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Via Labicana Augustus
The ''Via Labicana Augustus'' is a sculpture of the Roman emperor Augustus as '' Pontifex Maximus'', with his head veiled for a sacrifice. The statue is dated as having been made after 12 BCE. It was found on slopes of the Oppian Hill, in the Via Labicana, in 1910. It is now in the Palazzo Massimo alle Terme at the National Museum of Rome. Augustus became the Pontifex Maximus when Lepidus, the previous Pontifex Maximus, died in late 13 or early 12 BCE. The statue adds another aspect to Augustus' self-representation; not only is he the political head of the Roman Empire, he is also the religious head of it. In the '' Res Gestae'' 19-21 he talks about all of his religious benefactions to the city of Rome, such as building temples for "Minerva, Queen Juno and Jupiter Libertas." Augustan representations in statue form are highly controlled to the extent that there are only three or four different subgroups; based on features such as the detail of the hairstyle this may be classifi ...
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Augustus
Caesar Augustus (born Gaius Octavius; 23 September 63 BC – 19 August AD 14), also known as Octavian, was the first Roman emperor; he reigned from 27 BC until his death in AD 14. He is known for being the founder of the Roman Principate, which is the first phase of the Roman Empire, and Augustus is considered one of the greatest leaders in human history. The reign of Augustus initiated an imperial cult as well as an era associated with imperial peace, the ''Pax Romana'' or ''Pax Augusta''. The Roman world was largely free from large-scale conflict for more than two centuries despite continuous wars of imperial expansion on the empire's frontiers and the year-long civil war known as the "Year of the Four Emperors" over the imperial succession. Originally named Gaius Octavius, he was born into an old and wealthy equestrian branch of the plebeian ''gens'' Octavia. His maternal great-uncle Julius Caesar was assassinated in 44 BC, and Octavius was named in Caesar' ...
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Oppian Hill
The Oppian Hill (Latin, ''Oppius Mons''; it, Colle Oppio) is the southern spur of the Esquiline Hill, one of the Seven hills of Rome, Italy. It is separated from the Cispius on the north by the valley of the Suburra, and from the Caelian Hill on the south by the valley of the Colosseum. The Oppius and the Cispius together form the Esquiline plateau just inside the line of the Servian Wall. In the divisions of the Septimontium (seven hills) Fagutal appears as an independent locality, which implies that originally "Oppius" was strictly applied to this spur except the western end. The northern tip of this western end was also called Carinae, which extended between the Velian Hill and the Clivus Pullius, looked out to the southwest (across the swamps of the Palus Ceroliae towards the Aventine), incorporated the Fagutal and was one of ancient Rome's most exclusive neighborhoods. At least for religious purposes the name Oppius continued in use to the end of the Roman Republic; n ...
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Via Labicana
The Via Labicana was an ancient road of Italy, leading east-southeast from Rome. It seems possible that the road at first led to Tusculum, that it was then extended to Labici, and later still became a road for through traffic; it may even have superseded the Via Latina as a route to the southeast, for, while the distance from Rome to their main junction at Ad Bivium (or to another junction at Compitum Anagninum) is practically identical, the summit level of the former is lower than that of the latter, a little to the west of the pass of Mount Algidus. After their junction it is probable that the road bore the name Via Latina rather than Via Labicana. The course of the road after the first six miles from Rome is not identical with that of any modern road, but can be clearly traced by remains of pavement and buildings along its course. Ashby cites his own contribution to ''Papers of the British School at Rome'', i .215 sqq. Via Labicana entered Rome through the Aurelian walls via ...
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National Museum Of Rome
The National Roman Museum (Italian: ''Museo Nazionale Romano'') is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological findings from the period of Ancient Rome. History Founded in 1889 and inaugurated in 1890, the museum's first aim was to collect and exhibit archaeologic materials unearthed during the excavations after the union of Rome with the Kingdom of Italy. The initial core of its collection originated from the Kircherian Museum, archaeologic works assembled by the antiquarian and Jesuit priest, Athanasius Kircher, which previously had been housed within the Jesuit complex of Sant'Ignazio. The collection was appropriated by the state in 1874, after the suppression of the Society of Jesus. Renamed initially as the Royal Museum, the collection was intended to be moved to a ''Museo Tiberino'' (Tiberine Museum), which was never completed. In 1901 the ...
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Res Gestae Divi Augusti
''Res Gestae Divi Augusti'' (Eng. ''The Deeds of the Divine Augustus'') is a monumental inscription composed by the first Roman emperor, Augustus, giving a first-person record of his life and accomplishments. The ''Res Gestae'' is especially significant because it gives an insight into the image Augustus offered to the Roman people. Various portions of the ''Res Gestae'' have been found in modern Turkey. The inscription itself is a monument to the establishment of the Julio-Claudian dynasty that was to follow Augustus. Structure The text consists of a short introduction, 35 body paragraphs and a posthumous addendum. The paragraphs are conventionally grouped in four sections, political career, public benefactions, military accomplishments and a political statement. The first section (paragraphs 2–14) is concerned with Augustus' political career; it records the offices and political honours that he held. Augustus also lists numerous offices he refused to take and privileges ...
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Augustus Of Prima Porta
Augustus of Prima Porta ( it, Augusto di Prima Porta) is a full-length portrait statue of Augustus, Augustus Caesar, the first emperor of the Roman Empire. The marble statue stands tall and weighs . The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia, Livia Drusilla in Prima Porta. Livia had retired to the Roman villa, villa after Augustus's death in AD 14. The statue was first publicized by the German archeologist G. Henzen and was put into the (Rome 1863). Carved by expert Greek sculptors, the statue is assumed to be a copy of a lost bronze original displayed in Rome. The Augustus of Prima Porta is now displayed in the (New Arm) of the Vatican Museums. Since its discovery, it has become the best known of Augustus' portraits and one of the most famous sculptures of the ancient world. Original The imagery on the cuirass (typical of Legatus, legates) ref ...
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Ara Pacis
The Ara Pacis Augustae (Latin, "Altar of Augustan Peace"; commonly shortened to Ara Pacis) is an altar in Rome dedicated to Pax, the Roman goddess of Peace. The monument was commissioned by the Roman Senate on July 4, 13 BC to honour the return of Augustus to Rome after three years in Hispania and Gaul and consecrated on January 30, 9 BC. Originally located on the northern outskirts of Rome, a Roman mile from the boundary of the ''pomerium'' on the west side of the Via Flaminia, the Ara Pacis stood in the northeastern corner of the Campus Martius, the former flood plain of the Tiber River and gradually became buried under of silt deposits. It was reassembled in its current location, now the Museum of the Ara Pacis, in 1938, turned 90° counterclockwise from its original orientation so that the original western side now faces south. Significance The altar reflects the Augustan vision of Roman civil religion. The lower register of its frieze depicts agricultural work meant to com ...
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Roman Portraiture
Roman portraiture was one of the most significant periods in the development of portrait art. Originating from ancient Rome, it continued for almost five centuries. Roman portraiture is characterised by unusual realism and the desire to convey images of nature in the high quality style often seen in ancient Roman art. Some busts even seem to show clinical signs. Several images and statues made in marble and bronze have survived in small numbers. Roman funerary art includes many portraits such as married couple funerary reliefs, which were most often made for wealthy freedmen rather than the patrician elite. Portrait sculpture from the Republican era tends to be somewhat more modest, realistic, and natural compared to early Imperial works. A typical work might be one like the standing figure "A Roman Patrician with Busts of His Ancestors" (c. 30 B.C.). By the imperial age, though they were often realistic depictions of human anatomy, portrait sculpture of Roman emperors were oft ...
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