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Trois Crayons
''Trois crayons'' (; en, "three chalks") is a drawing technique using three colors of chalk: red (''sanguine''), black, and white. The paper used may be a mid-tone such as grey, blue, or tan. Among numerous others, French painters Antoine Watteau and François Boucher drew studies of figures and drapery ''aux trois crayons''. The technique was, most notably, pioneered and popularised by the Flemish master Peter Paul Rubens. ''Aux deux crayons'' uses only two colors, frequently black and white, as seen in many of Pierre-Paul Prud'hon's drawings. Image:Watteau_jeune_fille.jpg , By Watteau Image:Watteau_trois_crayons.jpg , By Watteau, 1716 Image:Peter Paul Rubens, Portrait of Isabella Brant -British Museum 1482535001.jpg, By Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ..., ...
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Drawing
Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals (such as silverpoint). Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throu ...
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Chalk
Chalk is a soft, white, porous, sedimentary carbonate rock. It is a form of limestone composed of the mineral calcite and originally formed deep under the sea by the compression of microscopic plankton that had settled to the sea floor. Chalk is common throughout Western Europe, where deposits underlie parts of France, and steep cliffs are often seen where they meet the sea in places such as the Dover cliffs on the Kent coast of the English Channel. Chalk is mined for use in industry, such as for quicklime, bricks and builder's putty, and in agriculture, for raising pH in soils with high acidity. It is also used for " blackboard chalk" for writing and drawing on various types of surfaces, although these can also be manufactured from other carbonate-based minerals, or gypsum. Description Chalk is a fine-textured, earthy type of limestone distinguished by its light color, softness, and high porosity. It is composed mostly of tiny fragments of the calcite shells or skeletons ...
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Sanguine
Sanguine () or red chalk is chalk of a reddish-brown colour, so called because it resembles the colour of dried blood. It has been popular for centuries for drawing (where white chalk only works on coloured paper). The word comes via French from the Italian ''sanguigna'' and originally from the Latin "sanguis". Technique Sanguine lends itself naturally to sketches, life drawings, and rustic scenes. It is ideal for rendering modeling and volume, and human flesh. In the form of wood-cased pencils and manufactured sticks, sanguine may be used similarly to charcoal and pastel. As with pastel, a mid-toned paper may be put to good use. A fixative may be applied to preserve the finished state of the drawing. The pigment used in sanguine sticks comes from red earths such as red ochre.Chalk drawing
. www.britannica.com. Retrieved August 20, 2016. Sangui ...
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Artistic Tone
Tone in an artistic context refers to the light and dark values used to render a realistic object, or to create an abstract composition. When using pastel, an artist may often use a colored paper support, using areas of pigment to define lights and darks, while leaving the bare support to show through as the mid-tone. When making a portrait for example heavy dark tones to represent a moody or dark side to a personality. Tone can also be used to make the face look three-dimensional, for example darker tones around the chin, nose and eyes; lighter tones on forehead, nose and cheeks. See also *Zone System *Chiaroscuro Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achi ... {{art-stub Drawing ...
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Antoine Watteau
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of '' fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) ...
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François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. Life A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 June 2016 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financi ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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Pierre-Paul Prud'hon
Pierre-Paul Prud'hon (, 4 April 1758 – 16 February 16, 1823) was a French Romantic Painting, painter and drawing, draughtsman best known for his allegorical paintings and portraits such as ''Madame Georges Anthony and Her Two Sons'' (1796). He painted a portrait of each of Napoleon's two wives. He was an early influence on Théodore Géricault. Biography Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for wealthy Parisians led him to be held in high esteem at Napoleon's court. His painting of Joséphine de Beauharnais, Josephine portrays her not as an Empress, but as a lovely, attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon's second ...
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