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Uemura Shōen
was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her ''bijin-ga,'' or paintings of beautiful women, in the ''nihonga'' style, although she produced numerous works on historical themes and traditional subjects. Shōen is considered a major innovator in the bijin-ga genre despite the fact she often still used it to depict the traditional beauty standards of women. Bijin-ga gained criticism during the Taisho era while Shōen worked due to its lack of evolution to reflect the more modern statuses of women in Japan. During bijin-ga's conception in the Tokugawa, or Edo, period, women were regarded as lower class citizens and the genre often reflected this implication onto its female subjects. Within the Taisho era, women had made several advancements into the Japanese workforce, and artistry specifically was becoming more popular outside of pass times for the elite, which opened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto
Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the city had a population of 1.46 million. The city is the cultural anchor of a substantially larger metropolitan area known as Greater Kyoto, a metropolitan statistical area (MSA) home to a census-estimated 3.8 million people. Kyoto is one of the oldest municipalities in Japan, having been chosen in 794 as the new seat of Japan's imperial court by Emperor Kanmu. The original city, named Heian-kyō, was arranged in accordance with traditional Chinese feng shui following the model of the ancient Chinese capital of Chang'an/Luoyang. The emperors of Japan ruled from Kyoto in the following eleven centuries until 1869. It was the scene of several key events of the Muromachi period, Sengoku period, and the Boshin War, such as the Ōnin War, the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunten
The is a Japanese art exhibition established in 1907. The exhibition consists of five art faculties: Japanese Style and Western Style Painting, Sculpture, Craft as Art, and Sho (calligraphy). During each exhibition, works of the great masters are shown alongside works of new but talented artists. It claims to be the largest combined art exhibition of its kind in the world and the most popular in Japan. Bunten In 1907, under the supervision of the Japanese Ministry of Education, Science, Sports and Culture, then called Mombushō (文部省), the first state art exhibition took place, the Monbushō Bijtsu Tenrankai (文部省 美術展 覧 会), abbreviated to "bunten" (文 展). It was held at the Tokyo Metropolitan Art Museum (東京都美術館, Tōkyō-to Bijutsukan.)It had the three faculties: Japanese Style Painting, Western Style Painting and Sculpture. Works were approved after being examined by a jury. The series of exhibitions took place twelve times under this name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan Fine Arts Academy
is the highest-ranking official artistic organization in Japan. It is established as an extraordinary organ of the Japanese Agency for Cultural Affairs (文化庁, Bunkacho) in the thirty-first article of the law establishing the Ministry of Education, Culture, Sports, Science and Technology. The Academy discusses art-related issues, advises the Minister of Education, Culture, Sports, Science and Technology on art-related issues, and promotes arts in three categories: 1) fine art, 2) literary arts, 3) music, drama, and dance. It is closely associated with the annual Japan Art Academy Exhibition ''(Nitten''), the premier art exhibition in Japan; the Japan Art Academy originally ran the Nitten but since 1958 the exhibition is run by a separate private institution. The Japan Art Academy headquarters is in Ueno Park, Tokyo. The Japan Art Academy should not be confused with the Japan Art Institute, which is a completely different organization. History The Japan Art Academy was foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exhibition Of New And Old Art
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takeuchi Seihō
(December 20, 1864 – August 23, 1942) was a Japanese painter of the ''Nihonga'' genre, active from the Meiji through the early Shōwa period. One of the founders of ''nihonga'', his works spanned half a century and he was regarded as master of the prewar Kyoto circle of painters. His real name was . Biography Seihō was born in Kyoto. As a child, he loved to draw and wanted to become an artist. He was a disciple of Kōno Bairei of the Maruyama-Shijō school of traditional painting. In 1882, two of his works received awards at the ''Naikoku Kaiga Kyoshinkai'' (Domestic Painting Competition), one of the first modern painting competitions in Japan, which launched him on his career. During the Exposition Universelle in Paris (1900), he toured Europe, where he studied Western art. After returning to Japan he established a unique style, combining the realist techniques of the traditional Japanese Maruyama–Shijo school with Western forms of realism borrowed from the techniques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōno Bairei
was a Japanese painter, book illustrator, and art teacher. He was born (as Yasuda Bairei) and lived in Kyoto. He was a member of the broad Maruyama-Shijo school and was a master of kacho-e painting (depictions of birds and flowers) in the Meiji period of Japan. Biography In 1852, he went to study with the ''Maruyama-school'' painter, Nakajima Raisho (1796–1871). After Raisho's death, Bairei studied with the Shijo-school master Shiokawa Bunrin (1808–77). His work included flower prints, bird prints , and landscapes, with a touch of western realism. Bairei's Album of One Hundred Birds was published in 1881. He opened an art school in 1880 and his students included Takeuchi Seihō, Kawai Gyokudō, and Uemura Shōen was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her ''bijin-ga,'' or paintings of beautiful women, in the ''nihonga'' style, although sh .... Externa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzuki Shōnen
is a Japan, Japanese multinational corporation headquartered in Minami-ku, Hamamatsu, Japan. Suzuki manufactures automobiles, motorcycles, All-terrain vehicle, all-terrain vehicles (ATVs), outboard motor, outboard marine engines, wheelchairs and a variety of other small internal combustion engines. In 2016, Suzuki was the Automotive industry#By manufacturer, eleventh biggest automaker by production worldwide. Suzuki has over 45,000 employees and has 35 production facilities in 23 countries, and 133 distributors in 192 countries. The worldwide sales volume of automobiles is the world's tenth largest, while domestic sales volume is the third largest in the country. Suzuki's domestic motorcycle sales volume is the third largest in Japan. History In 1909, Michio Suzuki (inventor), Michio Suzuki (1887–1982) founded the Suzuki Loom Works in the small seacoast village of Hamamatsu, Japan. Business boomed as Suzuki built loom, weaving looms for Japan's giant silk industry. In 1929 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
