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Suor Angelica
''Suor Angelica'' (''Sister Angelica'') is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as ''Il trittico'' (''The Triptych''). It received its world premiere at the Metropolitan Opera on December 14, 1918. Roles Synopsis :Place: A convent in Italy :Time: The latter part of the 17th century The opera opens with scenes showing typical aspects of life in the convent – all the sisters sing hymns, the Monitor scolds two lay-sisters, everyone gathers for recreation in the courtyard. The sisters rejoice because, as the mistress of novices explains, this is the first of three evenings that occur each year when the setting sun strikes the fountain so as to turn its water golden. This event causes the sisters to remember Bianca Rosa, a sister who has died. Sister Genevieve suggests they pour some of the "golden" water onto her tomb. The nuns discuss their desires. While the Moni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Mattfeld
Marie Mattfeld (1870 — September 18, 1927) was a German opera singer who performed repertoire from the mezzo-soprano and soprano canon of performance literature during the last decade of the 19th century and the first three decades of the 20th century. Beginning her career performing in concerts and operas in Munich in the early 1890s, she joined Walter Damrosch's newly created American opera company in 1896. After performing for several years in operas in the United States, she returned to Germany where she was committed to Theater Bremen from 1901 to 1905. In 1906 she returned to the United States to join the roster of resident artists at the Metropolitan Opera ("The Met"); having previously made her debut with that company in 1901. She remained committed to the Met up until her death in 1927; giving a total of 900 performances in more than forty different operas. She was particularly admired for her portrayal of Hänsel in Engelbert Humperdinck's ''Hansel and Gretel''. Mattfel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamberto Gardelli
Lamberto Gardelli (8 November 191517 July 1998) was a Swedish conductor of Italian birth,Lamberto Gardelli. ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. particularly associated with the Italian opera repertory, especially the works of Giuseppe Verdi. Life and career Born in Venice, Italy, Gardelli studied with Amilcare Zanella and Adriano Ariani at the Liceo Musicale Rossini in Pesaro, and later at the Accademia Nazionale di Santa Cecilia in Rome. He started his career as a pianist (appearing in public at the age of eight) and double-bass player in Italy. In addition to vocal studies he took composition classes with Goffredo Petrassi, and later spent eight years as an assistant to Serafin, also working with Mascagni during this period.Lamberto Gardelli (biographical note). In: booklet accompanying ''I Due Foscari'', Philips LPs 6700 105, 1977, p4. He made his conducting debut at the Rome Opera with ''La traviata'' in 1944. Professionally, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulietta Simionato
Giulietta Simionato (born Giulia Simionato; Forlì, Romagna, 12 May 1910 – Rome, 5 May 2010) was an Italian mezzo-soprano. Her career spanned the period from the 1930s until her retirement in 1966. Life As a girl she studied in a boarding school with nuns who sensed her musical qualities and invited her to study singing, which she did against the opposition of the family, especially her mother. After the latter's death, Giulietta studied first in Rovigo, then in Padua. Her singing debut was in the 1927 musical comedy film, 'Nina, Don't Be Stupid'. The following year she made her operatic debut at Montagnana. In 1933 she won the first "bel canto competition" in Florence against 385 competitors and got an audition at the Teatro alla Scala. The result was positive, but the artistic director Fabbroni found her voice still immature and invited her to return a few years later. Two years later she was put under contract. In 1928, she sang in Verdi's ''Rigoletto''. The first fif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renata Tebaldi
Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "" ("the voice of an angel"), and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera." Early years and education Born in Pesaro, Tebaldi was the daughter of cellist Teobaldo Tebaldi and Giuseppina Barbieri, a nurse. Her parents separated before her birth and Tebaldi grew up with her mother in her maternal grandparents' home in Langhirano. Stricken with polio at the age of three, Tebaldi became interested in music and sang with the church choir in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullio Serafin
Tullio Serafin (1 September 18782 February 1968) was an Italian conductor and former Musical Director at La Scala. Biography Tullio Serafin was a leading Italian opera conductor with a long career and a very broad repertoire who revived many 19th-century ''bel canto'' operas by Bellini, Rossini and Donizetti to become staples of 20th-century repertoire. He had an unparalleled reputation as a coach of young opera singers and famously harnessed and developed both Renata Tebaldi's and Maria Callas's considerable talents. Born in Rottanova (Cavarzere), near Venice, and trained in Milan, he played viola in the Orchestra of La Scala, Milan under Arturo Toscanini, later being appointed Assistant Conductor. He took over as Music Director at La Scala when Toscanini left to go to New York, and served 1909–1914, 1917–1918, and returned briefly after the Second World War, 1946 -1947. He joined the conducting staff of the Metropolitan Opera in 1924, and remained for a decade, after w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fedora Barbieri
Fedora Barbieri (4 June 1920 – 4 March 2003) was an Italian mezzo-soprano and actor. Barbieri was born in Trieste. She performed regularly in Florence for fifty years, and performed internationally through the years. She died, aged 82, in Florence. Career After studying singing with Federico Bugamelli and Luigi Toffolo, she won an audition at age twenty to enter the school of the Teatro Comunale in Florence, where she studied with Giulia Tess. She then debuted in November 1940, as Fidalma in Il matrimonio segreto. Her Teatro alla Scala debut, where she was to have her greatest successes, came in 1942, as Meg Page. She was one of the first performers to investigate and perform in early operas by Monteverdi and Pergolesi. She made her debut at the Metropolitan Opera on 6 November 1950, as Princess Eboli in Verdi's ''Don Carlos''. Altogether, she gave 95 performances there over 9 seasons, in 11 different roles. She also sang Eboli in the famous Luchino Visconti production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria De Los Ángeles
Victoria de los Ángeles López García (1 November 192315 January 2005) was a Catalan Spanish operatic lyric soprano and recitalist whose career began after the Second World War and reached its height in the years from the mid-1950s to the mid-1960s. Early life She was born Victoria de los Ángeles López García in the porter's lodge of the University of Barcelona, to Bernardo Lopez Gómez (or Gamez), a university caretaker, and Victoria García. She studied voice under Dolores Frau, and guitar with Graciano Tarragó, at the Barcelona Conservatory, graduating in 1941 after just three years, at the age of 18. Career in music In 1941, while still a student, she made her operatic debut as Mimì in ''La bohème'' at the Liceu, afterwards resuming her musical studies. In 1945, she returned to the Liceu to make her professional debut as the Countess in ''The Marriage of Figaro''. After winning first prize in the Geneva International Music Competition in 1947, she sang Salud in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbess
An abbess (Latin: ''abbatissa''), also known as a mother superior, is the female superior of a community of Catholic nuns in an abbey. Description In the Catholic Church (both the Latin Church and Eastern Catholic), Eastern Orthodox, Coptic and Anglican abbeys, the mode of election, position, rights, and authority of an abbess correspond generally with those of an abbot. She must be at least 40 years old and have been a nun for 10 years. The age requirement in the Catholic Church has evolved over time, ranging from 30 to 60. The requirement of 10 years as a nun is only eight in Catholicism. In the rare case of there not being a nun with the qualifications, the requirements may be lowered to 30 years of age and five of those in an "upright manner", as determined by the superior. A woman who is of illegitimate birth, is not a virgin, has undergone non-salutory public penance, is a widow, or is blind or deaf, is typically disqualified for the position, saving by permission of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farrar Perini Suor Angelica 1918
Farrar may refer to: * Cape Farrar, a headland on the Boothia Peninsula in Nunavut, Canada * Farrar, Georgia, a US unincorporated community * Farrar, Iowa, a US unincorporated community * Farrar Landing, Michigan, an unincorporated community * Farrar, Missouri, a US unincorporated community * Farrar, North Carolina, a US unincorporated community * Farrar, Northern Territory, a suburb in Australia * Farrar, Texas, a US unincorporated community * Farrar Hill, Tennessee, a US unincorporated community * Farrar's Island, a peninsula on the James River in Virginia * River Farrar, Scotland * ''Farrar'' (album), a 2008 album by Scottish fiddler Duncan Chisholm * Farrar (surname), people with the surname Farrar See also * Farrar & Rinehart, former name of American publishing firm Rinehart & Company * Farrar, Straus and Giroux, American publishing firm * Marvin, Welch & Farrar, 1970s British and Australian music group * Farrer (other) Farrer may refer to People * Alisha Farrer ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novice Master
In the Roman Catholic Church, a novice master or master of novices, lat. ''Magister noviciorum'', is a member of a religious institute who is responsible for the training and government of the novitiate in that institute. In religious institutes for women, the novice mistress, lat. ''Magistra noviciorum'', is the equivalent. The direction of the novices is reserved solely to the master of novices, under the authority of the major superiors. The master of novices must be a member of the institute; he must have taken perpetual vows and be legally appointed. The novice master is often assisted by a zelator (second or deputy novice master). The novice master's duty is to see that the time devoted to the period of the novitiate be passed in prayer, meditation, and the development of character through a study of the life of Jesus Christ and the saints, church history, the vows and the constitution of the institute. Within the time of this probation, he must make reports about each novi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disegno Per Copertina Di Libretto, Disegno Di Peter Hoffer Per Suor Angelica (s
Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals (such as silverpoint). Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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