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Tambor De Crioula
Tambor de Crioula is a form of expression of Afro-Brazilian Culture in the state of Maranhão, in Brazil, that involves circular dancing, singing and percussion of drums (''tambores,'' in Portuguese). This Afro-Brazilian manifestation occurs in most of the municipalities of Maranhão, involving a female circular dance, singing and percussion of drums. The Tambor de Crioula was recognized as Brazilian Intangible Cultural Heritage in 2007 by IPHAN. Tradictions Whether outdoors, in the squares, inside the terreiros, or associated with other events and manifestations, it is carried out without specific location or fixed schedule and practiced especially in praise of St. Benedict (the black saint). It is a circular dance marked by the percussion of three handmade drums (parelhas) covered in leather and tuned by fire and played by men (coureiros). The women (coureiras) with their beautiful round and colored skirts dance in a very peculiar choreography marked by the "punga" or "um ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Brazilian Culture
Afro-Brazilians ( pt, afro-brasileiros; ) are Brazilians who have predominantly African ancestry (see " preto"). Most members of another group of people, multiracial Brazilians or ''pardos'', may also have a range of degree of African ancestry. Depending on the circumstances (situation, locality, etc.), the ones whose African features are more evident are always or frequently seen by others as "africans" - consequently identifying themselves as such, while the ones for whom this evidence is lesser may not be seen as such as regularly. It is important to note that the term pardo, such as preto, is rarely used outside the census spectrum. Brazilian society has a range of words, including negro itself, to describe multiracial people. Preto and pardo are among five ethnic categories used by the Brazilian Institute of Geography and Statistics, along with '' branco'' ("white"), '' amarelo'' ("yellow", East Asian), and '' indígena'' (Native American). In 2010, 7.6% of the Brazilian pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maranhão
Maranhão () is a state in Brazil. Located in the country's Northeast Region, it has a population of about 7 million and an area of . Clockwise from north, it borders on the Atlantic Ocean for 2,243 km and the states of Piauí, Tocantins and Pará. The people of Maranhão have a distinctive accent inside the common Northeastern Brazilian dialect. Maranhão is described in books such as '' The Land of the Palm Trees'' by Gonçalves Dias and ''Casa de Pensão'' by Aluísio Azevedo. The dunes of Lençóis are an important area of environmental preservation. Also of interest is the state capital of São Luís, designated a Unesco World Heritage Site. Another important conservation area is the Parnaíba River delta, between the states of Maranhão and Piauí, with its lagoons, desert dunes and deserted beaches or islands, such as the Caju island, which shelters rare birds. Geography The northern portion of the state is a heavily forested plain traversed by numerous rivers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Institute Of Historic And Artistic Heritage
The National Historic and Artistic Heritage Institute (, IPHAN) is a heritage register of the federal government of Brazil. It is responsible for the preservation of buildings, monuments, structures, objects and sites, as well as the register and safeguard of intangible cultural heritage deemed of historic or cultural importance to the country. IPHAN maintains 1,047 sites, which include historic buildings, city centers, and landscapes. It additional lists a growing number of intangible cultural heritage entities. The presidency of the institute was held by only two individuals over its first forty years. Rodrigo Melo Franco led SPHAN/IPHAN from 1937 until his retirement in 1967; his successor was the architect Renato Soeiro, who led the institute from 1967 to 1979. History Inspetoria de Monumentos Nacionais The federal agency dedicated to the preservation of historic sites Brazil was created in 1933 under the name Inspetoria de Monumentos Nacionais (IMN). It was established as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambor De Mina
Tambor de Mina is an Afro-Brazilian religious tradition, practiced mainly in the Brazilian states of Maranhão, Piauí, Pará and the Amazon rainforest. Terminology ''Tambor'' means drum in Portuguese, and refers to the importance of the rhythmic element to worship. ''Mina'' derives from the name São Jorge da Mina, now also known as Elmina Castle, and refers to a designation given to African slaves, although the name did not necessarily refer to slaves who had passed through the fortress/port of São Jorge da Mina itself, but rather to "different ethnicities over time and place". For example, 'Mina-Popo' was often the designation for people from Little Popo, originally Akan speakers who had migrated from west of the Volta River, and "Mina-Nago" and "Mina-Congo" were other designations sometimes found in Brazil. History Slavery in Maranhão was concentrated in the Itapecuru Valley, the Baixada Maranhense, and São Luís, which is the capital of the Brazilian state of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedict The Moor
Benedict the Moor ( it, Benedetto da San Fratello; 1526 – 4 April 1589) was a Sicilian Franciscan friar who is venerated as a saint in the Catholic church. Born of enslaved Africans in San Fratello, he was freed at birth and became known for his charity. As a young man he joined a Franciscan-affiliated hermit group, of which he became the leader. In 1564 he was sent to the Franciscan friary in Palermo, where he continued good works. Life Benedict was born to Cristoforo and Diana Manasseri, Africans who were taken as slaves in the early 16th century to San Fratello (also known as ''San Fradello'' or ''San Philadelphio''), a small town near Messina, Sicily. They were given Italian names and later converted to Christianity. The Italian "il Moro" for "the dark-skinned" has been interpreted as referring to Moorish heritage. Because of his appearance, Benedict was also called ''Æthiops'' or ''Niger'' (both referring to black skin color and not the modern-day countries). Benedi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbigada
Umbigada (from Portuguese ''umbigo'', "navel") is a dance move in various Afro-Brazilian dances. Sometimes translates as "belly bump" or "belly blow", it is performed as follows: a dancer opens her arms and extends her navel towards another dancer. The bodies of the two dancers may or may not touch. Waddey 1981, p. 255. It is seen as a "basic feature of many dances imported to Brazil and Portugal from the Congo-Angola region": samba, fandango, batuque, tambor de crioula, and many others. It is commonly used as an invitation to dance, e.g., during ''samba de roda Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today Samba is the most pr ...'' ("'' samba'' in circle"). However it may also constitute an element of the dance itself. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bumba Meu Boi
Bumba Meu Boi is an interactive play celebrated in Brazil. It originated in the 18th century. It is a form of social criticism. Lower class Brazilians mock and criticize those of higher social status through a comedic Folklore story told in song and dance. Though not as well known internationally as Carnival and other Brazilian festivals, it is older and deeply rooted in the culture of Brazil. The tale can vary depending on the region and social setting at which it is practiced. However, its essential theme remains the same, with a focus on the death and resurrection of an ox. The principal figures include an ox, a white master (Cavalo Marinho, in Pernambuco), a black pregnant woman (Catirina), a Vaqueiro or cowboy (Mateus, Chico or Pai Francisco), others vaqueiros (cowboys), índios, índias and caboclos (indigenous people), a priest, and a doctor (or indigenous healers, pajés). The audience is also a key component of the performance, as passionate responses from spectators p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
São Luís, Maranhão
São Luís (, ''Saint Louis'') is the capital and largest city of the Brazilian state of Maranhão. The city is located on São Luís Island, Upaon-açu Island (Big Island, in Tupi language, Tupi Language) or São Luís island, Ilha de São Luís (''Saint Louis' Island''), in the Baía de São Marcos (''Saint Mark's Bay''), an extension of the Atlantic Ocean which forms the estuary of Pindaré River, Pindaré, Mearim River, Mearim, Itapecuru River, Itapecuru and other rivers. Its coordinates are 2.53° south, 44.30° west. São Luís has the second largest maritime extension within Brazilian states. Its maritime extension is 640 km (397 miles). The city proper has a population of some 1,108,975 people (2020 Brazilian Institute of Geography and Statistics, IBGE estimate). The metropolitan area totals 1,605,305, ranked as the List of largest cities in Brazil, 15th largest in Brazil. São Luís, created originally as ''Saint-Louis-de-Maragnan'', is the only Brazilian state capit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Festivals In Brazil
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes tak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Festivals In Brazil
Folk or Folks may refer to: Sociology *Nation *People * Folklore ** Folk art ** Folk dance ** Folk hero ** Folk music *** Folk metal *** Folk punk *** Folk rock ** Folk religion * Folk taxonomy Arts, entertainment, and media * Folk Plus or Folk +, an Albanian folk music channel * Folks (band), a Japanese band * ''Folks!'', a 1992 American film People with the name * Bill Folk (born 1927), Canadian ice hockey player * Chad Folk (born 1972), Canadian football player * Elizabeth Folk (c. 16th century), British martyr; one of the Colchester Martyrs * Eugene R. Folk (1924–2003), American ophthalmologist * Joseph W. Folk (1869–1923), American lawyer, reformer, and politician * Kevin Folk (born 1980), Canadian curler * Nick Folk (born 1984), American football player * Rick Folk (born 1950), Canadian curler * Robert Folk (born 1949), American film composer Other uses * Folk classification, a type of classification in geology * Folks Nation, an alliance of American street gangs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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