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Tonalism
Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. During the late 1890s, American art critics began to use the term "tonal" to describe these works, as well as the lesser-known synonyms Quietism and Intimism. Two of the leading associated painters were George Inness and James McNeill Whistler. Tonalism is sometimes used to describe American landscapes derived from the French Barbizon style, which emphasized mood and shadow. Tonalism was eventually eclipsed by Impressionism and European modernism. Australian Tonalism emerged as an art movement in Melbourne during the 1910s. Associated artists * Willis Seaver Adams * Joseph Allworthy * Edward Mitchell Bannister * Clarice Beckett * Ralph Albert Blakelock * Emanuele Cavalli ...
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Leon Dabo
Leon Dabo (July 9, 1864 – November 7, 1960) was an American tonalist landscape artist best known for his paintings of New York, particularly the Hudson Valley. His paintings were known for their feeling of spaciousness, with large areas of the canvas that had little but land, sea, or clouds. During his peak, he was considered a master of his art, earning praise from John Spargo, Bliss Carman, Benjamin De Casseres, Edwin Markham, and Anatole Le Braz. His brother, Scott Dabo, was also a noted painter. Early life Dabo, the eldest of three brothers (he also had five sisters), was possibly born in Paris, France but recently available documents state he was born in Saverne. His father Ignace Scott Dabo was a professor of aesthetics and a classical scholar, who moved the family to Detroit, Michigan in 1870 to escape the Franco-Prussian War. He supplemented Leon's formal education with Latin, French, and drawing. After his father's death in 1883, the Dabo family moved to New York ...
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James McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo " art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, '' Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other ...
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Angel De Cora
Angel De Cora Dietz (1871–1919) was a Winnebago painter, illustrator, Native American rights advocate, and teacher at Carlisle Indian School. She was a well-known Native American artist before World War I. Background Angel De Cora Dietz or Hinook-Mahiwi-Kalinaka (Fleecy Cloud Floating in Place), was born at the Winnebago Agency in Dakota County (now Thurston), Nebraska, on May 3, the daughter of David Tall Decora, a Ho-Chunk (Winnebago) of French ancestry and a son of the Little Decorah, a hereditary chief. Angel was born into the Thunderbird clan; her English and Ho-Chunk names were chosen by a relative who was asked to name her, opened the Bible, and the word "angel" caught her eye. Her mother was a member of the influential LaMere family. She was kidnapped at a young age from the Agency, and sent to school in Hampton, Virginia. She would go on to describe how it happened as follows; "A strange white man appeared on the reservation and asked her, through an interpreter, if s ...
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Albert Pinkham Ryder
Albert Pinkham Ryder (March 19, 1847 – March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. Early life Ryder was born in New Bedford, Massachusetts. New Bedford, a bustling whaling port during the 19th century, had an intimate connection with the sea that probably supplied artistic inspiration for Ryder later in life. He was the youngest of four sons; little else is known of his childhood. He began to paint landscapes while in New Bedford. The Ryder family moved to New York City in 1867 or 1868 to join Ryder's elder brother, who had opened a successful restaurant. His brother also managed the Hotel Albert, which became a Greenwich Village landmark. Ryder took his meals at this hostelry for many y ...
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George Inness
George Inness (May 1, 1825 – August 3, 1894) was a prominent American landscape painter. Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career. He also studied the Old Masters, and artists of the Barbizon school during later trips to Europe. There he was introduced to the theology of Emanuel Swedenborg, which was significant for him; he expressed that spiritualism in the works of his maturity (1879–1894). Although Inness's style evolved through distinct stages over a prolific career that spanned more than forty years and 1,000 paintings, his works consistently earned acclaim for their powerful, coordinated efforts to elicit depth of mood, atmosphere, and emotion. Neither pure realist nor impressionist, Inness was a transitional figure, He worked to combine both the earthly and the ethereal in order to capture the complete essence of a locale in his works. ...
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Emanuele Cavalli
Emanuele Cavalli (1904–1981) was an Italian painter belonging to the modern movement of the Scuola Romana (Roman School). He was also a renowned photographer, who experimented with new techniques since the 1930s. Biography The son of Apulian landowners, Cavalli moved to Rome in 1921, where he became a student of the Italian painter Felice Carena, also attending a local art college. In 1926 he exhibited some paintings at the Biennale di Venezia, where he would continue to exhibit regularly. From 1927 to 1930, Cavalli attended some exhibitions together with the painters Giuseppe Capogrossi and Francesco Di Cocco, also travelling to France (1928), where he was introduced by his friend Onofrio Martinelli to the circle of ''Italiens de Paris'' (i.e., De Pisis, De Chirico, Savinio and others). He exhibited at the Salon Bovy in Paris with Fausto Pirandello and Di Cocco, then in 1930 he returned to Rome, where he became one of the painters of the ''Scuola Romana Scuola romana or ...
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Clarice Beckett
Clarice Marjoribanks Beckett (21 March 1887 – 7 July 1935) was an Australian artist and a key member of the Australian tonalist movement. Known for her subtle, misty landscapes of Melbourne and its suburbs, Beckett developed a personal style that helped give rise to modernism in Australia. Disregarded by the art establishment during her lifetime, and largely forgotten in the decades after her death, she is now considered one of Australia's greatest artists. Born and raised in the country town of Casterton, Victoria, Beckett was seen as extremely shy from a young age, as well as bright and artistic. In 1914, after moving to Melbourne with her family, she began a three-year study at the National Gallery School under Australian impressionist painter Frederick McCubbin, then for nine months attended the rival school of art theorist Max Meldrum, a controversial outlier of the Australian art world who propounded his own tonalist painting system drawn from scientific principles ...
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Visual Art Of The United States
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported. But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history ...
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Joseph Allworthy
Joseph Allworthy (September 19, 1892 – August 17, 1991) was a prominent mid-twentieth-century American representational, tonal-realist painter based in Chicago, known for his still life compositions and portraits. He also did notable work in the field of commercial art and advertisements. Biography Early life and training Allworthy was born in Pittsburgh, Pennsylvania, on September 19, 1892, to parents of German descent. He came from a family of artists. His grandfather and granduncles painted murals and frescoes in Catholic churches after the American Civil War. His father was a decorator and illustrator who assisted in the adorning of the walls and ceilings of the Congressional Library at Washington.Bulliert, C.J.. ''The Chicago Daily News'', 15 February 1936. Joseph Allworthy got his initial training under his father and at the age of 14 worked as an errand-boy in the art department of RR Donnelley. He began his formal artistic studies at the Art Institute of Chicago, b ...
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Willis Seaver Adams
Willis Seaver Adams (1844–1921) was a landscape painter who studied under James Abbott McNeill Whistler. He studied at the Royal Academy of Fine Arts in Antwerp, Belgium and was part of the Tonalism movement, which took place in the late 19th century. Biography Early life Willis Seaver Adams was born in Suffield, Connecticut, in 1844. His father was Stephen Lorenzo Adams, also known as Pole Adams; his mother was Susan Adams. His father was a farmer and operated a tavern out of the house located by the Enfield and Suffield Covered bridge over the Connecticut River. In Willis' childhood, his father attempted to make him a farmer and a school master yet failed due to Willis' dreams to be involved with art. From 1857 to 1862 Adams sporadically attended the Connecticut Literary Institute, now known as Suffield Academy. While at the school Adams filled his books with sketches of animals and the people around him. While working at a drug store in Springfield, a wealthy Springfiel ...
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Melbourne
Melbourne ( ; Boonwurrung/Woiwurrung: ''Narrm'' or ''Naarm'') is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania. Its name generally refers to a metropolitan area known as Greater Melbourne, comprising an urban agglomeration of 31 local municipalities, although the name is also used specifically for the local municipality of City of Melbourne based around its central business area. The metropolis occupies much of the northern and eastern coastlines of Port Phillip Bay and spreads into the Mornington Peninsula, part of West Gippsland, as well as the hinterlands towards the Yarra Valley, the Dandenong and Macedon Ranges. It has a population over 5 million (19% of the population of Australia, as per 2021 census), mostly residing to the east side of the city centre, and its inhabitants are commonly referred to as "Melburnians". The area of Melbourne has been home to Aboriginal ...
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Bruce Crane
Robert Bruce Crane (1857 – October 30, 1937) was an American painter. He joined the Lyme Art Colony in the early 1900s. His most active period, though, came after 1920, when for more than a decade he did oil sketches of woods, meadows, and hills. He developed into a Tonalist painter under the influence of Jean-Charles Cazin at Grez-sur-Loing. Crane's mature works were nearly always fall and winter scenes. He usually painted in his studio in Bronxville, New York, where like many of the Tonalists he relied mostly on memories of his outdoor sketching experiences. Selected work can be found at the Florence Griswold Museum and the Newark Museum. He is a descendant of the Continental Congressman Stephen Crane.Bruce Crane (1857-1937): American Tonalist. Library of Congress Catalog Card Number: 84-81018 Early artistic work Bruce Crane's father, Solomon Crane, was an amateur artist himself and interested his son in the New York art scene from a young age. However, it was a s ...
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