Umpapa
Oom-pah, Oompah or Umpapa is an onomatopoeic term describing the rhythmical sound of a deep brass instrument in combination with the response of other instruments or registers in a band, a form of background ostinato. The oom-pah sound is usually made by the tuba alternating between the root (tonic) of the chord and the 5th (dominant) — this sound is said to be the ''oom''. The ''pah'' is played on the off-beats by higher-pitched instruments such as the clarinet, accordion or trombone. Oompah is often associated with '' Volkstümliche Musik'', a form of popular German music, and with polka. In triple time genres such as the waltz it is oom-pah-pah. The musical ''Oliver!'' contains a song named "Oom-Pah-Pah", which is named after the oom-pah. A more modern variation is the playing of contemporary pop and rock songs in an Oompah style, by bands such as Global Kryner (Austria) and Oompah Brass (UK) (who dubbed the style "Oompop"). The American jam band Phish features the o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oom-pah
Oom-pah, Oompah or Umpapa is an onomatopoeic term describing the rhythmical sound of a deep brass instrument in combination with the response of other instruments or registers in a band, a form of background ostinato. The oom-pah sound is usually made by the tuba alternating between the root (tonic) of the chord and the 5th (dominant) — this sound is said to be the ''oom''. The ''pah'' is played on the off-beats by higher-pitched instruments such as the clarinet, accordion or trombone. Oompah is often associated with ''Volkstümliche Musik'', a form of popular German music, and with polka. In triple time genres such as the waltz it is oom-pah-pah. The musical ''Oliver!'' contains a song named "Oom-Pah-Pah", which is named after the oom-pah. A more modern variation is the playing of contemporary pop and rock songs in an Oompah style, by bands such as Global Kryner (Austria) and Oompah Brass (UK) (who dubbed the style "Oompop"). The American jam band Phish features the oom-p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oliver!
''Oliver!'' is a coming-of-age stage musical, with book, music and lyrics by Lionel Bart. The musical is based upon the 1838 novel '' Oliver Twist'' by Charles Dickens. It premiered at the Wimbledon Theatre, southwest London in 1960 before opening in the West End, where it enjoyed a record-breaking long run. ''Oliver!'' ran on Broadway, after being brought to the U.S. by producer David Merrick in 1963. Major London revivals played from 1977–1980, 1994–1998, 2008–2011 and on tour in the UK from 2011–2013. Additionally, its 1968 film adaptation, directed by Carol Reed, won six Academy Awards including Best Picture. ''Oliver!'' received thousands of performances in British schools, becoming one of the most popular school musicals. In 1963 Lionel Bart received the Tony Award for Best Original Score. Many songs are well known to the public, such as "Food, Glorious Food", "Consider Yourself" and " I'd Do Anything". ''Oliver!'' was one of eight UK musicals featured on Roy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Accompaniment
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar. While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and basslines simultaneously (chords and a bassline are easier to pla ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eläkeläiset
Eläkeläiset (Finnish for "pensioners") are a Finnish humppa band founded in 1993. They specialise in humppa and jenkka music and have been successful in Germany, Finland and elsewhere. Current members of the band are Onni Waris (keyboard, vocals), Petteri Halonen (keyboard, guitar, vocals), Lassi Kinnunen (accordion, vocals), Martti Waris (bass, vocals), and Tapio Santaharju (drums, vocals). Ilmari Koivuluhta (sound technique, logistics) and Pekka Jokinen (graphics, merchandise) complete the "humppa family". According to the band's statements, they play between 80 and 100 concerts per year, of which only 20 in Finland and 40 to 50 in Germany, due to their popularity there. Rarely performing in big venues, they have visited several big international music festivals, and surprisingly to many, even large heavy metal festivals e.g. Wacken Open Air and Tuska Open Air. They travel mostly on a private lorry and no bus. Eläkeläiset mainly play cover versions of famous pop and rock ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Humppa
Humppa is a type of music from Finland. It is related to jazz and very fast foxtrot, played two beats to a bar ( or ). Typical speed is about 220 to 260 beats per minute. Humppa is also the name of a few social dances danced to humppa music. All dances involve bounce that follows the strong bass of the music. In Finnish language, the word humppa can also be used for all social dancing. The name humppa was invented by Antero Alpola for a radio show in the 1950s. He picked it up from German Oktoberfest where the locals used the word to describe the playing of the band. The band probably used a tuba, as the sound of tuba on the first beat is like ''hump'', the second beat coming as a ''pa''. (The related German style is known as oompah.) There are three different dances typically danced to humppa music, and they have existed long before the word "humppa" was coined. One form of Humppa dance is related to one-step, which arrived in Finland 1913. In this kind of humppa, both danc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carter Family Picking
Carter Family picking, also known as the thumb brush, the Carter lick, the church lick, or the Carter scratch,Sid Griffin and Eric Thompson (2006). ''Bluegrass Guitar: Know the Players, Play the Music'', p.22. . is a style of fingerstyle guitar named after Maybelle Carter of the Carter Family. It is a distinctive style of rhythm guitar in which the melody is played on the bass strings, usually low E, A, and D while rhythm strumming continues above, on the treble strings, G, B, and high E. This often occurs during the break. The style bears similarity to the frailing style of banjo playing and is the rhythm Bill Monroe adapted for bluegrass music two decades later. With this technique, Carter, who "was among the first" to use it, "helped to turn the guitar into a lead instrument". It is unclear how Maybelle developed her style. The Carter scratch can be heard on the Carter Family's first recordings, from their first session in Bristol, Tennessee on August 1, 1927. Maybelle a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Duple Time
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a ''primary'' division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples (compound) in the upper figure of the time signature, with (cut time), , and (at a fast tempo) being the most common examples. Shown below are a simple and a compound duple drum pattern. : \new Staff : \new Staff Though it must, the upper figure being divisible by 2 does not of itself indicate duple metre. The most common time signature in rock, blues, country, funk, and pop is .Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . Although jazz writing has become more adventurous since Dave Brubeck's'' Time Out'', the majority of jazz and jazz standards are still in four time. Duple time is common in many styles including the polka, notorious for its obvious "oom-pah" duple feel. Compare to the waltz. Quadruple metre Quadruple metre (also ''quad ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Phish
Phish is an American rock band formed in Burlington, Vermont, in 1983. The band is known for musical improvisation, extended jams, blending of genres, and a dedicated fan base. The band consists of guitarist Trey Anastasio, bassist Mike Gordon, drummer Jon Fishman, and keyboardist Page McConnell, all of whom perform vocals, with Anastasio being the lead vocalist. The band was formed by Anastasio, Gordon, Fishman and guitarist Jeff Holdsworth, who were joined by McConnell in 1985. Holdsworth departed the band in 1986, and the lineup has remained stable since. Phish began to perform outside of New England in the late 1980s and experienced a rise in popularity in the mid 1990s. In October 2000, the band began a two-year hiatus that ended in December 2002, but they disbanded again in August 2004. Phish reunited officially in October 2008 for subsequent reunion shows in March 2009 and since then have resumed performing regularly. All four members pursued solo careers or performed wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jam Band
A jam band is a musical group whose concerts (and live albums) are characterized by lengthy improvisational "jams." These include extended musical improvisation over rhythmic grooves and chord patterns, and long sets of music which often cross genre boundaries. Most jam band sets will consist of variations on songs that have already been released as studio recordings. Jam bands are known for having a very fluid structure, often having one song lead into another without any interruption. The jam-band musical style, spawned from the psychedelic rock movement of the 1960s, was a feature of nationally famed groups such as the Grateful Dead and The Allman Brothers Band, whose regular touring schedules continued into the 1990s. The style influenced a new wave of jam bands who toured the United States with jam band-style concerts in the late 1980s and early '90s, such as Phish, Blues Traveler, Widespread Panic, Dave Matthews Band, The String Cheese Incident, and Col. Bruce Hampto ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Global Kryner
Global Kryner were a six-piece Austrian folk group, consisting of clarinet player Christof Spörk, bass trombonist, tenor and yodeller Sebastian Fuchsberger, guitarist Edi Koehldorfer, trumpet player Karl Rossmann, accordion player Anton Sauprügl, and jazz vocalist Sabine Stieger. The group has won numerous awards in Germany and Austria, and represented Austria in the Eurovision Song Contest 2005 in Kyiv, Ukraine. 2005 Eurovision Song Contest Global Kryner were the first band to perform in the semi-final of the 2005 Eurovision Song Contest, opening the show, but did not receive enough televotes to progress to the final, coming 21st out of 25 countries. Due to this poor result for the band, the Austrian national broadcaster ORF announced its withdrawal from the Eurovision Song Contest, releasing a statement describing it as "an absurd competition in which Austrian musical tradition means nothing". However, after a one-year break, Austria returned to the contest in 2007. D ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oom-Pah-Pah (song)
"Oom-Pah-Pah" is a lively and somewhat risqué show tune with music and lyrics by Lionel Bart and appearing in the 1960 musical '' Oliver!'', when it is sung by Nancy and the crowd at the "Three Cripples" tavern. The word "oom-pah-pah" is seemingly used euphemistically to refer to both intoxication and fornication. Although not an original music hall song, it recalls that genre well and, in terms of both its tempo and suggestiveness, shares characteristics with such late 19th century songs as "Ta-ra-ra Boom-de-ay". In the stage musical, the song opens Act II and does not contribute to the storyline. For the 1968 film version A film adaptation is the transfer of a work or story, in whole or in part, to a feature film. Although often considered a type of derivative work, film adaptation has been conceptualized recently by academic scholars such as Robert Stam as a dia ... it was moved to near the end and given a dramatic purpose: Bill Sikes has refused to let Nancy take Ol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |