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Tripundra
''Tripundra'' ( sa, त्रिपुण्ड्र ''tripuṇḍra'' "three marks") is a Hindu Shaivite tilaka, and a form of body art with origins in Ancient India. It is also one of the tilakas worn by Smarta Hindus. It consists of three horizontal lines on the forehead, usually with a dot made from sacred ash, and has spiritual meaning in Shiva tradition within Hinduism. The Vaishnava counterpart of this tilaka consisting of vertical lines is called the Urdhva Pundra. History The practice is discussed in Hindu texts such as Bhasmajabala Upanishad, Brihajjabala Upanishad and Kalagni Rudra Upanishad. The allegorical significance of the "three ash lines", states Deussen, is that the tradition sees them as streaks of three Vedic fires, three audible syllables of '' AUM'', three Guṇas, three worlds, three Atmans, trayi Vedas, and three aspects of Shiva. Usage and significance The Tripuṇḍra, three horizontal lines, on the forehead as well as other body parts are symb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibhuti
In Hinduism, ''vibhuti'' ( sa, विभूति, vibhūti), also called ''bhasma'' or ''thiruneeru'', is sacred ash made of burnt dried wood, burnt cow dung and/or cremated bodies used in Agamic rituals. Hindu devotees apply ''vibhuti'' traditionally as three horizontal lines across the forehead and other parts of the body to honour Shiva. ''Vibhuti'' smeared across the forehead to the end of both eyebrows is called ''tripundra''. According to the ''Shiva Purana'', the particles of ash which cling to the skin when ''tripundra'' is applied are to be considered to be individual lingams. The scriptures further state that ''bhasma'' purifies the soul and elevates the devotee of Shiva, and that works done without wearing ''bhasma'' are fruitless. There are various methods for the application of the ashes, according to the ''Shiva Purana'', and various mantras to be recited during application. Other uses Another meaning of ''vibhuti'' is a 'glorious form', in contrast with ava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilaka
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilaka
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maheshvara
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Face Of Parvati Dancer
The face is the front of an animal's head that features the eyes, nose and mouth, and through which animals express many of their emotions. The face is crucial for human identity, and damage such as scarring or developmental deformities may affect the psyche adversely. Structure The front of the human head is called the face. It includes several distinct areas, of which the main features are: *The forehead, comprising the skin beneath the hairline, bordered laterally by the temples and inferiorly by eyebrows and ears *The eyes, sitting in the orbit and protected by eyelids and eyelashes * The distinctive human nose shape, nostrils, and nasal septum *The cheeks, covering the maxilla and mandibula (or jaw), the extremity of which is the chin *The mouth, with the upper lip divided by the philtrum, sometimes revealing the teeth Facial appearance is vital for human recognition and communication. Facial muscles in humans allow expression of emotions. The face is itself a hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajas
Rajas (Sanskrit: रजस्) is one of the three Guṇas (tendencies, qualities, attributes), a philosophical and psychological concept developed by the Samkhya school of Hindu philosophy.James G. Lochtefeld, Rajas, in The Illustrated Encyclopedia of Hinduism: A-M, Vol. 2, Rosen Publishing, , pages 546-547 The other two qualities are ''Sattva'' (goodness, balance) and '' Tamas'' (lethargy, violence, disorder). ''Rajas'' is innate tendency or quality that drives motion, energy and activity.Ian Whicher (1998), ''The Integrity of the Yoga Darśana'', State University of New York Press, pages 86-87, 124-125, 163-167, 238-243 ''Rajas'' is sometimes translated as passion, where it is used in the sense of activity, without any particular value and it can contextually be either good or bad. Rajas helps actualize the other two gunas. Description In Samkhya philosophy, a is one of three "tendencies, qualities": sattva, rajas and tamas. This category of qualities have been widely adopted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yajna
Yajna ( sa, यज्ञ, yajña, translit-std=IAST, sacrifice, devotion, worship, offering) refers in Hinduism to any ritual done in front of a sacred fire, often with mantras.SG Nigal (1986), Axiological Approach to the Vedas, Northern Book, , pages 80–81 Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire ( Agni). Yajna rituals-related texts have been called the ''Karma-kanda'' (ritual works) portion of the Vedic literature, in contrast to ''Jnana-kanda'' (knowledge) portion contained in the Vedic Upanishads. The proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a central role in a Hindu's rites of passage, such as weddings. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ātman (Hinduism)
''Ātman'' (; sa, आत्मन्) is a Sanskrit word that refers to the (universal) Self or self-existent essence of individuals, as distinct from ego ('' Ahamkara''), mind ('' Citta'') and embodied existence ('' Prakṛti''). The term is often translated as soul, but is better translated as "Self," as it solely refers to pure consciousness or witness-consciousness, beyond identification with phenomena. In order to attain moksha (liberation), a human being must acquire self-knowledge ('' Atma Gyaan or Brahmajnana''). ''Atman'' is a central concept in the various schools of Indian philosophy, which have different views on the relation between ''Atman'', individual Self ('' Jīvātman''), supreme Self ('' Paramātmā'') and, the Ultimate Reality ('' Brahman''), stating that they are: completely identical ( Advaita, Non-Dualist), completely different ( Dvaita, Dualist), or simultaneously non-different and different ( Bhedabheda, Non-Dualist + Dualist). The six orthodo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soma (drink)
In the Vedic tradition, ''sóma'' (Devanagari: सोम) is a ritual drink of importance among the early Vedic Indo-Aryans. The Rigveda mentions it, particularly in the Soma Mandala. Gita mentions the drink in Chapter 9. It is equivalent to the Iranian haoma. The texts describe the preparation of soma by means of extracting the juice from a plant, the identity of which is now unknown and debated among scholars. Both in the ancient religions of Historical Vedic religion and Zoroastrianism, the name of the drink and the plant are not exactly the same.Victor Sarianidi, Viktor Sarianidi in The PBS Documentary The Story of India There has been much speculation about the most likely identity of the original plant. Traditional Indian accounts, such as those from practitioners of Ayurveda, Siddha medicine, and Somayajna called Somayajis, identify the plant as "Somalata" (''Sarcostemma acidum''). Non-Indian researchers have proposed candidates including the fly agaric, ''Aman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattva
Sattva ( Sanskrit: सत्त्व, meaning ''honesty'') is one of the three guṇas or "modes of existence" (tendencies, qualities, attributes), a philosophical and psychological concept understood by the Samkhya school of Hindu philosophy.James G. Lochtefeld, "Sattva", in ''The Illustrated Encyclopedia of Hinduism'': A–M, Vol. 2, Rosen Publishing, , p. 608 The other two qualities are ''rajas'' (passion and activity) and '' tamas'' (destruction, chaos). ''Sattva'' is the quality of goodness, positivity, truth, serenity, balance, peacefulness, and virtuousness that is drawn towards Dharma and '' Jnana'' (knowledge).Ian Whicher (1998), ''The Integrity of the Yoga Darśana'', State University of New York Press, pp. 86–87, 124–125, 163–167, 238–243 Hinduism In Samkhya philosophy, a is one of three "tendencies, qualities": sattva, rajas and tamas. This category of qualities has been widely adopted by various schools of Hinduism for categorizing behavior and natural phen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kriyā
() most commonly refers to a "completed action", technique or practice within a yoga discipline meant to achieve a specific result. Etymology is a Sanskrit term, derived from the Sanskrit root , meaning 'to do'. ' means 'action, deed, effort'. The word ''karma'' is also derived from the Sanskrit root ' () , meaning 'to do, make, perform, accomplish, cause, effect, prepare, undertake'.see: kṛ, कृMonier Monier-WilliamsMonier Williams Sanskrit-English Dictionary (2008 revision) pp 300-301; * Carl Cappeller (1999), Monier-Williams: A Sanskrit-English Dictionary, Etymological and Philologically Arranged with Special Reference to Cognate Indo-European Languages, Asian Educational Services, ''Karma'' is related to the verbal Proto-Indo-European root 'to make, form'. The root () is common in ancient Sanskrit literature, and it is relied upon to explain ideas in Rigveda, other Vedas, Upanishads, Puranas, and the Epics of Hinduism.See Rigveda 9.69.5, 10.159.4, 10.95.2, Sve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
