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Udukai
The udukkai, udukai or udukku (Tamil: உடுக்கை) is a member of the family of membranophone percussion instruments of India and Nepal used in folk music and prayers in Tamil Nadu. The drums are an ancient design of hourglass drums similar to the northern damaru and southern idakka. Its shape is similar to other Indian hourglass drums, having a small snare stretched over one side. They are played with the bare hand, and the pitch may be tered by squeezing the lacing in the middle. It is made of wood or brass and is very portable. It originated in Tamil Nadu as well. Other members in the family include thehuruk, hurkî, hurko, hudko or hudka, utukkai. Another non-hourglass drum that is also referred to as udukkai is the damru (while in the hands of Shiva). Hudukkâ Known from xiii th century , this is a drum barrel converted hourglass by adding membranes wide overhanging ends. The kuddukâ is similar but does not grelotet is played with the stick. It is still used i ...
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Dhadd
Dhadd ( pa, ਢੱਡ), also spelled as Dhad or Dhadh is an hourglass-shaped traditional musical instrument native to Punjab that is mainly used by the Dhadi singers. It is also used by other folk singers of the region. Design and playing The dhadd is made of wood with thin a waist like an hourglass. The skin on both sides is tightened with ropes that help in holding the instrument firmly together. Its design is very similar to other Indian drums: the simple Damru, the Udukai, and the sophisticated Idakka. The Damru has knotted cords to strike its ends, but the Dhadd lacks such cords. The Damru is played by shaking/rotating quickly so that the knotted cords strike its ends, and is also played with a stick sometimes. The Udukai and the Dhad have similar techniques of playing, but the social significance is different. ;Playing The Dhadd is played by tapping/striking fingers on one of its ends. The pitch of the drum is raised by tightening a small cloth band wrapped around th ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Ta ...
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Hourglass Drum
Hourglass drums are a sub-category of membranophone, or drum, characterized by an hourglass shape. They are also known as ''waisted drums''. Drumheads are attached by laces, which may be squeezed during a performance to alter the pitch. The category also includes pellet drums such as the ''damaru'', although not all pellet drums are hourglass shaped (such as the Korean ''do'', ''nodo'', ''noedo'', and ''yeongdo'', which are barrel shaped). Hourglass drums exists in most regions of the world, but have very different construction methods, dimensions, purposes and playing methods. The label of hourglass drum is hence as generic as the label for bowed instrument or reed instrument. Thus the designation of Hourglass drum is used as a category in general instrument construction and does not refer to any particular uniform instrument. See also *Batá drum (Cuba, West Africa) *Damaru (Indian subcontinent) * Dekki (Sri Lanka) * Dhad sarangi (India, Pakistan) *Galgo (Korea) *Idakka (India) ...
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Damru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ...
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Damaru
A damaru ( sa, डमरु, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum, used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices. Description The drum is typically made of wood, metal with leather drum heads at both ends. The resonator is made of brass. The height of the damaru is 6 inches and weight varies from 250-330 gm. Its height ranges from a few inches to a little over one foot. It is played single-handedly. The strikers are typically beads fastened to the ends of leather cords around the waist of the damaru. Knots in the leather can also be used as strikers; crocheted material is also common. As the player waves the drum using a twisting wrist ...
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Kamali Zone
Kamali ( fa, اکمالی) means ''perfection, integrity'' and is a Persian surname and may refer to: People * Saeed Kamali Dehghan, Iranian journalist * Hossein Kamali, Iranian politician * Mohammad Hashim Kamali, Afghan scholar * Norma Kamali, American fashion designer * Saba Kamali, Iranian actress * Shahriar Kamali, Iranian bodybuilder * Abdulla Al Kamali, Emirati football striker Places * Kamali, Estonia, a village in Saarde Parish, Pärnu County, Estonia * Kamali, Bushehr, a village in Bushehr Province, Iran * Kamali, Fars, a village in Fars Province, Iran Other uses * Kamali Tenywa Mrs. Kamali Tenywa Amaru is a fictional character created by film producer, actress and screenwriter Nana Kagga Macpherson for Uganda's Urban TV series ''Beneath The Lies''. Flavia Tumusiime portrayed Kamali from her debut in the pilot episode ..., a character in the Ugandan television series ''Beneath The Lies'' {{disambiguation, geo, surname Persian-language surnames ...
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Membranophones
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Me ...
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Hand Drums
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater. Types The following descriptions allude to traditional versions of the drums. Modern synthetic versions are available for most if not all of the drums listed through various manufacturers. Middle and Near East *The tar is a frame drum common in Middle Eastern music. *The tambourine is a frame drum with jingles attached to the shell. *The daf and the dayereh are Iranian frame drums. *The ghaval is the Azerbaijani frame drum. *The tonbak is the Persian goblet drum. *The doumbek is a goblet shaped drum used in Arabic, Jewish, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. * Mirwas Africa *The most common African drum known to westerners is the djembe, a large, single-headed drum with a goblet shape. *The Ashiko is another African drum in the shape of a truncated cone. Similar to the Djembe it is rope strung. This drum is ea ...
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Upanayana
''Upanayana'' ( sa, उपनयनम्, lit=initiation, translit=Upanāyanam) is a Hindu educational sacrament, one of the traditional saṃskāras or rites of passage that marked the acceptance of a student by a preceptor, such as a ''guru'' or ''acharya'', and an individual's initiation into a school in Hinduism. Some traditions consider the ceremony as a spiritual rebirth for the child or future ''dvija'', twice born. It signifies the acquisition of the knowledge of God and the start of a new and disciplined life as a brahmachari. According to the given community and region, it is also known by numerous terms such as ''janai'' or ''janea'', ''poita/paita'', ''logun/nagun'', y''agnopavita'', ''bratabandha'', ''bratopanayan.'' The ''Upanayanam'' ceremony is arguably the most important rite for the Brahmin male, ensuring his rights and responsibilities as a Brahmin and signifying his advent into adulthood. The tradition is widely discussed in ancient Sanskrit texts of Hinduism ...
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Nwaran
Nwaran (sometimes Nuwaran or Naamkaran) is a child naming ceremony celebrated in Nepal. In the Hindu tradition, the Nwaran is celebrated on the 8th day of birth for girls, and 9th for boys. This ceremony is performed to give a birth name to a child, according to their lunar horoscope, which is usually not the name by which they are known. Typically, a priest is invited to perform the ceremony at home, who finds the child's lunar horoscope from their birth details, as the mother is still recovering at home with the child. Until the mother and child are "purified" (from past birth, etc. in the religious sense), they should not visit the temple. One can also perform a ''Nwaran'' on the 21st or 41st day after birth, if for some reason if the ceremony was not observed. Some people also tend to perform the ''Nwaran'' ceremony on the 11th day. Before the '' Puja'', the ''puja'' materials should be washed and kept clean and ready in the ''puja'' place. You can select a place for the ''pu ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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