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Vera Schoenenberg
Vera Schoenenberg (born 1973) is a German soprano in opera, operetta, Lied and oratorio, and a lecturer at the Mozarteum University Salzburg. Life Born in Plettenberg, Schoenenberg studied school music at the Hochschule für Musik und Tanz Köln where she was in the voice class of Klesie Kelly. She then studied opera singing at the Robert Schumann Hochschule in Düsseldorf from 1997 until 2000 with Ingeborg Reichelt. Schoenenberg took master classes in opera with , Richard Miller and Brigitte Fassbaender, and in oratorio with Ingeborg Danz. Schoenenberg had her first engagement at the Junge Kammeroper Köln, where she made her stage debut in 1998 as First Lady in Mozart's '' Die Zauberflöte'' in a production presented in several cities in Germany. In 1999, she performed the title role in Puccini's '' Suor Angelica''. She was awarded a scholarship at the Bayreuth Festival from the Richard-Wagner-Verband in 2000. From 2001 to 2006, Schoenenberg was a member of the ensem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plettenberg
Plettenberg (; Westphalian: ''Plettmert'') is a town in the Märkischer Kreis, in North Rhine-Westphalia, Germany. Geography Plettenberg is located to the west of the Sauerland hills. The highest elevation of the town area is in the ''Ebbegebirge'' with 663 m above sea level, the lowest elevation with 194 m near Teindeln. The town is spread out between the four valleys of the rivers Lenne, Else, and Grüne. Division of the town Plettenberg consists of 5 districts: * Plettenberg (town centre) (14,012 inhabitants) * Eiringhausen (4,905 inhabitants) * Holthausen/upper Elsetal (3,985 inhabitants) * Oestertal (3,055 inhabitants) * Ohle (2,825 inhabitants) History Probably the first written proof of Plettenberg was made in a document from Grafschaft Abbey of Anno II, archbishop of Cologne, at that time named ''Heslipho''. The name was later changed to Plettenberg, as the name of the noble family von Plettenberg, who owned virtually all of the town and surrounding lands. The Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Oper Am Rhein
The Deutsche Oper am Rhein (German Opera on the Rhine) is an opera company based in Düsseldorf and Duisburg. The opera also has an associated classical ballet company. Axel Kober has been its Music Director since 2009. The resident orchestra, the Düsseldorfer Symphoniker, play both opera and symphonic repertoire. After the 1875 construction of what became the Düsseldorf ''Opernhaus'', a strong connection between the two cities’ opera houses existed from 1887 to 1920, and was not re-established until 1955 with the creation of the Deutsche Oper am Rhein. The company performs in the Opernhaus Düsseldorf, built in 1875. It was partially destroyed during World War II, and reconstructed to officially re-open in 1956. Theater Duisburg, built in 1912, was destroyed, and rebuilt in 1950. For the 25th anniversary of the house, Alexander Goehr was commissioned to compose an opera. He wrote '' Behold the Sun'' with a libretto by John McGrath about the anabaptists in Münster. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Basel
Theater Basel is the municipal theatre of the city of Basel, Switzerland, which is home to the city's opera and ballet companies. The theatre also presents plays and musicals in addition to operas and operettas. Because the theatre does not have its own orchestra, the Basel Symphony Orchestra is usually contracted to perform for opera and ballet productions as needed. For baroque-opera productions, La Cetra, the baroque orchestra of the Schola Cantorum Basiliensis, is engaged. History Theater Basel was founded in 1834 under the name Basler Stadttheater. The first theatre was designed by Swiss architect Melchior Berri. In 1873 work on a new theatre began which was designed by Johann Jakob Stehlin Jr.. This second theatre opened in 1875 and was used until it was destroyed by fire on 7 October 1904. Plans for a third theatre were soon made, but it was five years before the theatre finally opened in 1909. The fourth theatre opened in 1975. In October 2018, the company announ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Augsburg
The Staatstheater Augsburg is a theatre of Augsburg, Germany. Until 1999 it was called Städtische Bühnen Augsburg, from then until the end of August 2018 it was called ''Theater Augsburg''. It offers on four stages musical theatre, plays and ballet, with its own choir and the orchestra . History Public theatre in Augsburg dates back to 1630, when the ''Meistersinger'' initiated plays in the Welserstadel. The first opera was performed in 1696 or 1697, conducted by Johann Sigismund Kusser aufgeführt.Max Herre (ed.): ''Das Stadttheater Augsburg. Festschrift zum fünfzigjährigen Bestehen im Auftrage der Stadt. Herausgegeben von Dr. Max Herre'', Augsburg, 1927, Selbstverlag der Stadt Augsburg, 188 p. The ''Stadttheater'' opened in 1776 and offered a stage for guest ensembles. Wolfgang Amadeus Mozart visited the theatre in October 1777. His opera '' Don Giovanni'' was performed already in 1787, the year of the premiere, ''Die Zauberflöte'' followed on 21 January 1793. Emanuel S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eine Florentinische Tragödie
', Op. 16, is an opera in one act by Alexander von Zemlinsky composed in 1915–16 to a libretto adapted by the composer from a German translation by of Oscar Wilde's unfinished play '' A Florentine Tragedy''. Performance history The opera was premiered at the Staatsoper Stuttgart on 30 January 1917 under the direction of Max von Schillings. Further productions followed in Prague, Vienna and Graz the same year. The work was also staged in Leipzig (1922), Aachen (1924), Schwerin (1925), and Freiburg im Breisgau (1927). The last production during Zemlinsky's lifetime was in Brno in 1928. It lasts under one hour and is generally paired with another work when performed. The score is published by Universal Edition Vienna. Roles Instrumentation *3 flutes (3rd doubling piccolo), 3 oboes (3rd doubling English horn), 3 clarinets in B flat/A (3rd doubling E flat clarinet), bass clarinet, 3 bassoons (3rd doubling contrabassoon); *6 horns, 4 trumpets, 3 trombones, bass tuba; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athalia (Handel)
''Athalia'' ( HWV 52) is an English-language oratorio composed by George Frideric Handel to a libretto by Samuel Humphreys based on the play ''Athalie'' by Jean Racine. The work was commissioned in 1733 for the Publick Act in Oxford – a commencement ceremony of the University of Oxford, which had offered Handel an honorary doctorate (an honour he declined). The story is based on that of the Biblical queen Athaliah. ''Athalia'', Handel's third oratorio in English, was completed on 7 June 1733, and first performed on 10 July 1733 at the Sheldonian Theatre in Oxford. The ''Bee'' (14 July 1733) reported that the performance was "performed with the utmost Applause, and is esteemed equal to the most celebrated of that Gentleman's Performances: there were 3700 Persons present". ''Athaliah'' was first given in London on 1 April 1735 at Covent Garden theatre. Dramatis personae Synopsis Athalia, daughter of King Ahab of Israel and Queen Jezebel, had been married to Jehoram, King of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rise And Fall Of The City Of Mahagonny
''Rise and Fall of the City of Mahagonny'' (german: Aufstieg und Fall der Stadt Mahagonny, links=no) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the in Leipzig. Some interpreters have viewed the play as a critique of American society. Others have perceived it as a critique of the chaotic and immoral Weimar Republic, particularly Berlin of the 1920s with its rampant prostitution, unstable government, political corruption, and economic crises. Composition history Weill was asked by the 1927 Baden-Baden music festival committee to write a one-act chamber opera for the festival. He ended up writing ''Mahagonny-Songspiel'', sometimes known as ''Das kleine Mahagonny'', a concert work commissioned for voices and a small orchestra. The work was written in May 1927, and performed in June. It consisted of eleven numbers, including "Alabama Song" and "Benares Song". Weill then continued to re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Csárdásfürstin
' (''The Csárdás Princess''; translated into English as ''The Riviera Girl'' and ''The Gipsy Princess'') is an operetta in 3 acts by Hungarian composer Emmerich Kálmán, with libretto by Leo Stein and Bela Jenbach. It premiered in Vienna at the on 17 November 1915. Numerous film versions and recordings have been made. The operetta is widely beloved across Europe, particularly in Hungary, Austria, Germany, and the former Soviet Union, where it was adapted into a popular film. It is arguably Kálmán's most successful work. Roles Synopsis :Place: Budapest and Vienna :Time: shortly before the outbreak of the First World War Act 1 Sylva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri, and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promisso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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