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Oom-Pah-Pah (song)
"Oom-Pah-Pah" is a lively and somewhat risqué show tune with music and lyrics by Lionel Bart and appearing in the 1960 musical '' Oliver!'', when it is sung by Nancy and the crowd at the "Three Cripples" tavern. The word "oom-pah-pah" is seemingly used euphemistically to refer to both intoxication and fornication. Although not an original music hall song, it recalls that genre well and, in terms of both its tempo and suggestiveness, shares characteristics with such late 19th century songs as "Ta-ra-ra Boom-de-ay". In the stage musical, the song opens Act II and does not contribute to the storyline. For the 1968 film version A film adaptation is the transfer of a work or story, in whole or in part, to a feature film. Although often considered a type of derivative work, film adaptation has been conceptualized recently by academic scholars such as Robert Stam as a dia ... it was moved to near the end and given a dramatic purpose: Bill Sikes has refused to let Nancy take Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Bart
Lionel Bart (1 August 1930 – 3 April 1999) was a British writer and composer of pop music and musicals. He wrote Tommy Steele's "Rock with the Caveman" and was the sole creator of the musical '' Oliver!'' (1960). With ''Oliver!'' and his work alongside theatre director Joan Littlewood at Theatre Royal, Stratford East, he played an instrumental role in the 1960s birth of the British musical theatre scene after an era when American musicals had dominated the West End. Best known for creating the book, music and lyrics for ''Oliver!'', Bart was described by Andrew Lloyd Webber as "the father of the modern British musical". In 1963 he won the Tony Award for Best Original Score for ''Oliver!'', and the 1968 film version of the musical won a total of 6 Academy Awards including the Academy Award for Best Picture. Some of his other compositions include the theme song to the James Bond film '' From Russia with Love'', and the songs " Living Doll" by Cliff Richard, "Far Away" by Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver!
''Oliver!'' is a coming-of-age stage musical, with book, music and lyrics by Lionel Bart. The musical is based upon the 1838 novel '' Oliver Twist'' by Charles Dickens. It premiered at the Wimbledon Theatre, southwest London in 1960 before opening in the West End, where it enjoyed a record-breaking long run. ''Oliver!'' ran on Broadway, after being brought to the U.S. by producer David Merrick in 1963. Major London revivals played from 1977–1980, 1994–1998, 2008–2011 and on tour in the UK from 2011–2013. Additionally, its 1968 film adaptation, directed by Carol Reed, won six Academy Awards including Best Picture. ''Oliver!'' received thousands of performances in British schools, becoming one of the most popular school musicals. In 1963 Lionel Bart received the Tony Award for Best Original Score. Many songs are well known to the public, such as "Food, Glorious Food", "Consider Yourself" and " I'd Do Anything". ''Oliver!'' was one of eight UK musicals featured on Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy (Oliver Twist)
Nancy is a fictional character in the 1838 novel ''Oliver Twist'' by Charles Dickens and its several adaptations for theatre, television and films. She is a member of Fagin's gang and the lover, and eventual victim, of Bill Sikes. As well as Nancy being a thief, a common suggestion is that she is a prostitute, in the modern sense of the word. At no point is this stated directly in the novel; rather it stems from Dickens describing her as such in his preface to the 1841 edition ("the boys are pickpockets, and the girl is a prostitute"). However, it has been speculated that he is invoking the term's then-synonymous usage referring to a woman living out of wedlock or otherwise on the margins of "respectable" society. In spite of her criminality, Nancy is portrayed as a sympathetic figure, whose concern for Oliver overcomes her loyalty to Sikes and Fagin. By the climax of the novel, she is emaciated with sickness and worry, and filled with guilt about the life she is leading. Backg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Substance Intoxication
Substance intoxication is a transient condition of altered consciousness and behavior associated with recent use of a substance. It is often maladaptive and impairing, but reversible. If the symptoms are severe, the term "substance intoxication delirium" may be used. Substance intoxication may often accompany a substance use disorder (SUD); if persistent substance-related problems exist, SUD is the preferred diagnosis. The term "intoxicated", used by laymen, most often refers to alcohol. Classification The ICD-10 ''Mental and Behavioural Disorders due to psychoactive substance use'' shows: *F10. alcohol *F11. opioids *F12. cannabinoids *F13. sedatives and hypnotics *F14. cocaine *F15. caffeine *F16. hallucinogens *F17. tobacco *F18. volatile solvent *F19. multiple drug use and use of other psychoactive substances Caffeine The discussion over whether the coffee (caffeine) “buzz” counted as intoxication or not was hotly debated during the early to mid 16th century. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fornication
Fornication is generally consensual sexual intercourse between two people not married to each other. When one or more of the partners having consensual sexual intercourse is married to another person, it is called adultery. Nonetheless, John Calvin viewed adultery to be any sexual act that is outside the divine model for sexual intercourse, which includes fornication. For many people, the term carries an overtone of moral or religious disapproval, but the significance of sexual acts to which the term is applied varies between religions, societies and cultures. In modern usage, the term is often replaced with more judgment-neutral terms like ''premarital sex'', ''extramarital sex'', or ''recreational sex''. Etymology and usage In the original Greek version of the New Testament, the term ''porneia'' (πορνεία – " prostitution") is used 25 times (including variants such as the genitive πορνείας). In the late 4th century, the Latin Vulgate, a Latin translation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ta-ra-ra Boom-de-ay
"Ta-ra-ra Boom-de-ay" is a vaudeville and music hall song. Its first known public performance was in Henry J. Sayers' 1891 revue ''Tuxedo'' in Boston, Massachusetts. The song became widely known in the version sung by Lottie Collins in London music halls in 1892. The melody was later used in various contexts, including as the theme song to the television show ''Howdy Doody''. Background The song's authorship was disputed for some years."Live Musical Topics", ''The New York Times'', April 3, 1892, p. 12 It was originally credited to Henry J. Sayers, the manager of Rich and Harris, a producer of the George Thatcher Minstrels. Sayers used the song in the troupe's 1891 production ''Tuxedo'', a minstrel farce variety show where "Ta-ra-ra Boom-de-ay" was sung by Mamie Gilroy. Gänzl, Kurt"Ta-ra-ra-boom-de ... oy? " Kurt Gänzl's blog, 20 August 2018 However, Sayers later said that he had not written the song, but heard it performed in the 1880s by a black singer, Mama Lou, in a well-know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver! (film)
''Oliver!'' is a 1968 British period musical drama film based on Lionel Bart's 1960 stage musical of the same name, itself an adaptation of Charles Dickens's 1838 novel '' Oliver Twist''. Directed by Carol Reed from a screenplay by Vernon Harris, the picture includes such musical numbers as "Food, Glorious Food", "Consider Yourself", " As Long as He Needs Me", "You've Got to Pick a Pocket or Two", and "Where Is Love?". It stars Ron Moody, Oliver Reed, Harry Secombe, Shani Wallis, Jack Wild, and Mark Lester in the title role. Filmed at Shepperton Film Studio in Surrey, it was a Romulus production by John Woolf and was distributed internationally by Columbia Pictures. At the 41st Academy Awards for 1968, ''Oliver!'' was nominated for eleven Academy Awards and won six, including Best Picture, Best Director for Reed, and an Honorary Award for choreographer Onna White. At the 26th Golden Globe Awards, the film won two Golden Globes: Best Motion Picture – Musical or Comedy a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs From Oliver!
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Written By Lionel Bart
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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