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Valacirca
The cosmology of J. R. R. Tolkien's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System. The created world, ''Eä'', includes the planet Arda, corresponding to the Earth. It is created flat, with the dwelling of the godlike Valar at its centre. When this is marred by the evil Vala Melkor, the world is reshaped, losing its perfect symmetry, and the Valar move to Valinor, but the Elves can still sail there from Middle-earth. When Men try to go there, hoping for immortality, Valinor and its continent of Aman are removed from Arda, which is reshaped as a round world. Scholars have compared the implied cosmology with that of Tolkien's religion, Roman Catholicism, and of Medieval poetry such as ''Pearl'' or Dante's '' Paradiso'', where there are three parts, Earth, Purgatory or the Earthly Paradise, and Heaven or the Celestial Paradise. Sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle-earth
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the ''Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, ''The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Earth (Arda) in an imaginary period of the Earth's past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This part of Middle-earth is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmology
Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount (lexicographer), Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosophy, German philosopher Christian Wolff (philosopher), Christian Wolff, in ''Cosmologia Generalis''. Religious cosmology, Religious or mythological cosmology is a body of beliefs based on Mythology, mythological, Religion, religious, and Esotericism, esoteric literature and traditions of Cosmogony, creation myths and eschatology. In the science of astronomy it is concerned with the study of the chronology of the universe. Physical cosmology is the study of the observable universe's origin, its large-scale structures and dynamics, and the ultimate fate of the universe, including the laws of science that govern these areas. It is investigated by scientists, such as astronomers and physicists, as well as Philosophy, ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earthly Paradise
In Abrahamic religions, the Garden of Eden ( he, גַּן־עֵדֶן, ) or Garden of God (, and גַן־אֱלֹהִים ''gan-Elohim''), also called the Terrestrial Paradise, is the biblical paradise described in Genesis 2-3 and Ezekiel 28 and 31. The location of Eden is described in the Book of Genesis as the source of four tributaries. Various suggestions have been made for its location: at the head of the Persian Gulf, in southern Mesopotamia (now Iraq) where the Tigris and Euphrates rivers run into the sea; and in Armenia. Like the Genesis flood narrative, the Genesis creation narrative and the account of the Tower of Babel, the story of Eden echoes the Mesopotamian myth of a king, as a primordial man, who is placed in a divine garden to guard the tree of life. The Hebrew Bible depicts Adam and Eve as walking around the Garden of Eden naked due to their sinlessness. Mentions of Eden are also made in the Bible elsewhere in Genesis, in Isaiah 51:3, Ezekiel 36:35, and Joel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ainulindalë
The ''Ainulindalë'' (; "Music of the Ainur") is the creation account in J. R. R. Tolkien's legendarium, published posthumously as the first part of ''The Silmarillion'' in 1977. The "''Ainulindalë''" sets out a central part of the cosmology of Tolkien's legendarium, telling how the Ainur, a class of angelic beings, perform a great music prefiguring the creation of the material universe, ''Eä'', including Middle-Earth. The creator Eru Ilúvatar introduces the theme of the sentient races of Elves and Men, not anticipated by the Ainur, and gives physical being to the prefigured universe. Some of the Ainur decide to enter the physical world to prepare for their arrival, becoming the Valar and Maiar. Tolkien wrote the initial version of the "''Ainulindalë''" between November 1919 and the spring of 1920 as "Music of the Ainur", and then completely rewrote it in 1930. He continued to make further revisions throughout his life. The early version was eventually published by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiar In Middle-earth
The Maiar (singular: Maia) are a fictional class of beings from J. R. R. Tolkien's high fantasy legendarium. Supernatural and angelic, they are "lesser Ainur" who entered the cosmos of ''Eä'' in the beginning of time. The name ''Maiar'' is in the Quenya tongue (one of several languages constructed by Tolkien) from the Elvish root maya- "excellent, admirable".Tolkien, J. R. R., "Words, Phrases and Passages", ''Parma Eldalamberon'' 17, p. 174. Commentators have noted that since the Maiar are immortals but can choose to incarnate fully in Men's bodies on Middle-earth, they can be killed; Tolkien did not explain what happened to them then. Others have observed that their semi-divine nature and the fact that they can be sent on missions to work out the divine purpose makes them much like the angels of Christianity. Description Lesser Ainur Tolkien stated that "Maia is the name of the Kin of the Valar, but especially of those of lesser power than the 9 great rulers". In the Vala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valar In Middle-earth
The Valar (; singular Vala) are characters in J. R. R. Tolkien's Tolkien's legendarium, legendarium. They are "angelic powers" or "gods", #154 to Naomi Mitchison, September 1954 subordinate to the one God (Eru Ilúvatar). The Ainulindalë describes how those of the Ainur (Middle-earth), Ainur who chose to enter the World (Arda (Middle-earth), Arda) to complete its material development after its form was determined by the Music of the Ainur are called the Valar, or "the Powers of the World". The Valaquenta indicates that the Elves generally reserved the term "Valar" for the mightiest of these, calling the others the Maia (Middle-earth), Maiar. The Valar are mentioned briefly in ''The Lord of the Rings'' but were developed earlier in material published posthumously in ''The Silmarillion'', ''The History of Middle-earth'', and ''Unfinished Tales''. Scholars have noted that the Valar resemble angels in Christianity but that Tolkien presented them rather more like pagan gods. Their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ainur In Middle-earth
The Ainur (singular: Ainu) are the immortal spirits existing before the Creation in J. R. R. Tolkien's fictional universe. These were the first beings made of the thought of Eru Ilúvatar. They were able to sing such beautiful music that the world was created from it. Fictional history Origins Before the Creation, Eru Ilúvatar made the Ainur or "holy ones". The Universe was created through the " Music of the Ainur" or ''Ainulindalë'', music sung by the Ainur in response to themes introduced by Eru. This universe, the song endowed with existence by Eru, was called Eä in Quenya. The Earth was called Arda. Those of the Ainur who felt concern for the Creation entered it, and became the Valar and the Maiar, the guardians of Creation. Valar The Valar included both good and evil characters. The Vala Melkor claimed the Earth for himself. His brother, Manwë, and several other Valar decided to confront him. Melkor fell into evil and became known as Morgoth, the dark en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally "messenge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Names Of Odin
Odin (Old Norse Óðinn) is a widely attested god in Germanic mythology. The god is referred to by numerous names and kenningar, particularly in the Old Norse record. List In Old English, Odin was known as ; in Old Saxon, as ; and in Old High German, as or . See also *List of names of Thor *List of names of Freyr *List of kennings * Mercurius Cimbrianus *Names of God in Old English poetry In Old English poetry, many descriptive epithets for God were used to satisfy alliterative requirements. These epithets include: List See also * Name of God in Christianity *Wuldor *List of kennings * List of names of Odin * List of names of ... * Godan and Wodan Notes Further reading * External linksMyNDIR (My Norse Digital Image Repository)Illustrations of Bǫlverkr from manuscripts and early print books. Clicking on the thumbnail will give you the full image and information concerning it. {{DEFAULTSORT:List Of Names Of Odin Odin, names of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quenya
Quenya ()Tolkien wrote in his "Outline of Phonology" (in ''Parma Eldalamberon'' 19, p. 74) dedicated to the phonology of Quenya: is "a sound as in English ''new''". In Quenya is a combination of consonants, ibidem., p. 81. is a constructed language, one of those devised by J. R. R. Tolkien for the Elves in his Middle-earth fiction. Tolkien began devising the language around 1910, and restructured its grammar several times until it reached its final state. The vocabulary remained relatively stable throughout the creation process. He successively changed the language's name from ''Elfin'' and ''Qenya'' to the eventual ''Quenya''. Finnish had been a major source of inspiration, but Tolkien was also fluent in Latin and Old English, and was familiar with Greek, Welsh (the latter being the primary inspiration for Sindarin, Tolkien's other major Elvish language), and other ancient Germanic languages, particularly Gothic, during his development of Quenya. A notable feature of Tolki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvish Languages (Middle-earth)
J. R. R. Tolkien constructed many Elvish languages; the best known are Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his love of language, Tolkien was especially fascinated with the development and evolution of language through time. Tolkien created two almost fully developed languages and a dozen more in various beginning stages as he studied and reproduced the way that language adapts and morphs. A philologist by profession, he spent much time on his constructed languages. In the collection of letters he had written, posthumously published by his son, Christopher John Tolkien, he stated that he began stories set within this secondary world, the realm of Middle-earth, not with the characters or narrative as one would assume, but with a created set of languages. The stories and characters serve as conduits to make those languages come to life. Inventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Silmarillion
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—''The Hobbit'' and ''The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, ''Ainulindalë'', tells in mythic style of the creation of Eä, the "worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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