Uno Dos Tres 1•2•3
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Uno Dos Tres 1•2•3
''Uno Dos Tres 1•2•3'' is an album by jazz percussionist Willie Bobo recorded in 1966 and released on the Verve label.Verve Records discography
accessed April 3, 2014


Reception

The AllMusic review by Richie Unterberger awarded the album 3 stars, stating "As with his previous album '''', the toughest and most memorable track is the one Bobo original, 'Fried Neck Bones and Some Home Fries.' Its creeping Latin soul groove was, like 'Spanish Grease,' an obvious inspiration for

Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,[ Biography], ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino Music, Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the Cuatro (instrument), cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the Bongo drum, bongos and later the congas, timbales and Drum kit, drums. In 1947, Bobo started working as a Bandboy, band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after hi ...
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I Remember Clifford (song)
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' D liner notes p. 3. Mosaic. Notable recordings * Bob Acri - ''Bob Acri'' (Blujazz, 2004) * Art Blakey and The Jazz Messengers – '' 1958 – Paris Olympia'' (Fontana, 1958) * Donald Byrd - ''Jazz Lab'' (Columbia, 1957) * George Cables – ''Circle'' (Contemporary, 1979) * Ray Charles – ''My Kind of Jazz'' (1970) * Kenny Dorham – ''This Is the Moment!'' (Riverside, 1958) * Don Ellis – ''Shock Treatment'' (2002) * Stan Getz and Kenny Barron – '' People Time: The Complete Recordings'' (1991) * Dizzy Gillespie – ''Dizzy Gillespi ...
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David White (musician)
David Ernest White (November 26, 1939 – March 16, 2019), also known as David White Tricker, was an American singer and songwriter. He formed the doo-wop quartet Danny & the Juniors, as well as being a founding member of the pop trio The Spokesmen. He wrote "Rock and Roll Is Here to Stay" and co-wrote a number of other hit songs, including "At the Hop", "You Don't Own Me", and "1-2-3". Early life White was born in Philadelphia, Pennsylvania in 1939. Prior to attending school, White toured the country performing with his parents in their acrobatic/hand-balancing act called Barry and Brenda and Company. Dave White, Rock and Roll Is Here To Stay, ''Rockandrollisheretostay.com''
Retrieved 19 March 2019
He started playing piano, trumpet and clarinet as a child, and began writin ...
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John Medora
John L. Medora (born May 28, 1936), also known as John or Johnny Madara, is an American singer, songwriter, composer and record producer best known to have teamed up with David White and Arthur Singer to write the 1957 hit song "At the Hop". Early life Medora was born in Philadelphia, Pennsylvania, in 1936. His family lived in public housing known as "projects" located in south Philadelphia. He was the only one of six children interested in music. He took vocal lessons and began his career as a musical artist. His first recording was released in 1957 and became a hit record single "Be My Girl". Career Later in 1957 he wrote a song called "Do the Bop" with Dave White. The "Bop" was a popular dance on the TV show, ''American Bandstand''.Dave White was a member of a local group 'The Juvenaires' and they recorded the song with Madara on lead vocal.Local DJ Artie Singer got a co-writers' credit for the song. He took the record to Dick Clark,the host of "America Bandstand".Cla ...
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Len Barry
Leonard Warren Borisoff (June 12, 1942 – November 5, 2020), known professionally as Len Barry, was an American singer, songwriter, lyricist, record producer, author, and poet. Life and career Born on June 12, 1942 and raised in Philadelphia, Barry had little thought of a show business career while still in school. Instead, he aspired to become a professional basketball player upon his graduation. It was not until he entered military service and had occasion to sing with the US Coast Guard band at Cape May, New Jersey, and was so encouraged by the response of his military audiences, that he decided to make music a career. Upon his discharge from military service, Barry returned home to Philadelphia and formed the Dovells. Barry was the lead singer, appearing on all of the group's best selling records, such as "Bristol Stomp", " Hully Gully Baby", and "You Can't Sit Down", among others. "Bristol Stomp" sold over one million copies and was awarded a RIAA gold disc. As a Dovell ...
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1-2-3 (Len Barry Song)
"1 - 2 - 3" is a 1965 song recorded by American blue-eyed soul singer Len Barry, who also co-wrote it with John Madara and David White. The recording's chorus and accompaniment were arranged by Jimmy Wisner. The single was released in 1965 on the American Decca label. The writers were sued by Motown Records at the time, claiming that the song is a reworking of Holland-Dozier-Holland's " Ask Any Girl" released by The Supremes as the B-side to their single "Baby Love" the year before. They denied the claim, but after two years of litigation, agreed to give the Motown writers 15% of the song's writing and publishing royalties. Holland-Dozier-Holland are listed as co-authors by BMI. The personnel on the original recording included Vinnie Bell, Bobby Eli, and Sal Ditroia on guitars; Joe Macho on bass; Artie Butler on percussion; Leon Huff on piano; Artie Kaplan on sax; Bill Tole and Roswell Rudd on trombones; Lee Morgan on trumpet; Fred Hubbard on clarinet; and Bobby Gregg on drums. ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ...
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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol’ Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This ha ...
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No Matter What Shape (Your Stomach's In)
"No Matter What Shape (Your Stomach's In)" is an instrumental composition recorded in 1965 by The T-Bones and released as a single the same year. Composer The record itself lists Granville Sascha Burland as the composer, but ASCAP says the composer is Lou Bideu aka Lew Bedell. History In 1965, Dave Pell wanted to record songs based on music from recent TV commercials and release them on 45 RPM singles to see if he could get radio airplay and maybe a hit record. Previously, Liberty Records had used "The T-Bones" as a group name for instrumentals recorded by Los Angeles session musicians The Wrecking Crew, and Liberty told Pell to use it again for his project. In 1965, Pell went into the studio with members of The Wrecking Crew and recorded "No Matter What Shape (Your Stomach's In)," a song based on music used in an Alka-Seltzer TV commercial. When the single became a hit, Liberty Records needed the T-Bones to go on the road to promote it, but the original session musicians were ...
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Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later invo ...
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John Lennon
John Winston Ono Lennon (born John Winston Lennon; 9 October 19408 December 1980) was an English singer, songwriter, musician and peace activist who achieved worldwide fame as founder, co-songwriter, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's work was characterised by the rebellious nature and acerbic wit of his music, writing and drawings, on film, and in interviews. His songwriting partnership with Paul McCartney remains the most successful in history. Born in Liverpool, Lennon became involved in the Skiffle#Revival in the United Kingdom, skiffle craze as a teenager. In 1956, he formed The Quarrymen, which evolved into the Beatles in 1960. Sometimes called "the smart Beatle", he was initially the group's de facto leader, a role gradually ceded to McCartney. Lennon soon expanded his work into other media by participating in numerous films, including ''How I Won the War'', and authoring ''In His Own Write'' and ''A Spaniard in the Works'', both collection ...
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