Ignacio de Jerusalem was a composer of
Novohispanic
New Spain, officially the Viceroyalty of New Spain ( es, Virreinato de Nueva España, ), or Kingdom of New Spain, was an integral territorial entity of the Spanish Empire, established by Habsburg Spain during the Spanish colonization of the Amer ...
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
music.
Jerusalem was born Ignazio Gerusalemme on June 3, 1707 in
Lecce
Lecce ( ); el, label=Griko, Luppìu, script=Latn; la, Lupiae; grc, Λουπίαι, translit=Loupíai), group=pron is a historic city of 95,766 inhabitants (2015) in southern Italy. It is the capital of the province of Lecce, the province ...
,
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...
. His father was Matteo Gerusalemme, a Neapolitan who had moved to Lecce in 1689 to become chapel master. One of eleven children, Jerusalem studied the
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
extensively in Italy before moving in 1732 to the Spanish port city of
Cádiz
Cádiz (, , ) is a city and port in southwestern Spain. It is the capital of the Province of Cádiz, one of eight that make up the autonomous community of Andalusia.
Cádiz, one of the oldest continuously inhabited cities in Western Europe, ...
. Establishing himself as a virtuoso of the instrument, he performed regularly at the Coliseo de Cádiz, the city's preeminent theatre. Jerusalem was soon known as the "musical marvel" for his uncanny musical talents.
In 1742, Josef Cárdenas, the administrator of the Royal Hospital of Indigenous Citizens in
Mexico City
Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley o ...
, arrived in Cádiz to recruit talent for the Coliseo de México, a theatre whose proceeds supported the hospital. Cárdenas reasoned that better talent would lead to bigger theatre audiences and more funds for the hospital. He persuaded a number of music and dance talents, including Jerusalem, to return to Mexico City with him to perform at the theatre.
Jerusalem began directing the musical activities at the Coliseo de México soon after he arrived. By 1746, he was earning commissions from the
Catedral de México
Catedral may refer to:
* Catedral (Buenos Aires Underground), a station
* Catedral (district), a district of the San José canton, in the San José province of Costa Rica
* Cerro Catedral, a mountain and ski resort in Argentina
* Cerro Catedral (U ...
and teaching at the Colegio de Infantes (Infants College). In 1749, the cathedral ended the tenure of its lackluster chapel master, Domingo Dutra, and announced it would seek a more able leader. Jerusalem auditioned for the post. The jury, steeped in traditional musical forms, resisted the modernity and eclecticism of his compositions but ultimately confirmed him as the new chapel master on November 3, 1750, a position Jerusalem held for the rest of his life.
The following decade proved tumultuous for Jerusalem: he became embroiled in a lawsuit with the tenant of the Coliseo, Joseph Calvo; his estranged wife, Doña Antonia de Estrada, petitioned the cathedral to garner his wages; he used his position to prevent musicians in other parishes from taking job opportunities from musicians in his parish; and he acquired a professional rival in Matheo Tollis della Rocca, who later succeeded Jerusalem as chapel master.
Yet Jerusalem counted a number of triumphs during this time: he modernized
musical notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation fo ...
by cathedral copyists; he improved the quality of texts used in compositions of sacred music; he more than doubled the size of the cathedral
orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families.
There are typically four main sections of instruments:
* bowed string instruments, such as the violin, viola, c ...
; and he composed prolifically.
When he died on December 15, 1769, Jerusalem was highly esteemed by his colleagues and the musical community of Mexico City. Along with other mid-century transplants from Spain, Jerusalem helped establish the Italianate galant style in Mexico, displacing older Spanish-style music; contrary to popular belief, he did not pay any attention to the native folk songs and instruments of Mexico. His compositions circulated widely throughout New Spain (present-day Mexico) and
Guatemala
Guatemala ( ; ), officially the Republic of Guatemala ( es, República de Guatemala, links=no), is a country in Central America. It is bordered to the north and west by Mexico; to the northeast by Belize and the Caribbean; to the east by H ...
, reaching as far north as the
California mission
The Spanish missions in California ( es, Misiones españolas en California) comprise a
series of 21 religious outposts or missions established between 1769 and 1833 in what is now the U.S. state of California. Founded by Catholic priests o ...
s, where it found a place alongside the much simpler "California mission style" music.
References
* Luisa Cosi, "Napoli, Terra d'Otranto, Città del Messico: tracce archivistiche di un 'viaggio musicale' fra Sei e Settecento", in "Itinerari di ricerca storica", Università di Lecce XII/1998 pp. 51-64
* Robert M. Stevenson, “Ignacio de Jerusalem (1707–1769): Italian parvenu in Eighteenth-Century Mexico,” Inter-American Music Review, vol. 16, no. 1 (Summer-Fall, 1997), pp. 57–61
*Robert Stevenson, “La música en México de los siglos XVI a XVIII,” in La Música de México. I. Historia, 2. Periodo Virreinal (1530 a 1881), series ed. by Julio Estrada (Mexico City: Instituto de Investigaciones Estéticas & UNAM, 1986), esp. pp. 56, 68–69
* Jesús Estrada, Música y músicos de la Época Virreinal, prologue, revision and notes by Andrés Lira (Mexico City: Secretaría de Educación Pública, 1973); and Alice Ray Catalyne, “Jerusalem, Ignacio de,” The New Grove Dictionary of Music and Musicians (London: Macmillan, 1980), vol. 9, pp. 611–12.
{{DEFAULTSORT:Jerusalem, Ignacio
Italian violinists
Male violinists
1707 births
1769 deaths
Italian expatriates in Spain
18th-century Italian composers
Italian male composers
18th-century composers
18th-century male musicians
People from Lecce