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Umetada
''Umetada'' is a Japanese style of decoration for metal work. It may have been used by silversmiths since the Muromachi period. But in the Momoyama period, a certain Umetada Myoju (1558–1631) emerged to become the founder of the manufacture of so-called "new swords," or ''shinto'', and to rank with Kaneie and Nobuie as a great designer and maker of sword guards. Although he is said to have done metal carving for sword mounts, not a single sword guard that can safely be said to have been carved by him remains. Most of the things that do remain are works in inlay, (zogan) in copper, brass, and ''shakudo'' using designs that recall the colorful pictures of the Ogata Kōrin school. Umetada Myoju established the style and the fame of the Umetada name, which flourished greatly after his time. But he was not the first to make sword guards in the Umetada style. Both nameless craftsmen and a certain Mitsutada are known to have done this kind of work before Myoju. It seems likely that was th ...
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Japanese Swords
A is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794 – 1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the ''katana'', ''tachi'', '' odachi'', ''wakizashi'', and ''tantō''. Classification Classification by shape and usage In modern times the most commonly known type of Japanese sword is the ''Shinogi-Zukuri'' ''katana'', which is a single-edged and usually curved longsword traditionally worn by samurai from the 15th century onwards. Western historians have said that Japanese katana were among the finest cutting weapons in world military history, for their intended use. Other types of Japanese swords inclu ...
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Katana
A is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the ''tachi'', it was used by samurai in feudal Japan and worn with the edge facing upward. Since the Muromachi period, many old ''tachi'' were cut from the root and shortened, and the blade at the root was crushed and converted into ''katana''. The specific term for ''katana'' in Japan is ''uchigatana'' (打刀) and the term ''katana'' (刀) often refers to single-edged swords from around the world. Etymology and loanwords The word ''katana'' first appears in Japanese in the '' Nihon Shoki'' of 720. The term is a compound of ''kata'' ("one side, one-sided") + ''na'' ("blade"), in contrast to the double-sided '' tsurugi''. See more at the Wiktionary entry. The ''katana'' belongs to the ''nihontō'' family of swords, and is distinguished by a blade length (''nagasa'') of more than 2 ''shaku'', approximately . ' ...
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Shoami
''Shoami'' (or ''Ko-Shoami'') is a name of an artistic school (style) for making sword-guards (tsuba), mounted on a Japanese sword ('' uchi-gatana'' or just katana). The sword-guard is one of the most important symbols of the samurai. Etymology The "ami" part of this name, which derives from the name of the Amida Buddha, was once used to indicate a rank among priests of a branch of Buddhism called Jishu. Later, after the founding of the Ashikaga shogunate, a number of men engaged in serving the shogunal house in artistic or technical capacities included this word in their names. History In the Muromachi period, samurai of high standing began to use the ''uchi-gatana''; and as a result, outstanding guards for these weapons came into demand. Possibly the elevation of the status of the silver-smith to a position where he was entitled to use a name like Shoami dates from the time when craftsmen began producing fine sword guards of this kind. Naturally, as the popularity of the ''uchi ...
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Toreutics
The term ''toreutics'', relatively rarely used in English, refers to artistic metalworking – hammering gold or silver (or other materials), engraving, or using repoussé and chasing to form minute detailed reliefs or small engraved patterns. Toreutics can include metal-engraving – forward-pressure linear metal removal with a burin. Toreutics is extremely ancient, and depending on the metal used will survive burial for periods of centuries better than art in many other materials. Conversely if above ground it was likely to be melted down and the metal reused. Until the Middle Ages it was also among the art forms with the highest prestige. Archeological background It was practised in the Bronze Age and was well established centuries before the shaft graves. Toureutic items of special quality from the Iron Age are the Certosa situla from Italy and from Slovenia the Vače situla and the Vače belt-plate. Toreutics flourished to an unusual degree among the peoples of Asia Minor ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ...
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Muromachi
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ...
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Momoyama Period
Momoyama may refer to: History *Azuchi–Momoyama period, the final phase of the Sengoku period in Japanese history 1568–1600 People * Ion Momoyama, Japanese singer and voice actor * Momoyama Kenichi (1909–1991), Korean prince and cavalry officer in the Japanese Imperial Army Places *Momoyama Castle, a castle in Fushimi Ward, Kyoto, Japan *Momoyama Gakuin University , also known as Saint Andrew's University, is a private university, established under Anglican Christian auspices, in Izumi, Osaka is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous cit ..., an Anglican university in Osaka, Japan * Momoyama Station, railway station in Fushimi-ku, Kyoto, Kyoto Prefecture, Japan * Momoyama, Wakayama, a town in Naga District, Nakayama Prefecture, Japan {{Disambiguation ...
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Tomoko Miho
Tomoko Miho (September 2, 1931 - February 10, 2012) was a Japanese-American graphic designer and recipient of the 1993 List of AIGA medalists, AIGA Medal. She is known for her understanding of the relationship between space and object. Biography Tomoko Miho (née Kawakami) was born in Los Angeles in 1931 and spent her early days in the Gila River War Relocation Center in Arizona. She attended the Minneapolis School of Art and the Art Center School in Los Angeles where she earned a degree in industrial design. She and her husband and fellow designer, James Miho, went traveling through Europe where she met Giovanni Pintori (director of Olivetti), Hans Erni, and Herbert Leupin, and visited the renowned Ulm School of Design. After her return to the United States, she worked at George Nelson Associates, Inc. under Creative Director Irving Harper and became his successor. She worked for Herman Miller (manufacturer), Herman Miller furniture and the Center for Advanced Research in Desig ...
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Ogata Kōrin
Ogata Kōrin ( ja, 尾形光琳; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. Kōrin is best known for his ''byōbu'' folding screens, such as '' Irises'' and '' Red and White Plum Blossoms'' (both registered National Treasures), and his paintings on ceramics and lacquerware produced by his brother Kenzan (1663–1743). Also a prolific designer, he worked with a variety of decorative and practical objects, such as round fans, ''makie'' writing boxes or ''inrō'' medicine cases. He is also credited with reviving and consolidating the Rinpa school of Japanese painting, fifty years after its foundation by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (c. 1570 – c. 1640). In fact the term "Rinpa", coined in the Meiji period, means "school of ōin". In particular he had a lasting influence on Sakai Hōitsu (1761–1828), who replicated many of his paintings and popularized his work, organi ...
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Scabbard
A scabbard is a sheath for holding a sword, knife, or other large blade. As well, rifles may be stored in a scabbard by horse riders. Military cavalry and cowboys had scabbards for their saddle ring carbine rifles and Lever action, lever-action rifles on their horses for storage and protection. Scabbards have been made of many materials over the millennia, including leather, wood, and metals such as brass or steel. Most commonly, sword scabbards were worn suspended from a sword belt or shoulder belt called a baldric. Antiquity Wooden scabbards were typically covered in fabric or leather; the leather versions also usually bore metal fittings for added protection and carrying ease. Japanese blades typically have their sharp cutting edge protected by a wooden scabbard called a Japanese sword mountings#Saya, saya. Many scabbards, such as ones the Greeks and Romans used, were small and light. It was designed for holding the sword rather than protecting it. All-metal scabbards were ...
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ...
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History Of Decorative Arts
The Ancient World * Ancient Furniture * Pottery of Ancient Greece * Arts of Caucasian Albania The Byzantine Empire *Macedonian art The Antique and Medieval Asian World *Chinese ceramics *Japanese Pottery *Korean Pottery The Arts of Islam * Islamic pottery *Persian rug *Azerbaijani rug Renaissance Europe *Cassone * Orientalism in early modern France 18th-century Europe *Adam Style *Carpet * Neoclassicism *Rococo 19th-century Europe * Arts and Crafts movement * Biedermeier *Egyptian Revival *Empire Style *Greek Revival & Neo-Grec *Renaissance Revival *Rococo Revival *Victorian decorative arts 20th-century Europe * Art Nouveau * Art Deco * Bauhaus United States * American Fancy * American craft & American Craftsman See also *Applied art * Decorative art * Furniture * Furnishings {{DEFAULTSORT:History Of Decorative Arts Decorative Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, suns ...
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