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Undone – The Sweater Song
"Undone – The Sweater Song" is a song by American alternative rock band Weezer, released in June 1994 from their self-titled debut album as their debut single. Background The band originally intended to insert various sound clips into ''Undone'', but were wary of the cost of licensing them. Instead, the studio version of the track features a spoken introduction by bassist Matt Sharp and Karl Koch, a longtime friend of the band. The track also features dialogue between Koch and Mykel Allan, an early supporter of the band. This dialogue is frequently ad-libbed during concerts and other live recordings. Weezer frontman Rivers Cuomo has commented on the song, saying: Cuomo has also said that it was his attempt at writing "a Velvet Underground-type song," but he later called the song an inadvertent derivative of Metallica's " Welcome Home (Sanitarium)", with the band's metal roots showing through. The song was originally known as simply "Undone" but the band added "The Swe ...
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Weezer
Weezer is an American rock band formed in Los Angeles, California, in 1992. Since 2001, the band has consisted of Rivers Cuomo (lead vocals, guitar, keyboards), Patrick Wilson (drums, backing vocals), Brian Bell (guitar, keyboards, backing vocals), and Scott Shriner (bass guitar, keyboards, backing vocals). They have sold 10 million albums in the United States and more than 35 million worldwide. After signing to Geffen Records in 1993, Weezer released their critically acclaimed self-titled debut album, also known as the Blue Album, in May 1994. Backed by music videos for the singles " Undone – The Sweater Song", " Buddy Holly", and " Say It Ain't So", the Blue Album became a multi-platinum success. Weezer's second album, '' Pinkerton'' (1996), featuring a darker, more abrasive sound, was a commercial failure and initially received mixed reviews, but achieved cult status and critical acclaim years later. Both the Blue Album and ''Pinkerton'' are now frequently cited amo ...
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Metallica
Metallica is an American heavy metal band. It was formed in Los Angeles in 1981 by vocalist and guitarist James Hetfield and drummer Lars Ulrich, and has been based in San Francisco for most of its career. The band's fast tempos, instrumentals and aggressive musicianship made them one of the founding "big four" bands of thrash metal, alongside Megadeth, Anthrax and Slayer. Metallica's current lineup comprises founding members and primary songwriters Hetfield and Ulrich, longtime lead guitarist Kirk Hammett and bassist Robert Trujillo. Guitarist Dave Mustaine, who formed Megadeth after being fired from Metallica, and bassists Ron McGovney, Cliff Burton and Jason Newsted are former members of the band. Metallica first found commercial success with the release of its third album, '' Master of Puppets'' (1986), which is cited as one of the heaviest metal albums and the band's best work. The band's next album, '' ...And Justice for All'' (1988), gave Metallica its first ...
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G-flat Major
G-flat major is a major scale based on G♭ (musical note), G, consisting of the pitches G, A♭ (musical note), A, B♭ (musical note), B, C♭ (musical note), C, D♭ (musical note), D, E♭ (musical note), E, and F (musical note), F. Its key signature has six Flat (music), flats. Its relative key, relative minor is E-flat minor (or enharmonically D-sharp minor). Its parallel key, parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two Double-flat, double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains six sharps. The G-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-flat Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G-flat major are: * Tonic (music), Tonic – G-flat major * Supertonic – A-flat minor * M ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ...
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Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain (electronics), gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may be used with other instruments, such as bass guitar, electric bass, electric piano, synthesizer, and Hammond organ. Guitarists playing Chicago blues, electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to clipping (audio), distort. Other ways to produce distortion have been developed since the 1960s, such as distortion effects unit, effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, grunge and heavy metal music, while the use of distorted bas ...
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Dynamics (music)
In music, the dynamics of a piece are the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. (''piano'' - "soft") never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than (''forte'' - "loud"). There are many factors affecting the interpretati ...
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Dash
The dash is a punctuation mark consisting of a long horizontal line. It is similar in appearance to the hyphen but is longer and sometimes higher from the baseline. The most common versions are the endash , generally longer than the hyphen but shorter than the minus sign; the emdash , longer than either the en dash or the minus sign; and the horizontalbar , whose length varies across typefaces but tends to be between those of the en and em dashes. Typical uses of dashes are to mark a break in a sentence, to set off an explanatory remark (similar to parenthesis), or to show spans of time or ranges of values. The em dash is sometimes used as a leading character to identify the source of a quoted text. History In the early 17th century, in Okes-printed plays of William Shakespeare, dashes are attested that indicate a thinking pause, interruption, mid-speech realization, or change of subject. The dashes are variously longer (as in '' King Lear'' reprinted 1619) or ...
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Bracket
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. They come in four main pairs of shapes, as given in the box to the right, which also gives their names, that vary between British and American English. "Brackets", without further qualification, are in British English the ... marks and in American English the ... marks. Other symbols are repurposed as brackets in specialist contexts, such as those used by linguists. Brackets are typically deployed in symmetric pairs, and an individual bracket may be identified as a "left" or "right" bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the directionality of the context. In casual writing and in technical fields such as computing or linguistic analysis of grammar, brackets nest, with segments of bracketed material containing embedded within them other further bracketed sub-segments. The nu ...
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