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Ulrich Krieger
Ulrich Krieger (born 1962 in Freiburg) is a German contemporary composer, performer, improviser and experimental rock musician based in Los Angeles. Krieger's artistic work spans a broad field from contemporary classical composition and free improvisation to experimental fusion with electronic music, rock, metal and noise. His special interest lies in the exploration of the physical fringes between acoustic and electronic produced sounds. In his music and with his instrument, the saxophone, he developed an original style of playing he calls "acoustic electronics". Acoustic electronics is about using sounds that appear to be electronic but are actually produced on acoustic instruments. His probably best known experimental project with acoustic electronics is the transcription of Lou Reed's guitar feedback opus ''Metal Machine Music'', which he rearranged for chamber orchestra. In his works for saxophone Krieger uses extended instrumental techniques, microsounds, electronic manipulati ...
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Freiburg
Freiburg im Breisgau (; abbreviated as Freiburg i. Br. or Freiburg i. B.; Low Alemannic: ''Friburg im Brisgau''), commonly referred to as Freiburg, is an independent city in Baden-Württemberg, Germany. With a population of about 230,000 (as of 31 December 2018), Freiburg is the fourth-largest city in Baden-Württemberg after Stuttgart, Mannheim, and Karlsruhe. The population of the Freiburg metropolitan area was 656,753 in 2018. In the south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain. A famous old German university town, and archiepiscopal seat, Freiburg was incorporated in the early twelfth century and developed into a major commercial, intellectual, and ecclesiastical center of the upper Rhine region. The city is known for its medieval minster and Renaissance university, as well as for its high stand ...
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Freie Universität Berlin
The Free University of Berlin (, often abbreviated as FU Berlin or simply FU) is a public research university in Berlin, Germany. It is consistently ranked among Germany's best universities, with particular strengths in political science and the humanities. It is recognised as a leading university in international university rankings. The Free University of Berlin was founded in West Berlin in 1948 with American support during the early Cold War period as a Western continuation of the Friedrich Wilhelm University, or the University of Berlin, whose traditions and faculty members it retained. The Friedrich Wilhelm University (which was renamed the Humboldt University), being in East Berlin, faced strong communist repression; the Free University's name referred to West Berlin's status as part of the Western Free World, in contrast to communist-controlled East Berlin. In 2008, as part of a joint effort, the Free University of Berlin, along with the Hertie School of Governance, a ...
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ...
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Steve Reich
Stephen Michael Reich ( ; born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions ''It's Gonna Rain'' (1965) and '' Come Out'' (1966), and the use of simple, audible processes, as on ''Pendulum Music'' (1968) and ''Four Organs'' (1970). The 1978 recording ''Music for 18 Musicians'' would help entrench minimalism as a movement. Reich's work took o ...
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James Tenney
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception. Biography James Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, John Cage, Harry Partch, and Edgard Varèse. He also studied acoustics, information theory and tape music composition under Lejaren Hiller. In 1961, Tenney completed ...
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Phill Niblock
Phill Niblock (born October 2, 1933 in Anderson, Indiana) is an American composer, filmmaker, videographer, and director of Experimental Intermedia,Alan Licht, ''Common Tones: Selected Interviews with Artists and Musicians 1995-2020'', Blank Forms Edition, ''Interview with Phill Niblock'', pp.453-478 a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium. Early life and education After an early period studying economics (BA, Indiana University, 1956) Niblock came to New York in 1958. Initially he worked as a photographer and filmmaker. Much of this activity centered around photographing and filming jazz musicians and modern dancers. An epiphany occurred while riding a motorcycle in the Carolina mountains. Niblock was climbing a grade behind a slow-moving diesel truck when the revolutions of both vehicles' engines nearly synchronized. "The strong physical presence of the beats resulting from the two engines running at slightly different freque ...
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Mode Records
Mode Records is an American record label in New York City that concentrates on contemporary classical music and other forms of avant-garde music. The label was founded by Brian Brandt in 1984, with a goal of releasing music composed by John Cage. Composers featured include John Cage, Morton Feldman, Iannis Xenakis, Giacinto Scelsi, and Harry Partch. Performers include Steve Lacy, Aki Takahashi, Martine Joste, the Arditti Quartet, and Gerry Hemingway. The label also has a commitment to younger composers with releases featuring Jason Eckardt, Joshua Fineberg, and Lei Liang. An earlier unrelated Mode Records existed for a short time in the 1950s and was involved West Coast jazz. It is now controlled by VSOP. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphab ...
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John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ...
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Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or (Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of the f ...
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Minimalism (music)
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetition (music), repetitive patterns or pulse (music), pulses, steady drone (music), drones, consonance and dissonance, consonant harmony, and reiteration of musical phrase (music), phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleology, tele ...
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Just Intonation
In music, just intonation or pure intonation is the tuning of musical intervals Interval may refer to: Mathematics and physics * Interval (mathematics), a range of numbers ** Partially ordered set#Intervals, its generalization from numbers to arbitrary partially ordered sets * A statistical level of measurement * Interval e ... as whole number ratios (such as 3:2 or 4:3) of Frequency, frequencies. An interval (music), interval tuned in this way is said to be pure, and is called a just interval. Just intervals (and chords created by combining them) consist of tones from a single harmonic series (music), harmonic series of an implied fundamental frequency, fundamental. For example, in the diagram, if the notes G3 and C4 (labelled 3 and 4) are tuned as members of the harmonic series of the lowest C, their frequencies will be 3 and 4 times the fundamental frequency. The interval ratio between C4 and G3 is therefore 4:3, a just fourth (music), fourth. In Western musical practice ...
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Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound-to ...
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