University Of Texas At Austin Department Of Radio–Television–Film
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University Of Texas At Austin Department Of Radio–Television–Film
The Department of Radio–Television–Film at the University of Texas at Austin located in Austin, Texas, is one of the five departments comprising the Moody College of Communication. The department was founded in 1965 and has become one of the nation's premiere film schools, consistently ranking in the top 5 for graduate programs and the top 10 for undergraduate studies. The department has a very selective admissions policy, accepting fewer than 25% of applicants in its undergraduate program, and fewer than 15% of applicants in its graduate programs. The film school offers an undergraduate Bachelor of Science degree in a variety of disciplines, as well as offering the nation's top MFA and Ph.D. level programs at the graduate level. History The pre-history of the film school dates back to 1921, when the University of Texas launched the first old-time radio, experimental radio broadcast in the state of Texas, offering its first degree program in broadcasting in 1939. By the 1960s ...
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Austin, Texas
Austin ( ) is the List of capitals in the United States, capital city of the U.S. state of Texas. It is the county seat and most populous city of Travis County, Texas, Travis County, with portions extending into Hays County, Texas, Hays and Williamson County, Texas, Williamson counties. Incorporated on December 27, 1839, it is the Metropolitan statistical area, 26th-largest metropolitan area in the United States, the List of United States cities by population, 13th-most populous city in the United States, the List of cities in Texas by population, fifth-most populous city in the state after Houston, San Antonio, Dallas, and Fort Worth, and the second-most populous state capital city after Phoenix, Arizona. It has been one of the fastest growing large cities in the United States since 2010. Downtown Austin and Downtown San Antonio are approximately apart, and both fall along the Interstate 35 in Texas, I-35 corridor. This combined metropolitan region of San Antonio–Austin met ...
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Mole-Richardson
Mole-Richardson, also known as Mole, is an American stage lighting instrument and motion picture lighting manufacturing company originally based in Hollywood, California. The company was started in 1927 by Italian immigrant Pietro "Peter" Mule (changed to Mole). Born November 10, 1891, in the Italian town of Termini Imerese, Sicily, he first worked for General Electric (GE) in New York. In 1927 he began selling incandescent tungsten lighting to the film industry, which allowed a more natural lighting than the previous arc lights. The new lights were also silent, an advantage for the new sound films. Mole-Richardson invented the Fresnel Solar Spot unit in 1935, adapting the fresnel lighthouse lens for use in motion pictures. It won the first of four technical Academy Awards the company has earned. During World War II, Mole-Richardson concentrated their efforts on developing searchlights for battleships, tanks and artillery units to aid the Allied Forces' battle in Europe and the ...
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Cultural Diversity
Cultural diversity is the quality of diverse or different cultures, as opposed to Monoculturalism, monoculture. It has a variety of meanings in different contexts, sometimes applying to cultural products like art works in museums or entertainment available online, and sometimes applying to the variety of human cultures or traditions in a specific region, or in the world as a whole. It can also refer to the inclusion of different cultural perspectives in an organization or society. Cultural diversity can be affected by political factors such as censorship or the protection of the rights of artists, and by economic factors such as free trade or protectionism in the market for cultural goods. Since the middle of the 20th century, there has been a concerted international effort to protect cultural diversity, involving the UNESCO, United Nations Educational, Scientific and Cultural Organization (UNESCO) and its member states. This involves action at international, national, and local le ...
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Film History
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. There were earlier cinematographic screenings by others like the first showing of life sized pictures in motion 1894 in Berlin by Ottomar Anschütz; however, the commercial, public screening of ten Lumière brothers' short films in Paris on 28 December 1895, can be regarded as the breakthrough of projected cinematographic motion pictures. The earliest films were in black and white, under a minute long, without recorded sound, and consisted of a single shot from a steady camera. The first decade saw film move from a novelty, to an established mass entertainment industry, with film production companies and studios established throughout the world. Conventions toward a general cinematic language developed, with film editing, camera movements and other cinematic techniques contribu ...
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Short Film
A short film is a film with a low running time. The Academy of Motion Picture Arts and Sciences (AMPAS) defines a short film as "an original motion picture that has a running time of not more than 40 minutes including all credits". Other film organizations may use different definitions, however; the Academy of Canadian Cinema and Television, for example, currently defines a short film as 45 minutes or less in the case of documentaries, and 59 minutes or less in the case of scripted narrative films (it is not made clear whether this includes closing credits). In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often s ...
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Act Structure
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture. In a play or work of theatre especially, this can be called dramatic structure, which is presented in audiovisual form. Story structure can vary by culture and by location. The following is an overview of various story structures and components that might be considered. Definition Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. Story structures can vary culture to culture and throughout history. The same named story stru ...
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Curriculum
In education, a curriculum (; : curriculums or curricula ) is the totality of student experiences that occur in an educational process. The term often refers specifically to a planned sequence of instruction, or to a view of the student's experiences in terms of the educator's or school's instructional goals. A curriculum may incorporate the planned interaction of pupils with instructional content, materials, resources, and processes for evaluating the attainment of educational objectives. Curricula are split into several categories: the explicit, the implicit (including the hidden), the excluded, and the extracurricular.Kelly, A. V. (2009). The curriculum: Theory and practice (pp. 1–55). Newbury Park, CA: Sage.Braslavsky, C. (2003). The curriculum. Curricula may be tightly standardized or may include a high level of instructor or learner autonomy. Many countries have national curricula in primary education, primary and secondary education, such as the United Kingdom's Nationa ...
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35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard negative pulldown, image exposure length on 35 mm for movies ("single-frame" format) is four film perforations, perforations per Film frame, frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th and early 20th centuries, along with various film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film st ...
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List Of Panasonic Camcorders
The following is a list of camcorders from Panasonic. Consumer standard definition models (VHS) Panasonic NV-M1 Introduced in 1985, this was the first one-piece camcorder using full-size VHS cassettes. The camera uses a 1/2-inch colour Newvicon tube with a consumer-grade lens barrel giving a 6 times zoom with macro, normal focussing down to 4 feet (1.2 metres), and a minimum illumination of 10 lux. The microphone and folding viewfinder are physically built-in with no external cables, though headphones and an external microphone can used. The system gives battery and picture quality information to the cameraman using on-screen displays, and a six-digit numeric code can can be used to record the date onto the video ("baked in"), though this does not advance automatically. The system can be put into a Standby mode, which shuts down the tape transport and reduces power to the camera and viewfinder tubes, and quickly returned to full operating mode. The recorder section uses a fu ...
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Dubbing (filmmaking)
Dubbing (also known as re-recording and mixing) is a post-production process used in filmmaking and the video production process where supplementary recordings (known as doubles) are lip-synced and "mixed" with original production audio to create the final product. Often this process is performed on films by replacing the original language to offer voiced-over translations. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley (filmmaking), foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. While dubbing and ADR are similar processes that focus on enhancing and replacing dialogue audio, ADR is a process in which the original actors re-record and synchronize audio segments. This allows filmmakers to replace unclear dialogue if there are issues with the script, background noise, or the original recording. The term "dubbing" also commonly refers ...
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Pro Tools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of aud ...
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Final Cut Pro
Final Cut Pro (often abbreviated FCP or FCPX) is a professional non-linear video-editing application initially developed by Macromedia, and, since 1998, by Apple as part of its pro apps collection. Final Cut Pro allows users to import, edit, and process video footage, and output it to a wide variety of formats. In the 2000s, Final Cut Pro developed a large and expanding user base, mainly video hobbyists and independent filmmakers. It also made inroads with film and television editors who have traditionally used Avid Media Composer. According to a 2007 SCRI study, Final Cut Pro made up 49% of the United States professional editing market, with Avid at 22%. A published survey in 2008 by the American Cinema Editors Guild placed their users at 21% Final Cut Pro (and growing from previous surveys of this group), while all others were on an Avid system of some kind. In 2011, Final Cut Pro 7 was replaced with the fully rewritten Final Cut Pro X, which initially lacked many features ...
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