|
Pro Tools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of aud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avid Audio
Avid Audio (formerly Digidesign) is an American digital audio technology company. It was founded in 1984 by Peter Gotcher and Evan Brooks. The company began as a project to raise money for the founders' band, selling EPROM chips for drum machines. It is a subsidiary of Avid Technology, and during 2010 the Digidesign brand was phased out. Avid Audio products will continue to be produced and will now carry the Avid brand name. Products Digidesign's flagship software product was Pro Tools, which came in three variants: Pro Tools, HD, Pro Tools LE, and Pro Tools M-Powered. Pro Tools, HD required a Digidesign TDM system and interface, and was intended for professional recording studios. Pro Tools LE was a complete package intended for home users and some post-production facilities. The package included the Pro Tools LE software and hardware such as the M-Box 2 or Digi 003. Pro Tools M-Powered was simply the Pro Tools application adapted to run on M-Audio hardware, and generally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog-to-digital Converter
In electronics, an analog-to-digital converter (ADC, A/D, or A-to-D) is a system that converts an analog signal, such as a sound picked up by a microphone or light entering a digital camera, into a Digital signal (signal processing), digital signal. An ADC may also provide an isolated measurement such as an electronic device that converts an analog input voltage or Electric current, current to a digital number representing the magnitude of the voltage or current. Typically the digital output is a two's complement binary number that is proportional to the input, but there are other possibilities. There are several ADC hardware architecture, architectures. Due to the complexity and the need for precisely matched electronic component, components, all but the most specialized ADCs are implemented as integrated circuits (ICs). These typically take the form of metal–oxide–semiconductor (MOS) mixed-signal integrated circuit chips that integrate both Analogue electronics, anal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Time Stretching And Pitch Scaling
Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording. These processes are often used to match the pitches and tempos of two pre-recorded clips for mixing when the clips cannot be reperformed or resampled. Time stretching is often used to adjust radio commercials and the audio of television advertisements to fit exactly into the 30 or 60 seconds available. It can be used to conform longer material to a designated time slot, such as a 1-hour broadcast. Resampling The simplest way to change the duration or pitch of an audio recording is to change the playback speed. For a digital audio recording, this can be accomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-destructive Editing
Non-linear editing (NLE) is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixing Console
A mixing console or mixing desk is an electronic device for Audio mixing (recorded music), mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or Digital signal (signal processing), digital signals. The modified signals are summation, summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Tape Recorder
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete ''tracks'' on the same reel-to-reel tape was developed. A ''track'' was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or Synchronization, synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latency (audio)
Latency refers to a short period of delay (usually measured in milliseconds) between when an audio signal enters a system, and when it emerges. Potential contributors to latency in an audio system include analog-to-digital conversion, buffering, digital signal processing, transmission time, digital-to-analog conversion, and the speed of sound in the transmission medium. Latency can be a critical performance metric in professional audio including sound reinforcement systems, foldback systems (especially those using in-ear monitors) live radio and television. Excessive audio latency has the potential to degrade call quality in telecommunications applications. Low latency audio in computers is important for interactivity. Telephone calls In all systems, latency can be said to consist of three elements: codec delay, playout delay and network delay. Latency in telephone calls is sometimes referred to as delay; the telecommunications industry also uses the term ''quality of exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is a monthly music technology magazine. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. Independently owned, the magazine is published by SOS Publications Group in Cambridge, United Kingdom. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby and their friend Godfrey Davies in 1985. It was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the convergence of MIDI, computer technology and recording equipment. At the time of its launch, text for the magazine was edited on BBC Model B computers and pages were physically pasted together with wax. The modern magazine is full-colour throughout and led the way in using colour as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compression (audio)
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or ''compressing'' an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and some instrument amplifiers. A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high ratio and, generally, a short attack time. Compression is used to improve performance and clarity in public address systems, as an effect and to improve consistency in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equalization (audio)
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. Most hi-fi equipment uses relatively simple Electronic filter, filters to make Bass (sound), bass and Treble (sound), treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent. Because of this ability, they can be aptly described as "frequency-specific volume knobs." Equalizers are used in recording studio, recording and radio studios, production control rooms, and live sound reinforcement and in instrument amplifiers, such as guitar amplifiers, to correct or adjust the response of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverb
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
