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US (play)
''US'' was a 1966 experimental theatre play for the Royal Shakespeare Company, created by a group that included Denis Cannan (writer), Michael Kustow (documentary), Sally Jacobs (design), Richard Peaslee (music), Adrian Mitchell (lyrics), Geoffrey Reeves (music director), Albert Hunt (associate director), Michael Stott (associate director) and director Peter Brook. The play deals with "British metropolitan attitudes" to the Vietnam War, rather than the facts of the war itself. The first half of the performance consists of "comic-strip…anti-Americanism", but after the interval the work considers aspects of the conflict as if taking place in London: "I want it to come here…" announces one character. This is achieved by having a player contemplate burning himself to death, in the manner of Buddhist monks in Saigon, on the streets of London. At the end of the play a box of live butterflies is released from a box with the last (actually made of paper) being picked up by the wings ...
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Experimental Theatre
Experimental theatre (also known as avant-garde theatre), inspired largely by Richard Wagner, Wagner's concept of Gesamtkunstwerk, began in Western theatre in the late 19th century with Alfred Jarry and his Ubu Roi, Ubu plays as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays. The term has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical. Like other forms of the avant-garde, it was created as a response to a perceived general cultural crisis. Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre. It tries to introduce a different use of language and the Human body, body to change the mode of perception and to create a new, more active relation with the audience. Relationships to audience Famed experimental theatre director and playwright Peter Brook describes his task as building "… a necessary theatre, one in which ...
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The Times
''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (founded in 1821) are published by Times Newspapers, since 1981 a subsidiary of News UK, in turn wholly owned by News Corp. ''The Times'' and ''The Sunday Times'', which do not share editorial staff, were founded independently and have only had common ownership since 1966. In general, the political position of ''The Times'' is considered to be centre-right. ''The Times'' is the first newspaper to have borne that name, lending it to numerous other papers around the world, such as ''The Times of India'', ''The New York Times'', and more recently, digital-first publications such as TheTimesBlog.com (Since 2017). In countries where these other titles are popular, the newspaper is often referred to as , or as , although the newspaper is of nationa ...
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List Of Plays With Anti-war Themes
An anti-war play is a play that is perceived as having an anti-war theme. Some plays that are thought of as anti-war plays are: *''Peace'' (421 BCE) - by Aristophanes *''The Trojan Women'' (415 BCE) - Euripides *''Lysistrata'' (411 BCE) - Aristophanes *''Journey's End'' (1928) - R. C. Sherriff * '' The Silver Tassie'' (1929) - Seán O'Casey * ''The Rumour'' by C.K.Munro 1929 at the Royal Court Theatre produced by Hilda Dallas *''Post-Mortem'' (1930) - Noël Coward *''For Services Rendered'' (1932) - Somerset Maugham *''The Trojan War Will Not Take Place'' (1935) - Jean Giraudoux *''Bury the Dead'' (1936) - Irwin Shaw *'' Idiot's Delight'' (1936) - Robert E. Sherwood *''Hooray for What!'' (1937) *''The White Disease'' (1937) - Karel Čapek *'' The Mother (1938) - Karel Čapek *''Mother Courage and Her Children'' (1939) - Bertolt Brecht *''Schweik in the Second World War'' (1943) - Bertolt Brecht *''Nemesis'' (1944) - Nurul Momen *'' All My Sons'' (1947) - Arthur Miller *''Andha Yu ...
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Tell Me Lies
Tell may refer to: *Tell (archaeology), a type of archaeological site *Tell (name), a name used as a given name and a surname *Tell (poker), a subconscious behavior that can betray information to an observant opponent Arts, entertainment, and media * ''Tell'' (2012 film), a short psychological horror film by Ryan Connolly * ''Tell'' (2014 film), a crime thriller starring Katee Sackhoff, Jason Lee and Milo Ventimiglia * '' Tell Magazine'', a Nigerian newsweekly * " The Tell", an episode of ''NCIS'' * "The Tell" (''Teen Wolf''), a television episode * ''The Tell'', a photomural, part of the Laguna Canyon Project Places Middle East *Tel Aviv, Israel *Et-Tell, an archaeological site identified with Bethsaida *Tell, West Bank, a Palestinian village near Nablus *Ancient Tell, Beirut, Lebanon; the Canaanite pre-Phoenician era of Beirut and archaeological site United States *Tell, Texas, unincorporated community in the United States *Tell, Wisconsin, town in the United States *Tell ...
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Benefit Of The Doubt (1967 Film)
''Benefit of the Doubt'' is a 1967 documentary on Peter Brook's anti-Vietnam protest play, with the Royal Shakespeare Company, known under the title '' US''. It was filmed at London's Aldwych Theatre and features Peter Brook, Michael Kustow, Michael Williams and Glenda Jackson. It was directed by Peter Whitehead. Peter Brook also adapted ''US'' as a film, ''Tell Me Lies Tell may refer to: *Tell (archaeology), a type of archaeological site *Tell (name), a name used as a given name and a surname *Tell (poker), a subconscious behavior that can betray information to an observant opponent Arts, entertainment, and m ...'', and this was released in 1968. References External links *Film's entry on Peter Whitehead's website 1967 films British documentary films 1967 documentary films Documentary films about theatre Documentary films about the Vietnam War 1960s English-language films 1960s British films {{1960s-UK-film-stub ...
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Patrick O'Connell (actor)
Patrick O’Connell (29 January 1934 – 10 August 2017) was an Irish actor. O'Connell began his acting career appearing in various films, such as the Brian Keith war "The McKenzie Break" (1970), "Cromwell" (1970), and the Simon Rouse drama "The Ragman's Daughter" (1972). He also appeared in "The Human Factor" (1980) with Nicol Williamson, the drama "Runners" (1983) with Kate Hardie, and the horror feature "Dream Demon" (1988) with Kathleen Wilhoite. His film career continued throughout the eighties and the nineties in productions like the drama "Nanou" (1988) with Imogen Stubbs and "Don't Get Me Started" (1993). He also appeared in the TV special "Fool's Fire" (PBS, 1991–92). He also worked in television during these years, including a part on "Life Goes On" (ABC, 1989-1993). O'Connell most recently acted on "Baskets" (FX, 2015-). He was also an artist known for his paintings, drawings, linocuts, and etchings. Early life Patrick O'Connell was Irish but was brought up in Birm ...
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Clifford Rose
John Clifford Rose (24 October 1929 – 6 November 2021) was a British actor. Life and career Rose was born in Herefordshire. He was educated at the King's School, Worcester, and King's College London, before appearing in repertory theatre, rep and began his association with the Royal Shakespeare Company in 1960. He played the character Sturmbannführer Ludwig Kessler in the BBC World War II television drama ''Secret Army (TV series), Secret Army'' (1977–79) and its sequel ''Kessler (TV series), Kessler'' (1981). He later played SS General Hans Kammler in the miniseries ''War and Remembrance (miniseries), War and Remembrance'' (1988). Rose played leading roles in ''The Pallisers'' (1974), ''Fortunes of War (TV series), Fortunes of War'' (1987) and Alan Bleasdale's drama ''G.B.H. (TV drama), GBH'' (1991), and appeared as Rorvik in the ''Doctor Who'' story ''Warriors' Gate'' (1981). Rose also played a judge in some episodes of the 1970s/'80s British television series ''Crown Cou ...
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Michael Williams (actor)
Michael Leonard Williams (9 July 1935 – 11 January 2001) was a British actor who played both classical and comedy roles. He was best known for co-starring in the sitcom '' A Fine Romance'' with his wife Dame Judi Dench, and for voicing Dr. Watson in the long running Sherlock Holmes adaptations for BBC Radio. Early life and career Williams was born in Liverpool, Lancashire. Personal life Williams married Judi Dench on 5 February 1971, the same year that they co-starred in a stage production of John Webster's ''The Duchess of Malfi''. They had one daughter, Tara Cressida Williams (b. 1972), known as Finty Williams, who is also an actress. Williams was also godfather to the actor Rory Kinnear. He was the President of the Roman Catholic Actors' Guild. Shortly before his death from lung cancer at the age of 65, Williams was appointed a Knight of St Gregory (KSG) by Pope John Paul II for his contribution to Catholic life in Britain. The honour was officially bestowed upo ...
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Glenda Jackson
Glenda May Jackson (born 9 May 1936) is an English actress and former Member of Parliament (MP). She has won the Academy Award for Best Actress twice: for her role as Gudrun Brangwen in the romantic drama ''Women in Love'' (1970); and again for her role as Vickie Allessio in the romantic comedy '' A Touch of Class'' (1973). She received praise for her performances as Alex Greville in the drama film ''Sunday Bloody Sunday'' (1971) and Elizabeth I in the BBC television serial '' Elizabeth R'' (1971), winning two Primetime Emmy Awards for the latter. In 2018, she won the Tony Award for Best Actress in a Play for her role in a revival of Edward Albee's ''Three Tall Women'', becoming one of the few performers to achieve the Triple Crown of Acting in the US. Jackson took a hiatus from acting to take on a career in politics from 1992 to 2015, and was elected as the Labour Party MP for Hampstead and Highgate in the 1992 general election. She served as a junior transport minister f ...
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Aldwych Theatre
The Aldwych Theatre is a West End theatre, located in Aldwych in the City of Westminster, central London. It was listed Grade II on 20 July 1971. Its seating capacity is 1,200 on three levels. History Origins The theatre was constructed in the newly built Aldwych as a pair with the Waldorf Theatre, now known as the Novello Theatre. Both buildings were designed in the Edwardian Baroque style by W. G. R. Sprague. The Aldwych Theatre was funded by Seymour Hicks in association with the American impresario Charles Frohman, and built by Walter Wallis of Balham. The theatre opened on 23 December 1905 with a production of ''Blue Bell'', a new version of Hicks's popular pantomime ''Bluebell in Fairyland''. In 1906, Hicks's ''The Beauty of Bath'', followed in 1907 by '' The Gay Gordons'', played at the theatre. In February 1913, the theatre was used by Serge Diaghilev and Vaslav Nijinsky for the first rehearsals of ''Le Sacre du Printemps'' before its première in Paris during May. In ...
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Self-immolation
The term self-immolation broadly refers to acts of altruistic suicide, otherwise the giving up of one's body in an act of sacrifice. However, it most often refers specifically to autocremation, the act of sacrificing oneself by setting oneself on fire and burning to death. It is typically used for political or religious reasons, often as a form of non-violent protest or in acts of martyrdom. It has a centuries-long recognition as the most extreme form of protest possible by humankind. Etymology The English word '' immolation'' originally meant (1534) "killing a sacrificial victim; sacrifice" and came to figuratively mean (1690) "destruction, especially by fire". Its etymology was from Latin "to sprinkle with sacrificial meal (mola salsa); to sacrifice" in ancient Roman religion. ''Self-immolation'' was first recorded in Lady Morgan's ''France'' (1817). Effects Self-immolators frequently use accelerants before igniting themselves. This, combined with the self-immolators' refusal ...
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Royal Shakespeare Company
The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and produces around 20 productions a year. The RSC plays regularly in London, Stratford-upon-Avon, and on tour across the UK and internationally. The company's home is in Stratford-upon-Avon, where it has redeveloped its Royal Shakespeare and Swan theatres as part of a £112.8-million "Transformation" project. The theatres re-opened in November 2010, having closed in 2007. The new buildings attracted 18,000 visitors within the first week and received a positive media response both upon opening, and following the first full Shakespeare performances. Performances in Stratford-upon-Avon continued throughout the Transformation project at the temporary Courtyard Theatre. As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists and develops creative links with theatre-make ...
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