Via Labicana Augustus
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The ''Via Labicana Augustus'' is a sculpture of the Roman emperor
Augustus Caesar Augustus (born Gaius Octavius; 23 September 63 BC – 19 August AD 14), also known as Octavian, was the first Roman emperor; he reigned from 27 BC until his death in AD 14. He is known for being the founder of the Roman Pri ...
as '' Pontifex Maximus'', with his head veiled for a sacrifice. The statue is dated as having been made after 12 BCE. It was found on slopes of the
Oppian Hill The Oppian Hill (Latin, ''Oppius Mons''; it, Colle Oppio) is the southern spur of the Esquiline Hill, one of the Seven hills of Rome, Italy. It is separated from the Cispius on the north by the valley of the Suburra, and from the Caelian Hill ...
, in the Via Labicana, in 1910. It is now in the
Palazzo Massimo alle Terme The National Roman Museum (Italian: ''Museo Nazionale Romano'') is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological ...
at the
National Museum of Rome The National Roman Museum (Italian: ''Museo Nazionale Romano'') is a museum, with several branches in separate buildings throughout the city of Rome, Italy. It shows exhibits from the pre- and early history of Rome, with a focus on archaeological ...
. Augustus became the Pontifex Maximus when Lepidus, the previous Pontifex Maximus, died in late 13 or early 12 BCE. The statue adds another aspect to Augustus' self-representation; not only is he the political head of the Roman Empire, he is also the religious head of it. In the '' Res Gestae'' 19-21 he talks about all of his religious benefactions to the city of Rome, such as building temples for "Minerva, Queen Juno and Jupiter Libertas." Augustan representations in statue form are highly controlled to the extent that there are only three or four different subgroups; based on features such as the detail of the hairstyle this may be classified as one of the "Prima Porta type". This depiction of Augustus is similar to a depiction of him in relief on the exterior of the Ara Pacis Augustae. As with all of Augustus' statues he is depicted in an idealizing Greek style and as much younger than his actual age at the time, as opposed to the traditional Republican
Roman portraiture Roman portraiture was one of the most significant periods in the development of portrait art. Originating from ancient Rome, it continued for almost five centuries. Roman portraiture is characterised by unusual realism and the desire to convey im ...
, which is realist in its approach.


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External links


Matthew Brennan: 3D Restoration of the arms (Sketchfab)
Collections of the National Roman Museum Augustus in Ancient Roman sculpture Marble sculptures in Italy Archaeological discoveries in Italy 1910 archaeological discoveries {{Italy-sculpture-stub