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Umar Marui
Umar Marvi or Marui ( sd, عمر مارئي, ur, ), is a folktale from Sindh, Pakistan about a village girl Marvi Maraich, who resists the overtures of a powerful King and the temptation to live in the palace as a queen, preferring to be in simple rural environment with her own village folk. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are ''Sassui Punnhun'', ''Sohni Mehar'', ''Lilan Chanesar'', ''Noori Jam Tamachi'', ''Sorath Rai Diyach'' and '' Momal Rano'' commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai. Folklore The story of Umar Marvi is that Marvi was a young Thari girl abducted by then-ruler of Amarkot, Umar, who wanted to marry her because of her beauty. Upon her refusal she was imprisoned in the historic Umerkot Fort for several years. Because of her courage, Marvi is regarded as a symbol of love for one's soil and homeland. In popular cu ...
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Sindh
Sindh (; ; ur, , ; historically romanized as Sind) is one of the four provinces of Pakistan. Located in the southeastern region of the country, Sindh is the third-largest province of Pakistan by land area and the second-largest province by population after Punjab. It shares land borders with the Pakistani provinces of Balochistan to the west and north-west and Punjab to the north. It shares International border with the Indian states of Gujarat and Rajasthan to the east; it is also bounded by the Arabian Sea to the south. Sindh's landscape consists mostly of alluvial plains flanking the Indus River, the Thar Desert in the eastern portion of the province along the international border with India, and the Kirthar Mountains in the western portion of the province. The economy of Sindh is the second-largest in Pakistan after the province of Punjab; its provincial capital of Karachi is the most populous city in the country as well as its main financial hub. Sindh is home ...
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Umar Marvi (film)
''Umar Marvi'' ( Sindhi: عمر مارئي), ( ur, ), is a Pakistani film adapted from a popular Sindhi folk tale, Umar Marvi, produced by Syed Hussain Ali Shah Fazlani, directed by Shaikh Hassan and starring Fazlani himself, Nighat Sultana, Noor Mohammed Charlie and Bibbo. Released on March 12, 1956, it was the first ever Sindhi language feature film made in Pakistan. Plot The story of Marvi and Umar is a popular Sindhi folk tale, on which the poet Shah Abdul Latif Bhittai based one of the ''surs'' of his ''Risalo''. Umar (Syed Hussain Ali Shah Fazlani), king of Umarkot, is looking for a bride but finds none to his liking. Phog (Noor Mohammed Charlie) mentions the unmatchable beauty of Marvi (Nighat Sultana), a village girl from Malir whom he loves but who is engaged to a fellow villager, Khet. Umar decides to check out Marvi for himself and immediately falls under her spell. After unsuccessfully asking for her hand from her father, he resolves to abduct her. Confined in Um ...
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Culture Of Sindh
The Culture of Sindhi ( sd, سنڌ جي ثقافت) has its roots in the Indus Valley civilization. Sindh has been shaped by the largely desert region, the natural resources it had available, and continuous foreign influence. The Indus or Sindhu River that passes through the land, and the Arabian Sea (that defines its borders) also supported the seafaring traditions among the local people. The local climate also reflects why the Sindhis have the language, folklore, traditions, customs and lifestyle that are so different from the neighboring regions. The Sindhi culture is also practiced by the Sindhi diaspora. History The roots of Sindhi culture go back to the distant past. Archaeological research during 19th and 20th centuries showed the roots of social life, religion and culture of the people of the Sindh: their agricultural practices, traditional arts and crafts, customs and tradition and other parts of social life, going back to a mature Indus Valley Civilization of the thi ...
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Love Stories
Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment.''Oxford Illustrated American Dictionary'' (1998) Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self, or animals.Fromm, Erich; ''The Art of Lo ...
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Elsa Kazi
Elsa Kazi (1884–1967), commonly known as "Mother Elsa", particularly in the Sindh province of Pakistan was a German writer of one-act plays, short stories, novels and history, and a poet. She was a composer and a musician of considerable achievement, involved in virtually every conspicuous branch of fine arts. Her paintings are often seen in many distinguished family homes. Although not well conversant with the Sindhi language, she managed to develop some of the best translations of selected verses of Shah Abdul Latif into English with the support of her husband, Allama I. I. Kazi. She successfully couched the substance of those verses in a poetical setting which, in musical terms, reflects the original Sindhi metrical structure and expression in which Latif had cast them. Her translation of Shah Abdul Latif's poetry is considered by many to be the best in English. Her works have been the subject of several doctoral theses. She is also famous for her stories for children. Fur ...
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The History Of India, As Told By Its Own Historians
''The History of India, as Told by Its Own Historians'' is a book comprising translations of medieval Persian chronicles based on the work of Henry Miers Elliot. It was originally published as a set of eight volumes between 1867-1877 in London. The translations were in part overseen by Elliot, whose efforts were then extended and edited posthumously by John Dowson. The book has been reprinted several times, and is also available online. Elliot was keen to contrast what he saw as the justice and efficiency of the British rule compared to cruelty and despotism of Muslim rule. He expressed hope that it "will make our native subjects more sensible of the immense advantages accruing to them under the mildness and equity of our rule." Background Henry Miers Elliot was born in 1808. He was an administrator who worked for the British East India Company (EIC) and rose to the position of foreign secretary under the Governor-Generalships of Henry Hardinge and James Broun-Ramsay, 1st Marqu ...
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Sindhi Adabi Board
Sindhi Adabi Board is a government sponsored institution in Pakistan for the promotion of Sindhi literature. It was established in 1955 in Jamshoro, Sindh. It is under the Education Department of the Government of Sindh. Activities The organization has published Sindhi folklore, poetry, lexicography, archaeology and original literary works. These works have included anthologies of poetry works of Shah Abdul Latif Bhittai, Sachal Sarmast, Chen Rai Sami, Khalifo Nabi Bux Laghari, Miyoon Shah Inayat, Hamal Khan Laghari, Talib-ul-Mola and other mystic poets of Sindh. The Board has published translations of selected works, manuscripts and other writings from world literature into the Sindhi language. Background Sindhi literature has been in existence for around five thousand years, through the civilizations of Moen-jo-Daro, Amri and Bhambhore. The Vedic texts were written by the banks of Sindhu (the River Indus) in Pakistan. Literary relics in British museums today show Buddhis ...
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Nabi Bux Khan Baloch
Nabi Bakhsh Khan Baloch ( sd, نبي بخش خان بلوچ, Balochi: نبی بخش خان بلۏچ) (16 December 1917 – 6 April 2011) was a research scholar and writer. He was termed as a 'moving library' on the province of Sindh, Pakistan. He contributed to many subjects and disciplines of knowledge which include history, education, folklore, archeology, anthropology, musicology, Islamic culture and civilization A civilization (or civilisation) is any complex society characterized by the development of a state, social stratification, urbanization, and symbolic systems of communication beyond natural spoken language (namely, a writing system). .... His published works in English language, English, Arabic, Persian language, Persian, Urdu and Sindhi language, Sindhi. He contributed articles on 'Sindh' and 'Baluchistan' which appeared in the Fifteenth Edition of Encyclopædia Britannica, 1972. He did pioneering work on the classic poets of Sindh which culmi ...
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Sindhi Folklore
Sindhi folklore ( sd, لوڪ ادب) Sindhi Folklore is the folk tradition which has developed in Sindh over a number of centuries. Sindh abounds with folklore, in all forms, and colors from such obvious manifestations as the traditional Watayo Faqir tales, the legend of Moriro, epic poetry tale of Dodo Chanesar, to the heroic character of Marui which distinguishes it among the contemporary folklores of the region. The love story of Sassui, who pines for her lover Punhu, is known and sung in every Sindhi settlement. Other examples of the folklore of Sindh include the stories of Umar Marui and Suhuni Mehar ( Sohni Mahiwal in Punjab region).Kalyan Adwani, ed. ''Shah Jo Risalo''. Jamshoro: Sindhi Adabi Board, 2002. Sindhi folk Singers and women play a vital role to transmit the Sindhi folklore. They sang the folktales of Sindh in songs with passion in every village of Sindh. Sindhi folklore has been compiled in a series of forty volumes under Sindhi Adabi Board's project of Fo ...
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Ram Punjwani
Ram Prataprai Panjwani (1911-1987) was an Indian writer, folk singer and educationist, known for his contributions to Sindhi literature. Panjwani was born at Larkana in the Sindh province of erstwhile British India (presently in Pakistan). on 20 November 1911 He graduated from Mumbai University in 1934 and started his career as a teacher at the D. J. Sindh Government Science College, Karachi. After Indian independence in 1947, he relocated to Mumbai and started working as a member of faculty of Jai Hind College, Mumbai in their Sindhi department. Later, he moved to Mumbai University as the reader in Sindhi department and headed the department from 1974 to 1976. Panjwani published several literary works in Sindhi language, starting with his debut novel, ''Padma'' (1939) which preceded works like ''Qaidy'', ''Sharmila'', ''Asanjo Ghar'', ''Ahe Na ahe'' and ''Shall Dhiaru Na Jaman''. He also acted in four films, ''Jhulelal'', ''Ladlee'', ''Hojmalo'' and ''Shall Dhiaru Na Jaman'', t ...
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Sindhi Language
Sindhi ( ; , ) is an Indo-Aryan language spoken by about 30 million people in the Pakistani province of Sindh, where it has official status. It is also spoken by a further 1.7 million people in India, where it is a Scheduled languages of India, scheduled language, without any state-level official status. The main writing system is the Perso-Arabic script, which accounts for the majority of the Sindhi literature and is the only one currently used in Pakistan. In India, both the Perso-Arabic script and Devanagari are used. Sindhi has an attested history from the 10th century CE. Sindhi was one of the first languages of South Asia to encounter influence from Persian language, Persian and Arabic following the Umayyad campaigns in India, Umayyad conquest in 712 CE. A substantial body of Sindhi literature developed during the Medieval period, the most famous of which is the religious and mystic poetry of Shah Abdul Latif Bhittai from the 18th century. Modern Sindhi was promoted under ...
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Sindhi Cinema
Sindhi cinema ( sd, سنڌي سينيما) refers to the Sindhi language film industry in Sindh, Pakistan and among the Sindhi diaspora. History The first Sindhi film produced was ''Ekta'' in 1940 directed by Homi Wadia and the last film was Himmath which was released on 1997; while the first Sindhi film produced in Pakistan was ''Umar Marvi'' in 1956 directed by Shaikh Hassan. The first blockbuster Sindhi film released was ''Abana'' released in 1958. Sindhi cinema used to see three to four releases a year until the 1990s. The last Sindhi film released was Himmat in 1997. Issues Satish Anand says that the condition of the theatres is bad, funding is difficult and people prefer mainstream cinema. Many producers have tried to revive the industry but eventually it fell apart. An alternate model of releasing films only on television and home video was attempted, but that too didn't work because of rampant piracy. Revival Since 2010, Sindhi Cinema in Pakistan has seen a gene ...
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