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Verband Deutscher Konzertchöre
The Verband Deutscher KonzertChöre (VDKC, Association of German Concert Choirs) is a national association with seven state organisations. It represents more than 550 member choirs with more than 30,400 singers. It is a non-profit organisation, which based in Neuss. The members are concert choirs, oratorio choirs and chamber choirs who perform concerts of high quality, in genres such as Gregorian Chant, Baroque cantata, romantic period motet, contemporary oratorio and choral gospel music. History The association was founded in 1921 as ''Schutzverband Deutscher Konzertgebender Vereine''. It was renamed in 1925 as ''Reichsverband der gemischten Chöre Deutschlands''. It was newly founded after World War II as ''Verband gemischter Chöre Deutschlands'', renamed in 1956 as ''Verband Deutscher Oratorien- und Kammerchöre''. After the reunification of German, a common national organisation was formed, labelled ''Verband Deutscher KonzertChöre''. The national office is in Weimar, led f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neuss
Neuss (; spelled ''Neuß'' until 1968; li, Nüss ; la, Novaesium) is a city in North Rhine-Westphalia, Germany. It is located on the west bank of the Rhine opposite Düsseldorf. Neuss is the largest city within the Rhein-Kreis Neuss district. It is primarily known for its historic Roman sites, as well as the annual Neusser Bürger-Schützenfest. Neuss and Trier share the title of "Germany's oldest city"; and in 1984 Neuss celebrated the 2000th anniversary of its founding in 16 BCE. History Ancient Rome Neuss was founded by the Romans in 16 BC as a military fortification (''castrum'') with the current city to the north of the castrum, at the confluence of the rivers Rhine and Erft, with the name of Novaesium. Legio XVI Gallica ("Gallic 16th Legion") of the Roman army was stationed here in 43-70 AD. It was disbanded after surrendering during the Batavian rebellion (AD 70). Later a civil settlement was founded in the area of today's centre of the town during the 1st centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar
Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its large cultural heritage and its importance in German history. The city was a focal point of the German Enlightenment and home of the leading figures of the literary genre of Weimar Classicism, writers Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, noted composers such as Franz Liszt made Weimar a music centre. Later, artists and architects such as Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekkehard Klemm
Ekkehard Klemm (born 1958), is a German conductor. Biography Klemm was born in Chemnitz, Germany, and studied conducting, composition and piano at the Hochschule für Musik Carl Maria von Weber Dresden. He served as principal conductor of the Opera House in Greifswald (1988–94), chief conductor of the Vorpommern Theater and conductor of the Staatstheater at the Gärtnerplatz in Munich until 1999. In 2003 Klemm was appointed first principal teacher of conducting at the Hochschule für Musik Carl Maria von Weber Dresden ' (, plural: ') is the generic term in German for institutions of higher education, corresponding to ''universities'' and ''colleges'' in English. The term ''Universität'' (plural: ''Universitäten'') is reserved for institutions with the right to .... References External linksEkkehard Klemm official website {{DEFAULTSORT:Klemm, Ekkehard 1958 births Living people German male conductors (music) Hochschule für Musik Carl Maria von Weber alumni Academi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GEMA (German Organization)
The Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte (GEMA; "Society for musical performing and mechanical reproduction rights") is a government-mandated collecting society and performance rights organization based in Germany, with administrative offices in Berlin and Munich. GEMA represents the usage rights stemming from authors' rights (e.g., mechanical licensing, broadcast licensing, synchronization licensing) for the musical works of those composers, lyricists, and publishers who are members in the organization. It is the only such institution in Germany and a member of BIEM and CISAC. Other collecting societies include the (AKM) ''Society of authors, composers and music publishers'' ( de) in Austria and SUISA in Switzerland. As an "accredited profit-making association with legal capacity" (de: '' rechtsfähiger wirtschaftlicher Verein''), GEMA's capacity to be a subject of legal rights and duties is based upon state conferral (unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutscher Musikrat
The Deutscher Musikrat (DMR, ''German Music Council''; ) is an umbrella organization for music associations and the 16 music councils of the German federal states.musikrat.deÜberblick über Organisationsstruktur des DMR(retrieved on 10 May 2019) It represents over 14 million music-loving citizens who, for professional reasons or as amateurs, are affiliated with the Musikrat and its member organizations. With more than 100 member associations, institutions and numerous personalities, it acts, together with its projects and support measures, as an advisor and competence centre for politics and civil society.musikrat.deInformationen zu den Mitgliedern des DMR(retrieved on 10 May 2019) The council acts as the National Committee of the Federal Republic of Germany in the International Music Council of UNESCO. The patron of the non-profit association is the President of Germany. It runs competitions such as Jugend musiziert, Jugend jazzt and the Deutscher Musikwettbewerb, and nationwid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Organisations Based In Germany
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1921 Establishments In Germany
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
