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Udaka Vadya
Udaka Vadya is an Indian musical instrument. It is assumed either this musical instruments was jal tarang or similar to it. This percussion instrument was categorized in medieval musical treatises under ghana vadya ( idiophonic instruments where the sound is produced by striking a surface). This instrument has been mentioned in Vatsyayana's ''Kama Sutra'', as well as the ''Sangeeta Parijata'' of the 17th century. The skill to play this instrument was one of the essential 64 ''kala'', or performing arts, to be learnt by a shishya (student) at gurukul Education in India is primarily managed by state-run public education system, which fall under the command of the government at three levels: central, state and local. Under various articles of the Indian Constitution and the Right of Childre .... References {{Portal, India, Music Hindustani musical instruments Indian musical instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jal Tarang
The ''jal tarang'' (Hindi: जलतरंग) is a melodic percussion instrument that originates from the Indian subcontinent. It consists of a set of ceramic or metal bowls filled with water. The bowls are played by striking the edge with beaters, one in each hand. History The earliest mention of the Jaltarang is found in 'Vatsyayana's Kamasutra' as playing on musical glasses filled with water.The Kama Sutra of Vatsyayana , ''ReadCentral.com''. Jal-tarang was also mentioned in the medieval ''Sangeet Parijaat'' text, which categorized this instrument under ''Ghan-Vadya'' (idiophonic instruments in which sound is produced by striking a surface, also called concussion |
Vadya
Vadya ( sa, वाद्य ), also called ''vadyaka'' or ''atodya'', is one of the three components of ''sangita'' (musical performance arts), and refers to "instrumental music" in the Indian traditions. The other two components of ''sangita'' are ''gita'' (vocal music, song) and '' nrtya'' (dance, movement). In the general sense, ''vadya'' means an instrument and the characteristic music they produce, sound or play out. Indian musicology The term ''vadya'' in the sense of "music, sounded, played, uttered" appears in the Vedic literature such as in the ''Aitareya Brahmana'', and in early post-Vedic era Sanskrit texts such as the ''Natya Shastra'', '' Panchatantra'', ''Malvikagnimitra'' and ''Kathasaritsagara''.Monier Monier-WilliamsSanskrit-English Dictionary with Etymology Oxford University Press, page 940 These texts call the musician or the performer on the musical instrument as ''vadyadhara''. A stringed instrument is described with proportional lengths in ''Jaiminiya Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vātsyāyana
Vātsyāyana was an ancient Indian philosopher, known for authoring the ''Kama Sutra''. He was a brahmin, and lived in India during the second or third century CE, probably in Pataliputra (modern day Patna in Bihar). He is not to be confused with Pakṣilasvāmin Vātsyāyana, the author of ''Nyāya Sutra Bhāshya'', the first preserved commentary on Gotama's '' Nyāya Sutras''. His name is sometimes erroneously confused with Mallanaga, the seer of the Asuras, to whom the origin of erotic science is attributed. Biography Hardly anything is known about Vātsyāyana from sources outside the ''Kāmasūtra'' itself. Vātsyāyana's interest in refined human, including sexual, behavior as a means of fulfilment, was recorded in his treatise ''Kama Sutra''. At the close of the ''Kama Sutra'' this is what he writes about himself: After reading and considering the works of Babhravya and other ancient authors, and thinking over the meaning of the rules given by them, this treatise was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kama Sutra
The ''Kama Sutra'' (; sa, कामसूत्र, , ; ) is an ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment in life. Attributed to Vātsyāyana, the ''Kama Sutra'' is neither exclusively nor predominantly a sex manual on sex positions, but rather was written as a guide to the art of living well, the nature of love, finding a life partner, maintaining one's love life, and other aspects pertaining to pleasure-oriented faculties of human life. It is a ''sutra''-genre text with terse aphoristic verses that have survived into the modern era with different s (exposition and commentaries). The text is a mix of prose and anustubh-meter poetry verses. The text acknowledges the Hindu concept of Purusharthas, and lists desire, sexuality, and emotional fulfillment as one of the proper goals of life. Its chapters discuss methods for courtship, training in the arts to be socially engaging, finding a partner, flirting, maintaining power in a married life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalā
Kalā means performing art in Sanskrit. In Hindu scripture, Shiva is the master of Kalā. 64 Arts The mastery of over 64 kinds of skills is called ''chatushashti Kalas''. They are: # ''Geeta vidya'': singing. # ''Vadya vidya'': playing on musical instruments. # ''Nritya vidya'': dancing. # ''Natya vidya'': theatricals. # ''alekhya vidya'': painting. # ''viseshakacchedya vidya'': painting the face and body with color # ''tandula-kusuma-bali-vikara'': preparing offerings from rice and flowers. # ''pushpastarana'': making a covering of flowers for a bed. # ''dasana-vasananga-raga'': applying preparations for cleansing the teeth, cloths and painting the body. # ''mani-bhumika-karma'': making the groundwork of jewels. # ''sayya-racana'': covering the bed. # ''udaka vadya'': playing on music in water. # ''udaka-ghata'': splashing with water. # ''citra-yoga'': practically applying an admixture of colors. # ''malya-grathana-vikalpa'': designing a preparation of wreaths. # ''sekharapida- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru–shishya Tradition
The ''guru–shishya'' tradition, or ''parampara'' ("lineage"), denotes a succession of teachers and disciples in Indian-origin religions such as Hinduism, Jainism, Sikhism and Buddhism (including Tibetan and Zen traditions). Each ''parampara'' belongs to a specific ''sampradaya'', and may have its own ''gurukulas'' for teaching, which might be based at ''akharas'', ''gompas'', ''mathas'', '' viharas'' or temples. It is the tradition of spiritual relationship and mentoring where teachings are transmitted from a ''guru'', teacher, ( sa, गुरु) or ''lama'', to a ''śiṣya'' ( sa, शिष्य, links=no, disciple), '' shramana'' (seeker), or ''chela'' (follower), after the formal ''diksha'' (initiation). Such knowledge, whether agamic, spiritual, scriptural, architectural, musical, arts or martial arts, is imparted through the developing relationship between the guru and the disciple. It is considered that this relationship, based on the genuineness of the guru a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gurukula
A or ( sa, गुरुकुल, gurukul) is a type of education system in ancient India with ('students' or 'disciples') living near or with the guru, in the same house. The guru-shishya tradition is a sacred one in Hinduism and possibly appears in other dharmas in India, such as Jainism and Buddhism. (In the Sikhism, Sikh tradition by contrast, the word Guru Granth Sahib, Guru has a very restricted use and not generally applied to individual teachers, while the institution of Gurdwara has a major social role instead of a monastic one.) The word is a combination of the Sanskrit words ('teacher' or 'master') and ('family' or 'home'). The term is also used today to refer to residential monasteries or schools operated by modern gurus. The proper plural of the term is , though ''gurukuls'' is also used in English and some other Western world, Western languages. The students learn from the guru and help the guru in his everyday life, including carrying out of mundane daily ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Musical Instruments
Hindustani may refer to: * something of, from, or related to Hindustan (another name of India) * Hindustani language, an Indo-Aryan language, whose two official norms are Hindi and Urdu * Fiji Hindi, a variety of Eastern Hindi spoken in Fiji, and is known locally as Hindustani * Caribbean Hindustani, a variety of Eastern Hindi spoken in the Caribbean * Hindustani classical music, a major style of Indian classical music * ''Hindustani'' (film) or ''Indian'', a 1996 film starring Kamal Haasan and Manisha Koirala * Muhammadjan Hindustani, Islamist teacher of Uzbekistan See also * South Asian ethnic groups * Hindustani Lal Sena or Indian Red Army, formed 1939 * Communist Ghadar Party of India, a political group founded in 1970 * ''Raja Hindustani ''Raja Hindustani/Prema Bandham''(/ప్రేమ బంధం) is a 1996 Indian Hindi-language romantic drama film directed by Dharmesh Darshan. It tells the story of a cab driver from a small town who falls in love with a rich young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
