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Spanish Grease
''Spanish Grease'' is an album by jazz percussionist Willie Bobo recorded in 1965 and released on the Verve Records, Verve label.Verve Records discography accessed April 2, 2014 Reception The Allmusic review by Richie Unterberger awarded the album 4 stars stating "The timbales player and his band lay down respectable grooves, but "Spanish Grease" is the only original on the album, and by far the most rewarding number".Unterberger, R.Allmusic Review accessed April 2, 2014 Track listing # "Spanish Grease" (Willie Bobo, Melvin Lastie) – 2:47 # "Hurt So Bad" (Boyce and Hart, Bob ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Bobo
William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo,[ Biography], ''AllMusic'' was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino Music, Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music. Early life Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the Cuatro (instrument), cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the Bongo drum, bongos and later the congas, timbales and Drum kit, drums. In 1947, Bobo started working as a Bandboy, band boy for Machito in order to gain entrance to the band's concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player. Career He met Mongo Santamaría shortly after hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Day Will Come
"Our Day Will Come" is a popular song composed by Mort Garson with lyrics by Bob Hilliard. It was recorded by American R&B group Ruby & the Romantics in early December 1962, reaching #1 on the ''Billboard'' Hot 100. Ruby & the Romantics' original version The song's composers were hoping to place "Our Day Will Come" with an established easy listening act and only agreed to let the new R&B group Ruby & the Romantics record the song after Kapp Records' A&R director Al Stanton promised that, if the Ruby & the Romantics' single failed, Kapp would record the song with Jack Jones. Stanton cut two versions of "Our Day Will Come" with Ruby & the Romantics, one with a mid-tempo arrangement and the other in a bossa nova style; the latter version, featuring a Hammond organ solo, was selected for release as a single in December 1962 and reached #1 on the ''Billboard'' Hot 100 in March 1963. "Our Day Will Come" also charted at #11 in Australia and at #38 the United Kingdom. The personnel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Davis (bassist)
Richard Davis (born April 15, 1930) is an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's ''Out to Lunch!'', Andrew Hill's '' Point of Departure'', and Van Morrison's ''Astral Weeks'', of which critic Greil Marcus wrote (in ''The Rolling Stone Illustrated History of Rock and Roll''), "Richard Davis provided the greatest bass ever heard on a rock album." Music career Born in Chicago, Illinois, United States, Davis began his musical career with his brothers, singing bass in his family's vocal trio. He studied double bass in high school with his music theory teacher and band director, Walter Dyett. He was a member of Chicago Youth Symphony Orchestras (then known as the Youth Orchestra of Greater Chicago) and played in the orchestra's first performance at Chicago's Orchestra Hall on November 14, 1947. After high school, he studied double bass with Rudolf Fahsbender of the Chicago Symphony Orchestra while attending VanderCook Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Hancock
Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, ''Head Hunters''. Hancock's best-known compositions include " Cantaloupe Island", " Watermelon Man", " Maiden Voyage", and " Chameleon", all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental " Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Walker
Autry DeWalt Mixon Jr. (June 14, 1931 – November 23, 1995), known professionally as Junior Walker, was an American multi-instrumentalist (primarily saxophonist and vocalist) who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s. Early life Walker was born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, but grew up in South Bend, Indiana. He began playing saxophone while in high school, and his saxophone style was the anchor for the sound of the bands he later played in. Career His career started when he developed his own band in the mid-1950s as the Jumping Jacks. His longtime friend and drummer Billy Nicks (1935–2017) formed his own group, the Rhythm Rockers. Periodically, Nicks would sit in on Jumping Jack's shows, and Walker would sit in on the Rhythm Rockers shows. Nicks obtained a permanent gig at a local TV station in South Bend, Indiana, and asked Walker t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shotgun (Junior Walker & The All Stars Song)
__NOTOC__ "Shotgun" is a song written by Junior Walker and recorded with his group the All Stars. Called a "dance tune", it was produced by Berry Gordy Jr. and Lawrence Horn. Gordy's Soul Records, a Motown Records subsidiary, issued it as a single in 1965. It reached number 1 on the U.S. R&B Singles chart for four non-consecutive weeks and peaked at number 4 on the ''Billboard'' Hot 100. In Canada, the song reached number 26. Recording "Shotgun" was Walker's debut as a vocalistwhen the singer who was hired to perform at the recording session did not show up, Walker stood in. Rather than re-record the vocal at a later date, producer Gordy decided to keep Walker's take, much to the latter's surprise. The song opens with the sound of a shotgun blast and a drum roll, with the verses alternating between Walker's vocals and tenor saxophone fills. It does not employ the typical progression, but remains on one chord throughout. Personnel * Junior Walker – tenor saxophone, lead vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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