career since 1993. He was a member of the Serbian National Theatre in Novi Sad from 1993 to 1998 and at the Frankfurt Opera from 1998 to 2008. He is particularly well known for his performances in the operas of Giuseppe Verdi; having portrayed a total of 23 leading roles from the great composer's works. Early life and education Born in Zrenjanin, Lučić was a member of conductor Slobodan Bursać's Josif Marinković Mixed Choir in his native city while he was a teenager. Bursać encouraged him to pursue a career as a soloist and encouraged him to study singing with Dorotea Spasić in Belgrade. After studying for some years with Spasić, his teacher sent him to the voice studio of the famous mezzo-soprano Biserka Cvejić at the Music Academy in Novi Sad in 1991. Cvejić became his primary teacher and mentor, and in less than two years studying with her, he was offered a co ...
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Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ...
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Suor Angelica
''Suor Angelica'' (''Sister Angelica'') is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as ''Il trittico'' (''The Triptych''). It received its world premiere at the Metropolitan Opera on December 14, 1918. Roles Synopsis :Place: A convent in Italy :Time: The latter part of the 17th century The opera opens with scenes showing typical aspects of life in the convent – all the sisters sing hymns, the Monitor scolds two lay-sisters, everyone gathers for recreation in the courtyard. The sisters rejoice because, as the mistress of novices explains, this is the first of three evenings that occur each year when the setting sun strikes the fountain so as to turn its water golden. This event causes the sisters to remember Bianca Rosa, a sister who has died. Sister Genevieve suggests they pour some of the "golden" water onto her tomb. The nuns discuss their desires. While the Moni ...
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Il Tabarro
''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given on December 14, 1918 at the Metropolitan Opera in New York City. Roles Synopsis :Place: A barge on the Seine in Paris. :Time: 1910. It is close to sunset in Paris, and the stevedores work unloading Michele's barge. Giorgetta, Michele's wife, asks her husband if she can bring wine to the workers. He agrees but does not join them because she refuses his kiss. The stevedores start dancing to the music of a nearby organ grinder and one of them steps on Giorgetta's foot. Luigi, a stevedore, dances with her, and it is evident that there is something between them. Upon hearing of Michele's return the stevedores' gathering breaks up. Work is getting scarce and Giorgetta and Michele discuss which of the stevedores should be dismissed; she pr ...
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Pier Giorgio Morandi
Pier Giorgio Morandi (born 1958) is an Italian oboist and conductor, especially of Italian opera of the 19th and early 20th century, who has worked internationally. After having played as principal oboe at La Scala in Milan, he turned to conducting, holding positions at the Teatro dell'Opera di Roma, the Hungarian State Opera House in Budapest, and the Royal Swedish Opera. He recorded productions of Verdi's ''Il trovatore'' at the Verona Arena and Puccini's ''Madama Butterfly'' at the Metropolitan Opera. Career Morandi was born in Biella. He was solo oboist of the orchestra of La Scala in Milan for ten years, where he assisted conductors such as Riccardo Muti and Giuseppe Patanè. He studied composition in Milan, and conducting at the Mozarteum in Salzburg. He studied conducting further in Tanglewood with Leonard Bernstein and Seiji Ozawa. In 1989 he became deputy chief conductor at the Teatro dell'Opera di Roma. He held positions at the Hungarian State Opera House in Budapest, ...
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Claus Guth
Claus Guth (born 1964) is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's '' Cronaca del luogo'' at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for ''Daphne'' by Richard Strauss in 2010, and for Debussy's '' Pelléas et Mélisande'', both at the Oper Frankfurt. Life and career Early life Born in Frankfurt, Claus Guth first studied philosophy, German studies and theatre studies at the Ludwig Maximilian University of Munich, and later theatre and opera directing with Cornel Franz at the Hochschule für Musik und Theater München. Contemporary opera Guth has focused on contemporary opera. He has staged several world premieres, some in the context of the Munich Biennale, such as Hanna Kulenty's ''The Mother of Black Winged Dr ...
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ...
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Il Trittico
''Il trittico'' (''The Triptych'') is the title of a collection of three one-act operas, ''Il tabarro'', ''Suor Angelica'', and ''Gianni Schicchi'', by Giacomo Puccini. The work received its world premiere at the Metropolitan Opera on 14 December 1918. Background Around 1904, Puccini first began planning a set of one-act operas, largely because of the success of Pietro Mascagni's ''Cavalleria rusticana''. Originally, he planned to write each opera to reflect one of the parts of Dante's ''Divine Comedy''. However, he eventually based only ''Gianni Schicchi'' on Dante's epic poem. The link in the final work is that each opera deals with the concealment of a death. Puccini also intended that the three should be performed as a set, and wrote to Casa Ricordi to complain about their giving permission in 1920 to The Royal Opera, London, "for ''Tabarro'' and ''Schicchi'' without ''Angelica''". He reluctantly agreed that the two operas could be given in a programme with Serge Diaghilev's ...
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La Bella Dormente Nel Bosco
(The sleeping beauty in the woods) is an opera in three acts by Ottorino Respighi to a libretto by Gian Bistolfi based on Charles Perrault's fairy tale "Sleeping Beauty". The first version of this opera, with the title ''La bella addormentata nel bosco'', premiered in the in Rome on 13 April 1922. It was a version written for the Italian marionettist , who was director of a marionette company called ''Teatro dei Piccoli'' (''Theater for Children''). The play was interpreted by marionettes, but it was accompanied by orchestra and singers. The cast of the première included the soprano Cisse Vaughan and the mezzo-soprano Evelina Levi. The performance was a success, with "many curtain calls for the composer", and was judged as an "art jewel". A revised version was performed at the , Turin, on 9 April 1934, as ''La bella dormente nel bosco''. The cast included Graziella Gazzera Valle (Princess), Magda Piccarolo (Blue Fairy, Nightingale), Angelina Rossetti (Spindle, Duchess, Cat), M ...
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Legnago
Legnago () is a town and ''comune'' in the Province of Verona, Veneto, northern Italy, with population (2012) of 25,439. It is located on the Adige river, about from Verona. Its fertile land produces crops of rice, other cereals, sugar, and tobacco. History Traces of human presence in the area date back to the Bronze Age. Legnago had an important military role since the early Middle Ages. In the 19th century it was one of the Quadrilatero fortresses, the main strongpoint of the Austrian Lombardy-Venetia puppet state during the Italian Wars of Independence. The present fortifications were planned and made in 1815, the older defences having been destroyed by Napoleon I in 1801. Geography Located in the southwestern corner of its province, near the borders with the ones of Rovigo, Padua and Vicenza, Legnago borders with the municipalities of Angiari, Bergantino (RO), Bonavigo, Boschi Sant'Anna, Castelnovo Bariano (RO), Cerea, Minerbe, Terrazzo and Villa Bartolomea. It counts t ...
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