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Uchikake
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimono have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wears their kimono is known as . Though previously been the most common Japanese garm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
着物
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimono have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wears their kimono is known as . Though previously been the most common Japanese garm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakugo
is a form of ''yose'', which is itself a form of Japanese verbal entertainment. The lone sits on a raised platform, a . Using only a and a as props, and without standing up from the seiza sitting position, the rakugo artist depicts a long and complicated comical (or sometimes sentimental) story. The story always involves the dialogue of two or more characters. The difference between the characters is depicted only through change in pitch, tone, and a slight turn of the head. Lexical background Rakugo was originally known as . The oldest appearance of the kanji which refers specifically to this type of performance dates back to 1787, but at the time the characters themselves (落とし噺) were normally read as ''otoshibanashi'' (falling discourse). In the middle of the Meiji period (1868–1912) the expression ''rakugo'' first started being used, and it came into common usage only in the Shōwa period (1926–1989). Description The speaker is in the middle of the audience ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiko
A is an apprentice geisha in Kyoto and Their jobs consist of performing songs, dances, and playing the or other traditional Japanese instruments for visitors during banquets and parties, known as . are usually aged between 17 to 20 years old, and graduate to geisha status after a period of training, which includes learning traditional dance, learning to play the , learning to sing , and, in Kyoto only, learning the Kyoto dialect. This apprenticeship usually ranges from a period of a few months to a year or two years, though apprentices too old to dress as may instead skip to the stage of geisha, despite still being in training. Apprentice geisha in other locations in Japan are known by other terms, such as for apprentices in Tokyo. The traditions of apprentice geisha in these areas vary from those in Kyoto, sometimes to a considerable degree, including an apprentice's appearance and the structure of their apprenticeship. Work In the morning, take lessons in the tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Dynasty
The Han dynasty (, ; ) was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–207 BC) and a warring interregnum known as the ChuHan contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and it has influenced the identity of the Chinese civilization ever since. Modern China's majority ethnic group refers to themselves as the "Han people", the Sinitic language is known as "Han language", and the written Chinese is referred to as "Han characters". The emperor was at the pinnacle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōsōin
The is the treasure house of Tōdai-ji Temple in Nara, Japan. The building is in the ''azekura'' ( log-cabin) style with a raised floor. It lies to the northwest of the Great Buddha Hall. The Shōsō-in houses artifacts connected to Emperor Shōmu (聖武天皇)(701–756) and Empress Kōmyō (光明皇后)(701–760), as well as arts and crafts of the Tempyō (天平) era of Japanese history. History The construction of the Tōdai-ji Buddhist temple complex was ordained by Emperor Shōmu as part of a national project of Buddhist temple construction. During the Tempyō period, the years during which Emperor Shōmu reigned, multiple disasters struck Japan as well as political uproar and epidemics. Because of these reasons Emperor Shōmu launched a project of provincial temples. The Tōdai-ji was appointed as the head temple of these provincial temples. Emperor Shōmu was a strong supporter of Buddhism and he thought it would strengthen his central authority as well. The orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibori
is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric. History Some discussion exists as to the origin of as a technique within Japan, and indeed, the exact country of origin of some of the earliest surviving examples. Much of the debate surrounds the technical capacities within Japan at the time to produce the variety of fabrics seen in some of the earliest examples. One of the earliest written descriptions of dates to 238 CE, where it was recorded in the Chinese document '' Chronicles of the Clans of Wei'' () that Queen Himiko gifted the Emperor of the Wei dynasty over of "spotted cloth" – potentially describing a form of wax-resist decoration on the fabric. The earliest surviving examples of -dyed cloth date back to the mid-8th century, donated to the Tōdai-ji Buddhist temple in Nara in 756 CE, as part of the goods donated by the Emperor Shōmu upon his death. The techniques seen on these earliest fragments show bound resi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Missions To Tang China
represent Japanese efforts to learn from the Chinese culture and civilization in the 7th, 8th and 9th centuries. The nature of these contacts evolved gradually from political and ceremonial acknowledgment to cultural exchanges; and the process accompanied the growing commercial ties which developed over time. Between 607 and 838, Japan sent 19 missions to China. Knowledge and learning was the principal objective of each expedition. For example: Priests studied Chinese Buddhism. Officials studied Chinese government. Doctors studied Chinese medicine. Painters studied Chinese painting. Approximately one third of those who embarked from Japan did not survive to return home.Hoffman, Michael "Cultures Combined in the Mists of Time: Origins of the China-Japan relationship,"''Asia Pacific Journal: Japan Focus.'' February 3, 2006; reprinting article in ''Japan Times,'' January 29, 2006. See also * Sinocentrism * Japanese missions to Sui China * Japanese missions to Ming China * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kofun Period
The is an era in the history of Japan from about 300 to 538 AD (the date of the introduction of Buddhism), following the Yayoi period. The Kofun and the subsequent Asuka periods are sometimes collectively called the Yamato period. This period is the earliest era of recorded history in Japan, but studies depend heavily on archaeology since the chronology of historical sources tends to be distorted. The word '' kofun'' is Japanese for the type of burial mound dating from this era. It was a period of cultural import. Continuing from the Yayoi period, the Kofun period is characterized by influence from China and the Korean Peninsula; archaeologists consider it a shared culture across the southern Korean Peninsula, Kyūshū and Honshū. On the other hand, the most prosperous keyhole-shaped burial mounds in Japan during this period were approximately 5,000 in Japan from the middle of the 3rd century in the Yayoi period to the 7th century in the Asuka period, and many of them had huge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nara Period
The of the history of Japan covers the years from CE 710 to 794. Empress Genmei established the capital of Heijō-kyō (present-day Nara). Except for a five-year period (740–745), when the capital was briefly moved again, it remained the capital of Japanese civilization until Emperor Kanmu established a new capital, Nagaoka-kyō, in 784, before moving to Heian-kyō, modern Kyoto, a decade later in 794. Japanese society during this period was predominantly agricultural and centered on village life. Most of the villagers followed Shintō, a religion based on the worship of natural and ancestral spirits named ''kami.'' The capital at Nara was modeled after Chang'an, the capital city of the Tang dynasty. In many other ways, the Japanese upper classes patterned themselves after the Chinese, including adopting the Chinese writing system, Chinese fashion, and a Chinese version of Buddhism. Literature Concentrated efforts by the imperial court to record its history produced the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato Period
The is the period of Japanese history when the Imperial court ruled from modern-day Nara Prefecture, then known as Yamato Province. While conventionally assigned to the period 250–710, including both the Kofun period (–538) and the Asuka period (538–710), the actual start of Yamato rule is disputed. The Yamato court's supremacy was challenged during the Kofun period by other polities centered in various parts of Japan. What is certain is that Yamato clans had major advantages over their neighbouring clans in the 6th century. This period is divided by the relocation of the capital to Asuka, in modern Nara Prefecture. However, the Kofun period is an archaeological period while the Asuka period is a historical period. Therefore, many think of this as an old division and this concept of period division is no longer applicable. At the era of Prince Shōtoku in the early 7th century, a new constitution was prescribed for Japan based on the Chinese model. After the fall of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asuka Period
The was a period in the history of Japan lasting from 538 to 710 (or 592 to 645), although its beginning could be said to overlap with the preceding Kofun period. The Yamato polity evolved greatly during the Asuka period, which is named after the Asuka region, about south of the modern city of Nara. The Asuka period is characterized by its significant artistic, social, and political transformations, having their origins in the late Kofun period. The introduction of Buddhism marked a change in Japanese society. The Asuka period is also distinguished by the change in the name of the country from to . Naming The term "Asuka period" was first used to describe a period in the history of Japanese fine-arts and architecture. It was proposed by fine-arts scholars and Okakura Kakuzō around 1900. Sekino dated the Asuka period as ending with the Taika Reform of 646. Okakura, however, saw it as ending with the transfer of the capital to the Heijō Palace of Nara. Although historians ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
