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Uc De Lescura
Uc de Lescura or de l'Escura ( fl. 1190–1204) was a minor troubadour. The ''Lescura'' of his birth is unknown. There is a Lescurre in Ariège, Aveyron, and Tarn. Based on references in his work, historian Alfred Adler placed him at the court of Alfonso VIII of Castile (whom he calls "emperor") and in Catalonia. Uc's only existing work is a ''sirventes'', "De mots ricos no tem Peire Vidal", that begins with a '' gab'' proclaiming his superiority to eight of his contemporary troubadours: Peire Vidal, Albertet de Sestaro, Perdigon, and Aimeric de Peguilhan, as well as the otherwise unknown Arnaut Romieu, Gualaubert, and Pelardit. The rest of the poem is a ferocious attack on the morals of the baronage in the manner of Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e .... T ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Peire Vidal
Peire Vidal ( fl. 12th century) was an Old Occitan troubadour. Forty-five of his songs are extant. The twelve that still have melodies bear testament to the deserved nature of his musical reputation. There is no contemporary reference to Peire outside of his works of poetry. His '' vida'' (a short Occitan biography)—composed about fifty years after his death—and two ''razos'' (short commentaries on specific poems) are probably fictionalised works built on episodes from his poems. Only the opening line of the ''vida'' is probably reliable. It says that he "was from Toulouse, the son of a furrier": ''si fo de Tolosa, fils d'un pelissier''. The fur and leather industry was well established in Toulouse, near the church of Saint Pierre des Cuisines, in the twelfth century. The rest of the ''vida'' is mostly invention based on Peire's poems, but it does contain the only reference to Peire having a wife: This fantastic story may be based on the historical marriage of Thierry of Flan ...
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Spanish Troubadours
Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Canada * Spanish River (other), the name of several rivers * Spanish Town, Jamaica Other uses * John J. Spanish (1922–2019), American politician * "Spanish" (song), a single by Craig David, 2003 See also * * * Español (other) * Spain (other) * España (other) * Espanola (other) * Hispania, the Roman and Greek name for the Iberian Peninsula * Hispanic, the people, nations, and cultures that have a historical link to Spain * Hispanic (other) * Hispanism * Spain (other) * National and regional identity in Spain * Culture of Spain * Spanish Fort (other) Spanish Fort or Old Spanish Fort may refer to: United States * Spanish Fort, Alabama, a city * Spanish Fort (Colorado ...
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Marcabru
Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are evidently built on hints in the poems; not on independent information. According to the brief life in BnF ms. 12473, ''Marcabrun'' was from Gascony (details of the dialect of his poems support this) and was the son of a poor woman named Marcabrunela. This evidently comes from a reading of poem 293,18. According to the longer biography in MS. Vat. Lat. 5232 ''Marcabru'' was abandoned at a rich man's door, and no one knew his origin. He was brought up by Aldric del Vilar, learned to make poetry from Cercamon, was at first nicknamed ''Pan-perdut'' and later ''Marcabru''. He became famous, and the lords of Gascony, about whom he had said many bad things, eventually put him to death. This appears to be based on poems 16b,1 and 293,43 (an excha ...
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Aimeric De Peguilhan
Aimeric or Aimery de Peguilhan, Peguillan, or Pégulhan (c. 1170 – c. 1230) was a troubadour ( fl. 1190–1221)Gaunt and Kay, 279. born in Peguilhan (near Saint-Gaudens), the son of a cloth merchant. Aimeric's first patron was Raimon V of Toulouse, followed by his son Raimon VI. However, he fled the region at the threat of the Albigensian Crusade and spent some time in Spain and ten years in Lombardy. It is said that he had secretly loved a neighbour while living in Toulouse, and that it was for her that he returned. Aimeric is known to have composed at least fifty works, the music for six of which survives: *' *' *' *' *' *' Most of his works were bland ''cansos'' with a few ''tensos'' (with Sordello and Albertet de Sestaro Albertet de Sestaro, sometimes called Albertet de Terascon (fl. 1194–1221), was a Provençal jongleur and troubadour from the Gapençais (''Gapensés'' in Occitan). Of his total oeuvre, twenty three poems survive. "Albertet" or "Albert ...
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Perdigon
Perdigon or Perdigo ( fl. 1190–1220Aubrey, p. 18.) was a troubadour from Lespéron in the Gévaudan.Egan, p. 83. Fourteen of his works survive, including three ''cansos'' with melodies.Aubrey, p. 19. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours. Though his biography is made confounding by contradicting statements in his ''vida'' and allusions in his and others' poems, Perdigon's status as a jongleur from youth and an accomplished fiddler is well-attested in contemporary works (by him and others) and manuscript illustrations depicting him with his fiddle. Perdigon travelled widely and was patronised by Dalfi d'Alvernha, the House of Baux, Peter II of Aragon, and Barral of Marseille. His service to the latter provides an early definite date for his career, as Barral died in 1192 and Perdigon composed a ''canso''—which survives with music—for him. According to h ...
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Albertet De Sestaro
Albertet de Sestaro, sometimes called Albertet de Terascon ( fl. 1194–1221), was a Provençal jongleur and troubadour from the Gapençais (''Gapensés'' in Occitan). Of his total oeuvre, twenty three poems survive. "Albertet" or "Albertetz" is the Occitan diminutive of Albert. Unqualified it usually refers to Albertet de Sestaro, but there was an Albertet Cailla. According to his ''vida'' he was the son of a noble jongleur named Asar, one of whose pieces may survive.Egan, 5. Albertet was reputed for his voice and for the innovative melodies of his short '' cansós'', but not for his lyrics. Fellow troubadour Uc de Lescura praised Albertet's ''votz a ben dir'' ("well-spoken-of voice").Aubrey, 20. He was a welcomed performer and conversationalist in court society. Much of his life was spent at Orange, where he grew wealthy before moving to Lombardy, where he remained from 1210 to 1221.Parker, "Albertet de Sestaro". In Italy he frequented the courts of Savoy, Montferrat, Malas ...
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Gab (song)
A ''gab'' or ''gap'' (, "boast") is a troubadour boasting song. It is often considered related to the ''tenso'' and ''partimen'', two types of debate poem. Sometimes the ''gab'' is not considered a separate genre of poetry but simply a boast found within another genre, commonly the ''sirventes''.Veronica M. Fraser (2006), ''The Songs of Peire Vidal: Translation and Commentary'' (New York: Peter Lang, ), 153. The Occitan word ''gab'' means "boast" and comes from the verb ''gabar'' (to open the mouth wide, i.e. gape). The song is innately competitive and the boast is often presented as a challenge, which may generate poetical responses. The boasting, however, is made in good fun and typically follows a formula ensuring it will be well-received (unlike a real boast). Often it is heavily ironic, and the boasts are intended specifically to entertain the audience that knows better. The first ''gab'' was "Ben vuelh", composed by William IX of Aquitaine (died 1126).Don A. Monson (1999), ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ...
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Catalonia
Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a ''nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the northeast of the Iberian Peninsula, to the south of the Pyrenees mountain range. Catalonia is administratively divided into four provinces: Barcelona, Girona, Lleida, and Tarragona. The capital and largest city, Barcelona is the second-most populated municipality in Spain and the fifth-most populous urban area in the European Union.Demographia: World Urban Areas
– Demographia, April 2018
Current day Catalonia comprises most of the medieval and early modern Principality o ...
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