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Vertault Relief
The Vertault relief is a Roman relief from Vertault, the ancient Vertillum, in the Departments of France, Department of Côte-d'Or. Today it is located at the Museum of Châtillon-sur-Seine. Description The 39 cm high limestone relief shows three female figures sitting on a ledge, uniformly dressed and bedecked: they wear long robes and closed shoes. The right breast of each of them is bared and their exposed upper arm decorated with an armband. The two outer figures wear the same hairstyle and look straight ahead, but the central figure's head is turned slightly to one side. The figure on the left (from the point of view of the viewer) has her legs crossed and holds a swaddling, swaddled infant in her lap, with its head resting on her lower left arm and her right hand on the baby's wrapped up legs. The central figure appears to hold only a piece of cloth, rolled open on her lap, while the figure on the right holds a small dish in her right hand and a very hole-y sponge in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moirai
In ancient Greek religion and mythology, the Moirai (, also spelled Moirae or Mœræ; grc, Μοῖραι, "lots, destinies, apportioners"), often known in English as the Fates ( la, Fata, Fata, -orum (n)=), were the personifications of fate; their Roman equivalent was the Parcae (euphemistically the "sparing ones"), and there are other equivalents in cultures that descend from the Proto-Indo-European culture. Their number became fixed at three: Clotho ("spinner"), Lachesis ("allotter") and Atropos ("the unturnable", a metaphor for death). However, according to the often cited Latin verse ''Clotho colum retinet, Lachesis net, et Atropos occat'', their roles and functions were also seen differently: Clotho, the youngest of the sisters, presided over the moment in which we are born, and held a distaff in her hand; Lachesis spun out all the events and actions of our life; and Atropos, the eldest of the three, cut the thread of human life with a pair of scissors. The role of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallo-Roman Religion
Gallo-Roman religion is a fusion of the traditional religious practices of the Gauls, who were originally Celtic speakers, and the Roman and Hellenistic religions introduced to the region under Roman Imperial rule. It was the result of selective acculturation. Deities In some cases, Gaulish deity names were used as epithets for Roman deities, and vice versa, as with Lenus Mars or Jupiter Poeninus. In other cases, Roman gods were given Gaulish female partners – for example, Mercury was paired with Rosmerta and Sirona was partnered with Apollo. In at least one case – that of the equine goddess Epona – a native Celtic goddess was also adopted by Romans. The Jupiter Column was a distinctive type of religious monument from Roman Gaul and Germania, combining an equestrian Jupiter overcoming a giant (or sometimes Jupiter enthroned) with panels depicting many other deities. Eastern mystery religions penetrated Gaul early on. These included the cults of Orpheus, Mithras, Cybel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallo-Roman Art
Gallo-Roman culture was a consequence of the Romanization of Gauls under the rule of the Roman Empire. It was characterized by the Gaulish adoption or adaptation of Roman culture, language, morals and way of life in a uniquely Gaulish context. The well-studied meld of cultures in Gaul gives historians a model against which to compare and contrast parallel developments of Romanization in other, less-studied Roman provinces. ''Interpretatio romana'' offered Roman names for Gaulish deities such as the smith-god Gobannus, but of Celtic deities only the horse-patroness Epona penetrated Romanized cultures beyond the confines of Gaul. The barbarian invasions beginning in the late third century forced upon Gallo-Roman culture fundamental changes in politics, in the economic underpinning, in military organization. The Gothic settlement of 418 offered a double loyalty, as Western Roman authority disintegrated at Rome. The plight of the highly Romanized governing class is examined by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Goddesses
The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. By a process of syncretism, after the Roman conquest of Celtic areas, these became associated with their Roman equivalents, and their worship continued until Christianization. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Espérandieu
Émile Espérandieu (11 November 1857 – 14 March 1939) was a French military officer, Latin epigrapher and archaeologist. Biography A pupil of the École spéciale militaire de Saint-Cyr then a career soldier, Émile Espérandieu participated in the 1880–1881 campaign in Tunisia where he lived thereafter. In this country, he discovered historical epigraphy during his leisure and began in 1883 to write historical and archaeological communications. On his appointment as assistant professor at the military school of Saint-Maixent in 1886, he turned his epigraphist activity towards Gaul inscriptions and inventoried in 1893 the inscriptions of Corsica. In 1899 he became director of the ''Revue épigraphique''. In 1905 the Committee on Museums entrusted him with the development and publication of a General Collection of reliefs of Roman Gaul, an endeavour that eventually became a monumental work in nine volumes, the ''Recueil général des bas-reliefs, statues et bustes de la Gau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna
Fortuna ( la, Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" (latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornucopia
In classical antiquity, the cornucopia (), from Latin ''cornu'' (horn) and ''copia'' (abundance), also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts. Baskets or panniers of this form were traditionally used in western Asia and Europe to hold and carry newly harvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking. In Greek/Roman mythology Mythology offers multiple explanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Cronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of divine attendants, including the goat Amaltheia ("Nourishing Goddess"), who fed him with her milk. The suckling future king of the gods had unusual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lararium
Lares ( , ; archaic , singular ''Lar'') were guardian deities in ancient Roman religion. Their origin is uncertain; they may have been hero-ancestors, guardians of the hearth, fields, boundaries, or fruitfulness, or an amalgam of these. Lares were believed to observe, protect, and influence all that happened within the boundaries of their location or function. The statues of domestic Lares were placed at the table during family meals; their presence, cult, and blessing seem to have been required at all important family events. Roman writers sometimes identify or conflate them with ancestor-deities, domestic Penates, and the hearth. Because of these associations, Lares are sometimes categorised as household gods, but some had much broader domains. Roadways, seaways, agriculture, livestock, towns, cities, the state, and its military were all under the protection of their particular Lar or Lares. Those who protected local neighbourhoods ('' vici'') were housed in the crossroad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyon
Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in English as Lyons, is the third-largest city and second-largest metropolitan area of France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of the French Alps, southeast of Paris, north of Marseille, southwest of Geneva, northeast of Saint-Étienne. The City of Lyon proper had a population of 522,969 in 2019 within its small municipal territory of , but together with its suburbs and exurbs the Lyon metropolitan area had a population of 2,280,845 that same year, the second most populated in France. Lyon and 58 suburban municipalities have formed since 2015 the Metropolis of Lyon, a directly elected metropolitan authority now in charge of most urban issues, with a population of 1,411,571 in 2019. Lyon is the prefecture of the Auvergne-Rhône-Alpes region and seat of the Departmental Council of Rhône (whose jurisdiction, however, no longer extends over the Metropolis of Lyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dijon
Dijon (, , ) (dated) * it, Digione * la, Diviō or * lmo, Digion is the prefecture of the Côte-d'Or department and of the Bourgogne-Franche-Comté region in northeastern France. the commune had a population of 156,920. The earliest archaeological finds within the city limits of Dijon date to the Neolithic period. Dijon later became a Roman settlement named ''Divio'', located on the road between Lyon and Paris. The province was home to the Dukes of Burgundy from the early 11th until the late 15th centuries, and Dijon became a place of tremendous wealth and power, one of the great European centres of art, learning, and science. The city has retained varied architectural styles from many of the main periods of the past millennium, including Capetian, Gothic, and Renaissance. Many still-inhabited town-houses in the city's central district date from the 18th century and earlier. Dijon's architecture is distinguished by, among other things, '' toits bourguignons'' (Burgu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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