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Umbigada
Umbigada (from Portuguese ''umbigo'', "navel") is a dance move in various Afro-Brazilian dances. Sometimes translates as "belly bump" or "belly blow", it is performed as follows: a dancer opens her arms and extends her navel towards another dancer. The bodies of the two dancers may or may not touch. Waddey 1981, p. 255. It is seen as a "basic feature of many dances imported to Brazil and Portugal from the Congo-Angola region": samba, fandango, batuque, tambor de crioula, and many others. It is commonly used as an invitation to dance, e.g., during ''samba de roda Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most pr ...'' ("'' samba'' in circle"). However it may also constitute an element of the dance itself.
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Batuque De Umbigada De Piracicaba - 0061
Batuque may refer to: * Batuque (game), a game once played in Brazil * Batuque (music and dance), a music and dance genre from Cape Verde * Batuque (religion), an Afro-American religion in Southern Brazil * Batuque FC, a Cape Verdean football (soccer) club *''Batuque, the Soul of a People ''Batuque, the Soul of a People'' (French title:''Batuque, l'âme d'un peuple'') is a 2006 documentary film written and directed by Júlio Silvão Tavares about the batuque musical group Raiz di Tambarina, and roots of this musical genre in Santia ...
'', a 2006 Cape Verdean documentary film {{disambig ...
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Navel
The navel (clinically known as the umbilicus, commonly known as the belly button or tummy button) is a protruding, flat, or hollowed area on the abdomen at the attachment site of the umbilical cord. All placental mammals have a navel, although it is generally more conspicuous in humans. Structure The umbilicus is used to visually separate the abdomen into quadrants. The umbilicus is a prominent scar on the abdomen, with its position being relatively consistent among humans. The skin around the waist at the level of the umbilicus is supplied by the tenth thoracic spinal nerve (T10 dermatome). The umbilicus itself typically lies at a vertical level corresponding to the junction between the L3 and L4 vertebrae, with a normal variation among people between the L3 and L5 vertebrae. Parts of the adult navel include the "umbilical cord remnant" or "umbilical tip", which is the often protruding scar left by the detachment of the umbilical cord. This is located in the center of ...
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Fandango
Fandango is a lively partner dance originating from Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Span ...
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Batuque (music And Dance)
The Batuque is a music and dance genre from Cape Verde. As a music genre As a music genre, the ''batuque'' is characterized by having an ''andante'' tempo, a 6/8 or 3/4 measure and traditionally it is just melodic, i.e., it is just sung, it has no polyphonic accompaniment. When compared with the other musical genres from Cape Verde, the ''batuque'' has a call and response structure, and it is the only genre that is polyrhythmic. In fact, analyzing the rhythm, one finds out that it is a 3-beat rhythm over a 2-beat rhythm. In its traditional form, the ''batuque'' is organized as if it were an orchestral ''crescendo''. It possesses two movements (if we may call them so): In older times the music began with an introduction on the ''cimboa'' that provided the base musical line. Nowadays the usage of that instrument is extinct. The first movement is called, in Creole, ''galion'' . In this movement one of the performers (called ''batukaderas'' ) executes a polyrhythmic hit, while t ...
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Tambor De Crioula
Tambor de Crioula is a form of expression of Afro-Brazilian Culture in the state of Maranhão, in Brazil, that involves circular dancing, singing and percussion of drums (''tambores,'' in Portuguese). This Afro-Brazilian manifestation occurs in most of the municipalities of Maranhão, involving a female circular dance, singing and percussion of drums. The Tambor de Crioula was recognized as Brazilian Intangible Cultural Heritage in 2007 by IPHAN. Tradictions Whether outdoors, in the squares, inside the terreiros, or associated with other events and manifestations, it is carried out without specific location or fixed schedule and practiced especially in praise of St. Benedict (the black saint). It is a circular dance marked by the percussion of three handmade drums (parelhas) covered in leather and tuned by fire and played by men (coureiros). The women (coureiras) with their beautiful round and colored skirts dance in a very peculiar choreography marked by the "punga" or "um ...
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Samba De Roda
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most prevalent dance form in Brazil, and reaches the height of its importance during the festival of Carnaval. There is actually a set of dances, rather than a single dance, that define the Samba dancing scene in Brazil; however, no one dance can be claimed with certainty as the "original" Samba style. Besides Brazilian Samba, a major style of Samba is ballroom Samba, which differs significantly. Etymology There are many theories about the origin of the word "samba". One of the first references to "samba" was in Pernambuco magazine's ''O Carapuceiro'', in February 1838. Father Miguel Lopes Gama of Sacramento wrote an article arguing against what he called "the samba d'almocreve", which was a type of dance drama popular with black people of t ...
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Samba (Brazilian Dance)
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most prevalent dance form in Brazil, and reaches the height of its importance during the festival of Carnaval. There is actually a set of dances, rather than a single dance, that define the Samba dancing scene in Brazil; however, no one dance can be claimed with certainty as the "original" Samba style. Besides Brazilian Samba, a major style of Samba is ballroom Samba, which differs significantly. Etymology There are many theories about the origin of the word "samba". One of the first references to "samba" was in Pernambuco magazine's ''O Carapuceiro'', in February 1838. Father Miguel Lopes Gama of Sacramento wrote an article arguing against what he called "the samba d'almocreve", which was a type of dance drama popular with black people of t ...
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Luís Da Câmara Cascudo
Luis is a given name. It is the Spanish language, Spanish form of the originally Germanic language, Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese language, Portuguese and Galician language, Galician, in Aragonese language, Aragonese and Catalan language, Catalan, while is archaic in Portugal, but common in Brazil. Origins The Germanic name (and its variants) is usually said to be composed of the words for "fame" () and "warrior" () and hence may be translated to ''famous warrior'' or "famous in battle". According to Dutch onomatologists however, it is more likely that the first stem was , meaning fame, which would give the meaning 'warrior for the gods' (or: 'warrior who captured stability') for the full name.J. van der Schaar, ''Woordenboek van voornamen'' (Prisma Voornamenboek), 4e druk 1990; see also thLodewijs in the Dutch given names database Modern forms of the name are the German language, Germ ...
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Afro-Brazilian Culture
Afro-Brazilians ( pt, afro-brasileiros; ) are Brazilians who have predominantly African ancestry (see " preto"). Most members of another group of people, multiracial Brazilians or ''pardos'', may also have a range of degree of African ancestry. Depending on the circumstances (situation, locality, etc.), the ones whose African features are more evident are always or frequently seen by others as "africans" - consequently identifying themselves as such, while the ones for whom this evidence is lesser may not be seen as such as regularly. It is important to note that the term pardo, such as preto, is rarely used outside the census spectrum. Brazilian society has a range of words, including negro itself, to describe multiracial people. Preto and pardo are among five ethnic categories used by the Brazilian Institute of Geography and Statistics, along with '' branco'' ("white"), '' amarelo'' ("yellow", East Asian), and '' indígena'' (Native American). In 2010, 7.6% of the Brazilian pop ...
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Dance Moves
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ...
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