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Versos Sangrentos
The verso is a genre in Iberian organ music, a local variant of the organ mass verset or alternatim.John R. Shannon -The Evolution of Organ Music in the 17th Century 0786488662 2012 - Page 282 "Verset (also verso): In the practice of alternation, a short section of music designed to substitute for a single passage of . " The most prominent examples of the verso or verset in Spanish Baroque organ music are the ''Versos tertii toni'' of Antonio Cabezón, and ''Verso para orquesta'' of Ignacio de Jerusalem with lesser known examples such as ''Versos de quatro tono'' of Carmelite friar Pedro Carrera y Lanchares and ''Versos de Kyrie'' of Portuguese composer Manuel Rodrigues Coelho. The vocal lines were not always sung, and today usually not performed or recorded. Modern compositions paying homage to the Baroque ''verso'' include Roberto Sierra Roberto Sierra (born 9 October 1953) is a Puerto Rican composer of contemporary classical music. Life Sierra was born in Vega Baja, Puerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verset
Alternatim refers to a technique of liturgical musical performance, especially in relationship to the Organ Mass, but also to the Hymns, Magnificat and ''Salve regina'' traditionally incorporated into the Vespers and other liturgies of the Catholic Church. A specific part of the Ordinary (liturgy), ordinary of the Mass (such as the Kyrie and the Gloria in excelsis Deo, Gloria) would be divided into ''versets''. Each verset would be performed antiphonally by two groups of singers, giving rise to polyphonic settings of half of the text. One of these groups may alternatively have consisted of a soloist, a group of instruments, or pipe organ, organ. The missing even- or odd-numbered verses were supplied by plainchant or, perhaps more commonly (to judge by the organ masses of Hans Buchner), by improvisations on the organ.. See also Arnaldo Morelli,The role of the organ in the performance practices of Italian sacred polyphony during the Cinquecento, ''American Institute of Musicology#Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternatim
Alternatim refers to a technique of liturgical musical performance, especially in relationship to the Organ Mass, but also to the Hymns, Magnificat and ''Salve regina'' traditionally incorporated into the Vespers and other liturgies of the Catholic Church. A specific part of the ordinary of the Mass (such as the Kyrie and the Gloria) would be divided into ''versets''. Each verset would be performed antiphonally by two groups of singers, giving rise to polyphonic settings of half of the text. One of these groups may alternatively have consisted of a soloist, a group of instruments, or organ. The missing even- or odd-numbered verses were supplied by plainchant or, perhaps more commonly (to judge by the organ masses of Hans Buchner), by improvisations on the organ.. See also Arnaldo Morelli,The role of the organ in the performance practices of Italian sacred polyphony during the Cinquecento, ''Musica Disciplina'', 50 (1996), pp. 239-270. The verso became a particularly prevalent genre i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Cabezón
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António ( Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacio De Jerusalem
Ignacio de Jerusalem was a composer of Novohispanic Baroque music. Jerusalem was born Ignazio Gerusalemme on June 3, 1707 in Lecce, Italy. His father was Matteo Gerusalemme, a Neapolitan who had moved to Lecce in 1689 to become chapel master. One of eleven children, Jerusalem studied the violin extensively in Italy before moving in 1732 to the Spanish port city of Cádiz. Establishing himself as a virtuoso of the instrument, he performed regularly at the Coliseo de Cádiz, the city's preeminent theatre. Jerusalem was soon known as the "musical marvel" for his uncanny musical talents. In 1742, Josef Cárdenas, the administrator of the Royal Hospital of Indigenous Citizens in Mexico City, arrived in Cádiz to recruit talent for the Coliseo de México, a theatre whose proceeds supported the hospital. Cárdenas reasoned that better talent would lead to bigger theatre audiences and more funds for the hospital. He persuaded a number of music and dance talents, including Jerusalem, to re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Carrera Y Lanchares
Fray Pedro Carrera y Lanchares (1760s - c.1815) was a Spanish Carmelite friar, organist and composer. Carrera was pupil of D. Joseph Lidon, organist of the Capilla Real de Madrid The Royal Palace of Madrid ( es, Palacio Real de Madrid) is the official residence of the Spanish royal family at the city of Madrid, although now used only for state ceremonies. The palace has of floor space and contains 3,418 rooms. It is the ..., then organist of the Monasterio de las Descalzas Reales (Madrid).Biographie universelle des musiciens François-Joseph Fétis, Arthur Pougin - 1875 "CARRERA Y LANCHARES (Le P. Maithe Fn. Pedro), organiste du couvent des Carmes chaussés de Madrid, fut élève de D. Joseph Lidon , organiste de la chapelle royale , et vécut dans la seconde moitié du dix-huitième siècle. En 1792 il ..." References 1760s births 1810s deaths {{Spain-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Rodrigues Coelho
Manuel Rodrigues Coelho (ca. 15551635) was a Portuguese organist and composer. He is the first important Iberian keyboard composer since Cabezón. Coelho was born in Elvas around 1555 and probably received early education at the Elvas Cathedral. He may also have studied at the Badajoz Cathedral, where he worked as organist from 1573 to 1577. At some point during the 1580s Coelho returned to Elvas and worked at the cathedral there. He left the post in 1602 after becoming court organist at Lisbon. He died in 1635, probably in Lisbon. The composer's surviving works are preserved in a 1620 print ''Flores de musica pera o instrumento de tecla & harpa'', published in Lisbon. The collection, dedicated to Philip II of Portugal, is the earliest surviving Portuguese keyboard print. It contains 24 ''tientos,'' 101 liturgical organ versets (''kyries'' and hymn settings), four settings of the Spanish/Mozarabic version of ''Pange lingua'', and four intabulations of Lassus' ''Susanne ung jour'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Sierra
Roberto Sierra (born 9 October 1953) is a Puerto Rican composer of contemporary classical music. Life Sierra was born in Vega Baja, Puerto Rico. He studied composition in Europe, notably with György Ligeti in Hamburg (1979–1982), Germany. After his two-act opera ''El mensajero de plata'', to a libretto by Myrna Casas, had premiered at the Interamerican Festival in San Juan on 9 October 1986, Sierra came to prominence in 1987 when his first major orchestral composition, Júbilo, was performed at Carnegie Hall by the Milwaukee Symphony Orchestra. (Júbilo had been premiered in Puerto Rico in 1985 by the Puerto Rico Symphony Orchestra conducted by Zdeněk Mácal; it was also performed in 1986 by the same forces conducted by Akira Endo.) For more than three decades his works have been part of the repertoire of many of the leading orchestras, ensembles and festivals in the USA and Europe. His ''Fandangos'' was performed at the opening night of the 2002 Proms, performed by the BBC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Music
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions. For example, music from the north-west regions is heavily reliant on bagpipes, the jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century. The breadth of musical innovation can be seen in composers like Tomás Luis de Victoria, styles like the zarzuela of Spanish opera, the ballet of Manuel de Falla, and the classical guitar music of Francisco Tárrega. Nowadays commercial pop music dominates. Origins of the music of Spain The Iberian pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
